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Tim Tate photograph by Tom Wolff
Tim works “off pipe” at Penland, NC
After a personal event sent him to Penland School of Craft for several months, Tim left the concept of technique driven vessels behind, and began his decade long passion for narrative, content driven sculpture. By working with content, Tim had found his voice. With this clarity of focus Tim sought to enhance the position of glass as a sculptural medium to the Washington, DC art scene. Tim’s first step: he founded the Washington Glass School.
Working with Erwin Timmers and a dedicated group of volunteers, they began by clearing space out of one of DC’s abandoned school buildings that was converted to artist studios. That task was a hard enough start, but after a summer of preparation of the studios, the school was challenged by situations outside if its control. The first class occurred just days after 9/11. Thinking the students would want to cancel after so disturbing an event, Tim called all the students – who unanimously asked for the class to go on. In frightening and unstable times, Tim discovered that people like to work through pressures by creating artwork. The glass school has sought to become the refuge for those seeking artwork as a way to help define and express themselves.
Tim advises a student about a casting technique.
Tim has worked at having the medium of glass evolve in the last decade; taking it from a technique driven vessel approach to the mixed media sculptural material it has become. His pioneering work at integrating contemporary electronics and video medias into traditional craft has brought much attention to his artwork. In 2009, National Public Radio (NPR) had segment about Tim’s work in their “All Tech Considered”
Click HERE to jump to the NPR segment “Tim Tate’s Hi-Tech Art”.
Tim has become an enthusiastic promoter of the medium, finding new ways to have artists of other media integrate glass into their works. He also works with other glass artists on collaborative works that takes both artists to new levels that they could not achieve on their own. Most notable are the series that Marc Petrovic and Tim Tate worked on together – the Apothecarium Moderne and the Seven Deadly Sins – which was recently featured in American Craft Magazine.
Tim has shown nationally and beyond, including exhibitions in the Museum of Arts and Design in New York; SOFA New York and Chicago; Art Basel Scope in Switzerland; Red Dot at Art Basel-Miami; the Luce Foundation Center for American Art at the Smithsonian; the Renwick Gallery and commercial galleries from Washington, DC to London and Berlin.
Tim Tate & Marc Petrovic
Apothecarium Moderne
photo: Anything Photographic
His awards include “Rising Star ” from the American, the Virginia Groot Foundation Award for Sculpture, three Artists Fellowship awards from the DC Commission on the Arts and Humanities and the Mayor’s Art Award. His work is in the permanent collections of the Smithsonian American Art Museum, Renwick Gallery, the Mint Museum, the Fuller Museum, the Katzen Art Center of American University, the Milwaukee Art Museum and Vanderbilt University. Tim Tate was just awarded a Fulbright, and in 2012, he will be at the UK’s University of Sunderland and the National Glass Centre. He has an upcoming solo show at the Taubman Museum in Roanoke, Va.
Click HERE to jump to the Taubman’s website information on the museum’s solo show “Tim Tate: The Waking Dreams of Magdalena Molière”
Washington Glass School: The First 10 Years
LongView Gallery
1234 9th Street, NW, Washington, DC
May 19 – June 19, Opening Reception, May 19th, 6:30-8:30 PM
For other glass artist profiles:
Diane Cabe
Sean Hennessey
Teddie Hathaway
Elizabeth Mears
Erwin Timmers
Michael Janis
Robert Kincheloe
Jackie Greeves
Jeff Zimmer
Allegra Marquart
Gateway Open Studio Tour
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WHY?
To Get to Gateway Art District’s Open Studio Tour!
Cross the Eastern Ave Border and check out the Gateway Arts District Open Studio tour!
click on image to jump to Gateway Arts Map pdf
The 7th Annual Gateway Open Studio Tour
May 14th, 12-5pm in the Gateway Arts District. FREE!
Join the Washington Glass School and the other 70 Studios as they invite you to get “up close and personal”! Free shuttle bus transportation is available along the Route 1 / Rhode Island Avenue corridor to help get you to all the venues on the tour. Or … drive, walk, bike or skip your way along this self guided tour. Maps and more information is available at www.GatewayOpenStudios.com
Big Ideas @ Gateway Arts Center, 3901 Rhode Island Ave.
Check out what’s on sale and what’s shaking at the Washington Glass School, then pop in at the adjacent Flux Studios ; Red Dirt Studio and the other studios “On-the-Tracks”. Also – down the street, at the Gateway Arts Center – there is a great show – Big Ideas – that features work by Ellen Weiss, Susan Finsen and Sondra Arkin. They are having artists talks at 2 & 4 pm.
