Mark Your Calendars: Penland Auction Aug 8/9

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This year’s featured work, created exclusively for the 2014 Penland Benefit Auction, is Gong Cocktail Service by Julia Woodman, and Black Reticello Martini Glasses, (a set of eight), by Kenny Pieper.

August 8 – 9, 2014

The Penland School of Crafts Annual Benefit Auction is a gala weekend in the North Carolina Mountains featuring the sale of more than 240 works in books, clay, drawing, glass, iron, letterpress, metals, painting, photography, printmaking, textiles, and wood. The Penland auction is one of the most important craft collecting events in the Southeast and a perfect opportunity to support Penland’s educational programs, which have helped thousands of people live creative lives.

Click HERE for detailed schedule.

Auction Weekend Tickets $385

Includes all Friday and Saturday activities

Friday, August 8

Friday-only Tickets $225

Cocktail party, exhibition preview and silent auction, dinner, live auction, dessert party, live music, and dancing

Saturday, August 9

Saturday-only Tickets $275

Coffee at the studios with Penland’s resident artists, silent auction, lunch, live auction, and a reception at the Penland Gallery

Click HERE to jump to Penland Auction page

“All New” Glass Fun Facts: Part 2

The WGS Blog returns to provide More.  Glass.  Trivia!

As far as the early history of glass making in Britain goes, the Romans brought the technology with them. This led to the European-wide spread of glass manufacture. British history records glass “Manufacture” dating back to the 13th century when “Broad Sheet” glass can be located to the areas around Sussex and Surrey. In the meantime the Venetians had thrived as glassmakers, as their glass became popular due to its brilliance and creative form. By 1330 the French had also developed “Crown Glass”. This took until the 17th century to be produced in England, in London.

 In England in 1676 George Ravenscroft invented “Lead crystal” by introducing lead oxide to the glass which took on a more brilliant appearance.

 The 17th century brought a new glass process from France, “Plate glass”, a term still used today. This was a process of pouring molten glass onto a table and then rolled. Once cold, the glass was ground under large grinding disks until optically smooth, making it perfect for mirrors. The French had legislated heavy duties on imported glass products which made it impossible for the Venetians to Export, and also offered generous incentives to any Venetian willing to work for them. By the 18th century this technology was being used in England at Ravenhead, producing the first English Polished Plate.

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The Crystal Palace was a cast-iron and plate-glass building originally erected in Hyde Park, London, England, to house the Great Exhibition of 1851

“All New” Glass Fun Facts: Part 1

Its been a while since we got our glass geek on. These fact-filled glass trivia were very popular when we were on the old blog format, and we’re ready to burst with glass bits-of-info.

When glass breaks, the cracks move at speeds of up to 3,000 miles per hour.

breaking-glass-oThin-glass goblets can vibrate when hit by sound waves. This is due to resonance.

Glass takes over 1 million years to decompose in our landfills and dumps. Recycling glass reduces air pollution by 20%, and water pollution by 50%. Only 27% of the glass used in the United States is recycled. A typical glass recycling factory can recycle up to 20 tons of glass per hour. The energy saved from recycling 1 glass bottle can run a 100-watt bulb for 4 hours.

glass landfillHydrofluoric acid will dissolve glass.

From the start of time glass has been available to man. Stone Age man used obsidian (a naturally formed glass) for cutting tools and weapons. The Phoenicians also accidentally discovered glass when cooking near nitrates that when heated formed glass. However, we have to wait until the Egyptian times before we can actually trace deliberate glass manufacture which was in the form of beads.

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In 1500 BC, we believe the first glass bottles were made using the “Core-Forming Method”.

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The term glass developed in the late Roman Empire. It was in the Roman glassmaking center at Trier, now in modern Germany, that the late-Latin term glesum originated, probably from a Germanic word for a transparent, lustrous substance.Glass manufacture had developed in Venice by the time of the Crusades (A.D. 1096-1270), and by the 1290’s an elaborate guild system of glass workers had been set up. 

Later this week: Part 2 All New Glass Fun Facts!

Click HERE to jump to Part 2

Debra Ruzinsky Lecture On Kiln Casting Techniques

Debra Ruzinsky talks about the glass work of David Reekie.

Debra Ruzinsky talks about the glass work of David Reekie.