Be A Chicken & Cross The Road!
See you Saturday!
Open Studio Tour
Saturday, May 14, 2011
12 Noon til 5 PM
Washington Glass School
3700 Otis Street
Mount Rainier, MD 20712
Glass Sparks: Michael Janis
photograph by Tom Wolff
Michael Janis studied architecture at Mies van der Rohe’s IIT in his hometown of Chicago, IL. In 1993 he moved to Australia and there he worked on a number of large scale architecture projects, including work for the 2000 Sydney Olympics. It was in Australia that Michael first started working with glass, designing walls of cast glass.
Moving back to the United States in 2003, glass artwork became his focus. Michael began glass blowing at a Baltimore hot shop and was soon taking glass courses at art centers such as Haystack Mountain in Maine, North Carolina’s Penland School of Craft, and Urban Glass in New York.
Michael at Penland School of Craft
Attracted to the experimental and adventurous approach to the medium that defined the Washington Glass School, he soon became involved with the school as the Studio Coordinator.
L-R Washington Glass Studio directors Erwin Timmers, Tim Tate, Michael Janis. From the 2006 American Style article “Filling Glass With Meaning“. Photo by Roger Foley.
In 2005, Michael became one of the Co-Directors of the Washington Glass School, and he is the Director of Public Art projects for the Washington Glass Studio.
“The Gravity Between Us” Hotel Palomar, Washington, DC
Public Art sculpture for Prince George’s County Circuit Court
Michael continues teaching at the Washington Glass School, and also has taught glass art workshops at Istanbul’s Glass Furnace, the Penland School of Craft and the Bay Area Glass Institute (BAGI) in California.
Michael teaching fused glass technique class at Washington Glass School, 2005
Michael Janis teaching at California’s Bay Area Glass Institute, 2010
His kilncast bas-relief glass and steel sculptures were featured in the seminal “Compelled By Content” exhibition at Bethesda, Maryland’s Fraser Gallery. In this show, artists that used glass with narrative content showed how the traditional craft of glass was evolving.
“Liar Paradox” Collection of Susan and Fred Sanders. Photo: Anything Photographic
Michael began incorporating imagery into his glass works, and by manipulating crushed glass powder he has been able to create intricate detail images within the glass, layering the images to emphasize the depth within.
Text and imagery work their way through Michael’s artwork panels, similar to an architect’s diagrams, suggesting elements of stories not fully disclosed. Michael’s work references the Surrealist artists of the early twentieth century and Neo-Dada concepts as seen in the work of artists like Robert Rauschenberg, Joseph Cornell and Jasper Johns.
Click HERE to jump to a short documentary on Michael and his sgraffito frit powder technique.
From the catalog of the 2011 exhibit “Material World”:
“When viewers see images of Michael Janis’ work, they may not immediately recognize it as glass art…The virtuosity of Janis’ technique supports his imagery, which is often tinged with a nostalgia for days where innocence reigned and magic seemed possible. Janis is not simply naïve, for there is a darker undercurrent to these works that speaks to the loss of this sense of wonder.” Stephen Boocks curator, April 2011
Maurine Littleton Gallery space, SOFA Chicago 2009
In 2007, Maurine Littleton Gallery began exhibiting his glass artwork at international art shows such as Art Miami, SOFA Chicago and SOFA New York. Currently, his work is on exhibit at the Flemish Center for Contemporary Glass Art in Lommel, Belgium.
In 2009 he was awarded Florida’s “Emerging Artist” award by the Florida Glass Art Alliance, in 2010, he received the Saxe Fellowship from California’s Bay Area Glass Institute. This year, Janis will be named a “Rising Star” by the Creative Glass Center of America and the Art Alliance for Contemporary Glass at the biannual glass art conference held at the Museum of American Glass at WheatonArts, in New Jersey.
The Memory of Orchids, 2011
His first museum solo show will open this year (August 6 thru November 6, 2011) at the Fuller Museum of Craft, in Brockton, Massachusetts. Michael Janis also was just awarded a Fulbright Scholarship, and will be at the UK’s University of Sunderland and National Glass Center in 2012.