Debra Ruzinsky presented a lecture this weekend at the Washington Glass School on the topic of kiln casting. In her history of studying and teaching around the world gave her heaps of images of world famous glass artists process’ and how they approach mold making, and kiln set-up. 

Deb went into detail of how the molds and intricate details were formed and about long annealing schedules.

Deb went into detail of how the molds and intricate details were formed and about long annealing schedules.

The class loved the opportunity to get the knowledge of the various techniques, and stayed after to chat. Debra’s background in glass and her personal history in art provided a fascinating topic for the after-talk… some of these shocking revelations will be part of some future posts!

 

Washington Art Works “The Grace of Craft”

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Sean Hennessey, “Promises That Remain Unbroken”; kilncast glass, LED, steel

On June 6, 2014,  Washington ArtWorks will open “The Grace of Craft”, an exhibition curated by Über Collector Giselle Huberman. The show features fine art craft work selected by Ms. Huberman, and will be displayed in the “Urban by Nature” Gallery.  Seventeen artists to “come together to create a show that illuminates the power, the unlimited possibilities, the beauty, the grace of craft”says Huberman.

“Craft can tell stories. It can move us. It can serve us and adorn us. And it does all this in a quiet, self-effacing way.” – Giselle Huberman

The seventeen artists participating are each regional authorities in their medium. Artists include Phil Brown, Gayle Friedman, Rania Hassan, Sean Hennessey, Tamara Laird, Laurel Lukaszewski, Jan Maddox, Donna McCullough, Komelia Okim, Nikki O’Neill, Elissa Savos, Chris Shea, Tim Tate, Novie Trump, Andrea Uravitch, Rick Wall, Nancy Weisser.

Washington-ArtWorksThis show will be on display through the end of June. Gallery hours are Monday-Thursday 10am-10pm, Friday-Sunday 10am-4pm.

Washington ArtWorks

12276 Wilkins Avenue, Rockville, Maryland 20852

301-654-1998

Washington Visits Washington

mog.susan.warner.famous.glass.artist.tim_tate.michael_janisSusan Warner, Exec Director of Washington State’s Tacoma Museum of Glass dropped in on the Washington Glass School. Susan met with WGS artists and talked about possible collaborative projects between the two Washington glass centers. Lets hope it works out and a Washington² or East Coast / West Coast Glass Smackdown show can happen!

WGS Glass Lecture “Kiln Casters – A Close Look At The Methods Behind the Madness”

With the success of Debra Ruzinsky’s lecture this past October on the Untold History of Studio Glass – This Saturday, May 31st, is the next installment of glass knowledge!

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Free Lecture – Kiln Casters: A Close Look at the Methods Behind the Madness! (Class 1701)

An exploration of the symbiotic relationship between technique and conceptual thinking as seen through the work of contemporary glass casters.  Slide discussion of artists who focus on cast glass, with an inside look into the techniques they’ve developed to produce their work. The talk will be presented with lots of images and there will be time for discussions.

Speaker: Debra Ruzinsky. Deb received her BA in Design from the University of California at Los Angeles, and her MFA in Glass Sculpture from RIT. She has been working in glass since 1982. She serves on the publications committee of the Glass Art Society, and was Visiting Asst. Professor of Glass at RIT for the 2008-2009 academic calendar year, and has been a visiting lecturer to the Virginia Commonwealth University’s Glass Program. Her work is part of the collection of the Seto City Museum in Seto, Japan, and the Glasmuseet Ebeltoft in Denmark, as well as the RIT Wallace Library Collection.

Saturday, May 31st, from 11am to 12 noon

Email RSVP to washglassschool@aol.com

Memorial Day

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Stephen Beardsell; cast glass, 14″ x 14″ x 1.5″, 2009

In 1915, inspired by the poem “In Flanders Fields,” Moina Michael replied with her own poem:

We cherish too, the Poppy red
That grows on fields where valor led,
It seems to signal to the skies
That blood of heroes never dies.

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Stephen Beardsell describing his process of reverse imagery glass casting to workshop audience at the Washington Glass School, June 2009.

Habatat Galleries 2014 Brilliance Award Winner

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Tim Tate’s Monet’s Garden series comes in a variety of colors.

Michigan’s Habatat Galleries has named Washington Glass School’s Tim Tate as their 2014 Brilliance Award winner, celebrating his new direction with Monet’s Garden Series.

The annual Brilliance Award is given to a featured artist at Habatat Galleries that is working on the highest level of innovation, intensity, and imagination within the contemporary glass community.

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Tim Tate Monet’s Garden Series, Wall Sconces, 22” x 10” x 10″, Cast glass and LED

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Monet’s Garden illuminated artwork installed. photo by Anything Photographic

 Congratulations Tim on the honor and the beautiful artwork! 

Washington Glass Studio Projects

Most of you know about the Washington Glass School’s extensive glass classes and the artwork, but many of you don’t know the third component of the Washington Glass Studio.  The Washington Glass Studio was established in 2001 to deliver artwork to the public realm by creating site specific art for architectural and landscape environments. Here is a highlight of a few recent projects to give a scope of what we are capable of producing.

"Gateway To Community"   Glass and steel arch for Washington, DC Ward 7. Under Construction

“Gateway To Community” Glass and steel arch for Washington, DC Ward 7. Under Construction

We are currently finishing a commissioned public art sculpture in Washington, DC’s Ward 7 in front of the Unity Parkside Health Clinic and across the street from Caesar Chavez High School. This sculpture will be one of the first public art projects in Ward 7. Consisting of a 16 foot high tri-sided glass covered arch, the entire concept was derived from meeting with the community in the Kenilworth neighborhood.

The residents of the community participated in the creation of the glass elements for the public artwork sculpture.

The residents of the community participated in the creation of the glass elements for the public artwork sculpture.

Made up from steel tube sections the steel framework is clad in covered in colorful kilncast glass panels bolted to the structure. Over 300 tiles were required to complete the structure. These 300 tiles we all hand made by volunteers in the community surrounding the arch. The artwork will be internally illuminated with LED lighting throughout the sculpture. Installation is set for end of May/early June.

The Architect of the Capitol provides design direction for the historic Library of Congress Adams Building.

The Architect of the Capitol provides design direction for the historic Library of Congress Adams Building.

Of our recent public art works, the most acclaimed is our cast glass doors for the Library of Congress’ Adams Building. The original doors were cast bronze from the early WPA days. They were designed by Lee Lawrie, who is most known for his designs at Rockefeller Center in NYC. The original bronze bas-relief doors had ceased to be functional years ago, and the entrances were not up to current safety and security code. In a moment of courage and insight, one of the architects of the Architect Of The Capital’s office realized that if the bronze doors were redesigned with glass replicas of the original bronze bas-relief, then he could bring them up to code and increase safety, for much less money.  We then took on this multi-year project, with spectacular results.

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There were 6 sets of these doors, facing the east and west sides of the Adams Building. American Craft Magazine did a feature story on our work for the Library of Congress and its process – click here to jump to the magazine’s article online.

A smaller scale work was created for the charity organization “Food and Friends” new outdoor park. We made a cast glass Donor Wall that was to honor those who have passed away, to support to charitable work of the organization and to encourage donors to participate. Bas-relief cast glass panels in complementary colors set into a steel framework allows light to pass thru the memorial wall and create colors and patterns on the surrounding plaza. The nature of the glass panels encourages tactile investigation and contemplative interaction.

Food and Friends organization commissioned an outdoor donor wall for their park alongside their Riggs Road facility.

Food and Friends organization commissioned an outdoor donor wall for their park alongside the charity’s Washington, DC facility.

Lastly, one of our most distinguished works was for the Safeway supermarket Bethesda, Maryland. The original store was to be demolished to make way for a much larger structure with parking on the ground floor. As the grocer was committed to Green building, the new structure was to be the first LEED certified grocery store in Montgomery County, and we integrated eco-friendly materials, using recycled glass from the demolished store and re-purposing them to make the new glass and steel ground level building façade. The ground floor building skin was designed to conceal the parking garage function without completely enclosing it.  Here is the result:

Glass recycled from the original site's building was incorporated into Safeway supermarket's first LEED certified building in Montgomery County, MD.

Glass recycled from the original site’s building was incorporated into Safeway supermarket’s first LEED certified building in Montgomery County, MD.

This is only a fraction of what we have competed and what we are capable of doing. No job is too large or too complex. Our architectural design and technical team work well with architects and designers. We are currently looking for additional projects, so let us know in case you know of any, or know someone who might!