Detail from “In the Evening Twilight”
Michael will be one of the featured artists in Long View Gallery’s exhibition of Artists of the Washington Glass School:
Washington Glass School: The First 10 Years
LongView Gallery
1234 9th Street, NW, Washington, DC May 19 – June 19,2011
Artist Reception, May 19th, 6:30-8:30 PM
For other Washington Glass School artist profiles:
Washington Glass School – The First 10 Years
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The Washington DC area has become internationally renowned as an emerging center of glass art. At the forefront of this charge is the Washington Glass School, where the instructors, artists and students have brought narrative and content into glass, dragging it away from decorative craft and into the rarefied atmosphere of the contemporary fine art scene. The Washington Glass School has produced artists whose art can be found in museums and collections world-wide and is advancing the Studio Glass Movement with its explorations of narrative, technology and skills. This represents the largest and most important movement in the Washington art scene since the Color School of the 70’s/80’s. 
This May, the Washington Glass School celebrates a momentous milestone – its 10th year. DC’s Long View Gallery presents “Artists of the Washington Glass School – The First Ten Years” showcasing over 20 artists and 10 years of integrating glass into the contemporary art dialogue. While it recognizes the past and present, The First 10 Years is intended to instigate – and celebrate – the new directions contemporary glass is exploring through various artistic metaphors. 
Featured artists include: Tim Tate, Michael Janis, Erwin Timmers, Elizabeth Mears, Syl Mathis, Lea Topping, Robert Kincheloe, Alison Sigethy, Dave D’Orio, Anne Plant, Jeffery Zimmer, Teddie Hathaway, Jackie Greeves, Kirk Waldroff, Debra Ruzinsky, Tex Forrest, Diane Cabe, Robert Wiener, Nancy Donnelly, Sean Hennessey, Cheryl Derricotte, Jennifer Lindstrom, Michael Mangiafico, Allegra Marquart and m.l.duffy. 
In bringing The First 10 Years to Washington, DC, Long View asks artists and audience alike to cast aside traditional notions of glass art and participate in a new form of dialogue; one that looks to the future and not the past.
The Washington Glass School Movement has focused almost entirely on the narrative content aspects of glass, breaking away from the technique-driven vessel movement of the last millennium. By focusing on cross-over sculptural work, mixed media and new media (such as interactive electronics and video), the impact this movement has had on the work of contemporary art has been felt internationally. This is the perfect chance to see a cross section of artists who have led this evolution.
Washington Glass School: The First 10 Years
1234 9th Street, NW, Washington, DC
May 19 – June 19, Opening Reception, May 19th, 6:30-8:30 PM
For more information
http://www.longviewgallerydc.com/
email: info@longviewgallery.com
(202)232-4788
A Bit of A Tease
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Next month, the LongView Gallery will present : “Artists of the Washington Glass School – The First Ten Years“. In bringing The First Ten Years to Washington, DC, LongView Gallery asks artists and audience alike to cast aside traditional notions of glass art and participate in a new form of dialogue; one that looks to the future and not the past. This exhibition is still in the process of being curated by the gallery, but one of the works submitted is so amazing, below is a sneak peak of the show.
Elizabeth Ryland Mears and William “Tex” Forrest have created a collaborative sculpture piece. The illuminated work is over 6′ tall, made of flameworked glass, steel wire & fabric.
Liz Mears & Tex Forrest’ design sketch
Full-size sample
Liz & Tex at the glass school for a photo shoot of the finished sculpture
Elizabeth Mears shows the tactile detail of the glass….”embellishments”
The finished work – photography by Anything Photographic.
Detail of the lampworked glass
The First Ten Years is intended to celebrate – and instigate– the new directions contemporary glass is exploring through various artistic metaphors. Featured artists include: Tim Tate, Michael Janis, Erwin Timmers, Elizabeth Mears, Syl Mathis, Lea Topping, Robert Kincheloe and others.
Washington Glass School: The First 10 Years
1234 9th Street, NW, Washington, DC
May 19 – June 19,2011
Artist Reception, May 19th, 6:30-8:30 PM
Collaborative Art Project to Commemorate WGS’ 10th Anniversary
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from drab…
to FAB!
Artists from the Washington Glass School are working together on a collaborative outdoor artwork to commemorate our 10th year anniversary. Artists, instructors, teaching assistants, and friends of the glass school are helping create a wall installation that, while being a singular work of art, expresses the individuals that make up the glass school. This weekend, the glass school held a “play date” to get many of the school’s artists together to make the artwork and have a great time socializing. Here are some pix from the day:
Laurie Brown working with recycled glass.
Leslie Beil working on her design.
Kay Janis gets extra special attention from the instructor. She also gets points for wearing earrings made from “panda-glass” (the remnants from the dichroic glass that was used in the making of the Washington, DC Commission on the Arts 2004 public art project “Pandamania” – where the Glass School had made a glass mosaic covered panda that sat in front of the Corcoran Gallery of Art.)
Anne Plant carefully aligns her glass elements prior to fusing.
Erwin Timmers works with recycled elements to reference …recycling.
Some of the tiles after fusing.
The installation of the exterior grids will happen at the school’s anniversary date. More images of the panels will be added as we continue with the making of the artwork – the fun will be the guessing on which artist made which panel.
New Spring & Summer Class Schedule
>It has been said that Spring is Nature’s way of saying: Let’s Party! – so why fight it? In the spirit of the season – here is the NEW Washington Glass School class schedule! The Lampworking Schedule will be online shortly.
Class 1046 – Turning Your Wood – Cuts and Lino – Cuts Into Cast Glass Panels
This incredible process will allow your wood cuts or lino cuts to be duplicated in a cast glass panel with out harming your original cut piece! What a miraculous way for that printing technique to be used architecturally! You can also print from the glass plate. Imagine a wall of your wood cuts all translated into glass, then gridded out within in a metal frame….and made into a 10 ft high x 20 ft long wall. Or as simple a single back-lit glass panel! ….The possibilities are myriad! This is the perfect way for a lino cut printer to enter the world of large scale public art or to incorporate a quality of translucency into their work. The process is very simple to learn ……. and it will expand your artistic dialog exponentially …. All while using your own imagery!
| Instructor | Kirk Waldroff |
| Dates | Saturdays April 2,9 & 16 |
| Time | 1pm – 5pm |
| Tuition | $300 |
Class 1101 – Lighting Solutions For Your Home
This class will bring some serious color to your life, and brighten up your living space. This is the perfect way to use glass in a most practical application: ceiling lamps. You will design your own colored glass, determine your own shape, and have your choice of several different hanging or mounting options. For considerably less than the price of a designer fixture, you can put your own name on one. Tuition includes glass, mold materials, and mounting hardware. No glass experience is needed, and electrical experience will be provided.
| Instructor | Erwin Timmers |
| Dates | Wed Evenings in May 4,11 & 18 |
| Time | 7pm – 9:30pm |
| Tuition | $300 |
Class 1102 – Beginner’s Glass Lovers Weekend
Our most popular class, this is the fastest way to learn all aspects of warm glass in the shortest amount of time! Under the supervision of a professional glass artist you will learn the fundamentals of fusing, slumping and dimensional kiln casting. Everything from bowls and plates to sculptural objects… this is the perfect way for a beginner to learn the basics of glass… and you will leave with several very cool items! Offered 2 times in the spring/summer schedule.
| Instructor | Robert Kincheloe, Tim Tate |
| Dates |
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| Time | 1 pm to 5 pm each day |
| Tuition | $300 per student (all materials included) |
Class 1103 – Going Green – Recycled Glass Art Workshop
Green up your life by doing something creative to help the environment! This is an exploration into using recycled glass to make sculptural pieces, architectural elements, and tableware. We will delve into multiple techniques, including casting, fusing and slumping. Glass chemistry, coloration, and firing temperatures will be explained for each particular application. It is a fantastic way to learn aspects of any warm glass work while focusing on recycling! Once you start down the path of recycled glass, you will see more and more opportunities for experimentation around you. No prior experience is necessary – you are encouraged to bring in materials you’d like to try…and you will leave with several very cool items!
| Instructor | Erwin Timmers |
| Dates | Wed Evenings in June (1,8,15) |
| Time | 7pm – 9:30pm |
| Tuition | $350 |
Class 1104 – Hot Class Casting with Glass Inclusions and Cast Metal Bases
Here is this summer’s fun and unusual crossover class! Start here at the Washington Glass School making molds from clay or lost wax. After those parts are cast and cleaned up….we next head to our sister school, DC Glassworks and ladle cast glass over those inclusions and then pour molten aluminum for the bases. This is one intense class! While it will be a lot of work…..the results will be purely sculptural.
| Instructor | Dave D’Orio, Tim Tate & Erwin Timmers |
| Dates | Sat June 25 & Sat July 9 |
| Time | 1pm to 5pm each day |
| Tuition | $400 |
Class 1105 – Beginner’s MIG Welding
Ever wondered about learning to weld? Want to impress your friends, your older brother and that cute bartender? It’s easier than you think! In three evenings you will learn how to lay a bead, and handle all sorts of sharp and dangerous tools. You will be able to complete a small project and leave with lots of ideas and know-how for other projects. This class will teach you the basics of welding, metal work and design, joining, bending and finishing. And you will get dirty!
| Instructor | Erwin Timmers |
| Dates | Wednesday evenings in June(29) and July (6, 13) |
| Time | 7pm – 9:30pm |
| Tuition | $325 |
Class 1106 – Bas- Relief In Glass / Overview of Deep Relief Dry Plaster Casting
Tired of working flat? Want an easy way to get some real depth into your glass? Here’s a fun class where you will learn one of the easiest methods of kilncasting sheet glass to achieve bas-relief sculpture. This incredibly versatile method has endless fine art and architectural applications. In this two day class, we will discuss different types of glass and their firing schedules. Working with color and how it can affect dimensional casting will also be explored. Bring items you may want to cast with this method or choose from our image library. All materials and firings included. 
| Instructor | Michael Janis |
| Dates | Sat/Sun Aug 20 & 21 |
| Time | 2pm – 5pm |
| Tuition | $350 |
Class Class 1107 – Studio Access/Open Studio
Already know the basics of casting or fusing? Open Studio gives each student the opportunity to work independently in a world class studio. Tuition includes a kiln firing per session, clear base glass and colored scrap glass, use of studio tools.
| Instructor | Studio Staff |
| Dates | Wed./Thurs./Sat (call to confirm appointment) |
| Time | 1pm – 5pm |
| Tuition | 4 sessions – $300 |
PayPal Online Registration for Spring / Summer Classes. Scroll thru list for class numbers:
Glass Sparks: Jackie Greeves
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15″ x 19 1/2″ x 1/2″
In the past thirty years, Jackie Greeves has evolved from being a nationally recognized studio potter, an enamelist whose work was exhibited both nationally and internationally, and an award winning glass artist. What has remained consistent has been the artist reaching for the emotional presentation of themes from her early training in Japan.
Quand Je Pense
Glass, .999 silver foil, .999 silver wire, copper wire, copper electroformed
perimeter
14 1/2″ x 14″ x 1/2″
In the 1960’s, she received a degree in Biology and Chemistry and worked as a bacteriologist for the Food and Drug Administration. In the early ‘70’s she spent three years studying ceramics in Tokyo, Japan with master Yamagami Norikazu. During her time as a ceramicist, she was a recipient of a National Endowment for the Arts grant for her work in clay and was a frequent exhibitor in both the Philadelphia Craft Show and the Smithsonian Craft Show.
During the 1980’s, Jackie also served as advisor for the Mayor’s Committee on Art and Culture in Baltimore, Maryland; as exhibit director of the Tomlinson Craft Collection in Baltimore; and as assistant to the Dean, Maryland College of Art and Design in Silver Spring, Maryland.
In the 1990’s, Jackie began metalsmithing and enameling at Montgomery College, where she is presently an adjunct professor in the art department.
From the 2000’s until present, Jackie has pursued the use of glass in combination with enamel and its techniques, is presently working in metal and glass creating small sculptures evoking a sense of depth and emotion. Jackie has taught courses on copper electroforming at the Washington Glass School over the years
Jackie will be one of the artists exhibiting at DC’s Longview Gallery juried invitational exhibition showcasing the people and work of the artists of the Washington Glass School.
Washington Glass School: The First 10 Years
1234 9th Street, NW, Washington, DC
May 19 – June 19, Opening Reception, May 19th, 6:30-8:30 PM
Glass Sparks: Elizabeth Ryland Mears
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Elizabeth Ryland Mears is an amazing, award winning, studio glass artist that is a master with flameworked glass. Flameworking is a technique of working with hot glass. Rods or tubes of glass are held in the flame of a bench torch where the glass is softened and then shaped by sculpting and/or blowing. The forms created are limited only by the artist’s creativity and skill, in addition to gravity and the sizes of the bench torch and annealing kiln.
Elizabeth has studied and taught lampworking techniques at Penland School of Crafts, Pilchuck Glass School, The Studio of Corning Museum of Glass, and has been involved with the Washington Glass School for many years. Her instructional book of borosilicate glass techniques “Flameworking“, was published in 2003 by LARK Books.
Elizabeth Mears Basket of Past Dreams and Future Fears
Each bundle represents some aspect of her inner world or the outer world, as she relates to it. Joseph Campbell in The Power of Myth with Bill Moyers also speaks of this relationship, “The seat of the soul is there where the inner and outer worlds meet”.
In her “Shelter” series the glass structure of the shelters serve as the protective shell for the work of her inner journey. Each shelter has a different theme.
Elizabeth Mears Shelter For Endings That Beget Beginnings
One such shelter created at a time of transition in Elizabeth’s creative life is entitled, “Shelter for Endings That Beget Beginnings”. The inner objects of this shelter are composed of hollow blown egg shapes which contain the charred remains of cedar wood shavings collected at Pilchuck Glass School from the 30th Anniversary Totem carved while she was at the summer session. The egg shapes can represent new life, and the charred remains, the death of the old life. Liz has commented that her time away at Pilchuck was instrumental in her personal transformation.
In 2002 Liz began a series, which started as a collaboration with her daughter L. Lindsey Mears, a maker of artist books and prints. Elizabeth created the glass sculpture, which later became “books” with her daugher providing the content through her photographs and poetry. Elizabeth is now the sole creator of the glass books, which contain the poetry that she writes. The photographic images chosen are symbols, which represent the experience of her poetry.
Elizabeth Mears Breath
A later series began after the death of Elizabeth’s mother in 2006. One day after that death Mears learned that her mother had been adopted as a newborn. She had never shared with any of her four children this secret she carried and no information exists about her birth family. Soon after this revelation, Liz learned many other family secrets, which prompted a continuing series of glass and mixed media pieces dealing with various aspects of the secrets we each consign to the dark recesses of our lives. In the process of making these pieces and contemplating secrets as a universal theme, Elizabeth looks at how the secrets of life often bind us together more than the parts of our lives which are shared openly. According to Campbell, “…the experience of eternity right here and now, in all things, whether thought of as good or as evil, is the function of life”. 
Elizabeth Mears Secrets They Sprout Up and Burst
Liz felt a strong connection to the comment by Joseph Campbell, “If you follow your bliss, you put yourself on a kind of track that has been there all the while, waiting for you, and the life that you ought to be living is the one you are living. When you see that, you begin to meet people who are in the field of your bliss, and they open the doors to you”. She was struck by the similarity to a statement she has included in her own writings for many years.
In 2008, Mears was asked by LARK Books to be one of ten master artists to write a chapter for the book, The Penland Book of Glass. In her chapter, Elizabeth writes the following about her personal philosophy of living a creative life, “I am a proponent of the philosophy that when we are born, we come to Earth with a personality and a set of gifts, propensities, and abilities. If we pay attention to them, they lead us along a path to fulfillment. When those things we feel passionate about energize us, energy flows out and then returns to us, altered in some form by its journey. This energy creates a positive dynamic in all directions, reaching and influencing an ever enlarging circle”.
Through making her glass objects and meeting other makers and lovers of glass and sculpture, poetry and photography, the circle of energy continues to grow, and, as Campbell says, “doors will open where you didn’t know they were going to be”.
Elizabeth Mears and Robert Kinchloe review glass projects at Washington Glass School.
Elizabeth will be one of the featured artists at Longview Gallery ‘s exhibition in honor of Washington Glass School’s 10 year anniversary. Click HERE to jump to Elizabeth Mears website.
December Sculpture Market
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The Washington Glass School proudly presents: Artworks, Sculpture, Fine Art Furniture and other handmade goods by some of the area’s finest artists in the December Sculpture Market!
See some of the new directions the artists of the Washington Glass School are moving the traditional craft with integration of modern process, mixed media, and narrative.Some of the artists showing include: Erwin Timmers, Tim Tate, Elizabeth Mears, Chris Shea, Allegra Marquart, Michael Janis, Nancy Donnelly, Robert Kincheloe, Sean Hennessey and Rania Hassan.
Music, Demos, Class Specials and more are on the agenda for the day!
The recent Glass & Steel Sculptural Development class will present their final projects in one of the galleries at the school – this semester’s class has created some of the most impressive works yet! See what happens when you have set loose a class at DC Glass Works and Washington Glass School and toss in some aluminum pour castings & metal welding – you will be impressed and wanting to know when the next class occurs!
Erin Antognoli’s kilncast glass and steel sculpture
The adjacent Flux Studios will also be open – see the works of some of the area’s best ceramic artwork!
WASHINGTON GLASS SCHOOL
December Sculpture Market & Holiday Open House
Date: Saturday, December 11, 2010
Time: 2:00 til 6:00 pm
Location: Washington Glass School
3700 Otis Street
Mount Rainier, MD 20712
Admission: Free
202.744.8222
