"Elements of 21st Century Reliquaries" Sculpture Class

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A reliquary is a receptacle for keeping and displaying sacred objects (relics). In Victorian times, bell jars (cylindrical glass vessels with a rounded top and an open base) were used to protect and display fragile objects.

The artwork reliquaries of ceramic sculptor Novie Trump and mixed media sculptor Tim Tate are filled with meaning, symbolism, and are powerfully evocative. Both artists work seem inspired by an almost obsessive sense of remembrance.

One might ask: How do they make such introspective & complex works – and more importantly, how are their processes applicable for other artists looking to reference our need to create spaces for the things we hold dear?

The two DC area superstar sculptors have teamed up to teach a special sculpture class - Elements of 21st Century Reliquaries.

Novie draws on her archeology training as she creates ceramic houses, books, birds, boats and reliquaries, many that look as though they might have been unearthed on an archeological dig. She explores ideas of nest/hive/home over and over in the work. 

“…I often use archetypal symbols taken from ancient myths and tales. These iconic images take many forms: the bird as harbinger and messenger, bones as touchstones of quiet power, the forest as a threshold to the unknown. These symbols are used to express such universal human experiences as love, loss, fear, death, courage and transformation.” Novie Trump


Mixed media/video artist Tim Tate uses blown glass jars to capture universal emotions and experiences with haunting video reliquaries that push the boundaries between fine art and fine craft. Tim’s sculptures ask you to surrender your guarded self and feel the range of emotions that they provoke.

“Revelation — and in some cases self-revelation, is the underlying theme of my electronic reliquaries. But the important revelations here are in the viewer’s response to my hybrid art form and its conceptual nature.  I try to bare everything — the guts of my materials and my inner thoughts — in deceptively simple narrative videos set into specimen jars. These works are phylacteries of sorts, the transparent reliquaries in which bits of saints’ bones or hair — relics — are displayed. In many cultures and religions, relics are believed to have magical or spiritual powers, especially for healing. My relics are temporal, sounds and moving images formally enshrined, encapsulating experiences like cultural specimens. And perhaps, to the contemporary soul, they are no less reliquaries than those containing the bones of a saint.” Tim Tate

Class 1304Elements of 21st Century Reliquaries

Reliquaries with internal healing objects have been important cultural objects for centuries. They have been made with a wide variety of materials. But what makes a reliquary in the 21st century? What elements can go inside? Which materials seem most appropriate in modern times? In this class we will utilize clay and glass to explore current concepts in reliquary forms. This class will be split between a clay and kiln cast glass studio, allowing each participant the use of both materials and many techniques. There will be a wine and cheese reception at the end of this workshop to allow friends to see the work in a professional setting.

Instructor Tim Tate, Novie Trump
Dates Sat/Suns in July/Aug (July 14,15,21,22,28,Aug 4,11)
Time 1pm to 5pm
$600

Interested? Click HERE to jump to the Washington Glass School online schedule.


Novie Trump is a sculptor whose work is in public and private collections throughout the United States and Europe. Her ceramic sculpture has been selected for juried and invitational exhibitions and has been featured in books and publications. She is the founder and director of Flux Studios, a studio in Mount Rainier, MD 



Tim Tate is a Washington, DC native, and has been working with glass as a sculptural medium for the past 25 years. Co-Founder of the Washington Glass School, Tim’s work is in the permanent collections of a number of museums, including the Smithsonian’s American Art Museum, Renwick Gallery and the Mint Museum. He was the recipient of the 2009 Virginia Groot Foundation award for sculpture. He is a 2012 Fulbright Scholar recipient and was Artist-In-Residence at the Institute for International Glass Research (IIRG) in the UK.

PhD In Glass at University of Sunderland

>Kevin Petrie, professor of Glass and Ceramics at the UK’s University of Sunderland will be coming to the Glass Art Society’s (GAS) Conference at Toledo to talk with people interested in studies in glass at the University. 

The University of Sunderlandhas the largest glass and ceramics department in Europe. It is also one of world’s best equipped studios for creative glassmaking. Specialist areas include: glass and print, waterjet cutting, and hot, kiln and architectural glass. (this past year, I was at Sunderland for my Fulbright Scholarship, and found everything about place to be incredible).


The University of Sunderland Glass Facility

The University of Sunderlandis based in the National Glass Centre, the center of excellence for glass in the UK, supporting the production and exhibition of contemporary glass within a research-rich learning environment. The Institute for International Research in Glass (IIRG) promotes and facilitates this research, developing the latest working methods and informing teaching at the undergraduate and postgraduate levels. (The idea of a doctorate in glass is soo appealing to me!)

From the Sunderland student brochure:

Students will be taught by international award-winning staff, who are all recognized professional artists, designers, curators and writers. You will also be offered real-world opportunities, including the chance to show your work in public exhibitions, undertake internships, work on live commissions, and enter competitions – all of which will help you to build your career.

We are a supportive creative community and encourage our students to become nationally, and internationally, networked during their time on the course. Our students have been selected for distinguished exhibitions such as the British Glass Biennale, Bombay Sapphire Glass Prize and the European Glass Context. Many of our graduates become independent artists with their own studios. Others are successful educators. A substantial number of our students are professionals who undertake doctorates to reflect on their work, advance creative practice and contribute to knowledge in the field of glass art.

Interested in more info about studying glass in an incredible facility? Professor Petrie will be available for advisory interviews at GAS, Tech Display Booth #17

Sgraffito Glass Technique @ Hot Glass Houston

>Michael Janis gets his glass to Texas.
Hot Glass Houstona glass facility that encourages exploration and good times has a great assortment of classes and supplies to provide the people of the Houston area with everything they need to do everything with glass. And they’re a Bullseye Resource Center. Hot Glass Houston is hosting a 3-day workshop with Michael as he divulges his secrets on getting imagery in glass –  ”Visualizations in Glass” July 13, 14 & 15, 2012 – Friday, Saturday, & Sunday – 10- 4 each day. Erwin Timmers had taught a Recycled Glass class there and really enjoyed the place! 

Famous Texas Icons: Texas Rangers, Oil, Armadillos, Big Hair

Click HERE to jump to Hot Glass Houston’s info on the class.


While in Texas, Michael said he wanted to check out all the Texas-isms he heard about from his Texas-born wife. The “Don’t Mess-With Texas” attitude, Big Country, Big Hats, Big Shoes, Big Mosquitoes. BBQ. Michael also said that he plans on re-enacting key scenes from Pee Wees Big Adventure that was partly set in Texas:


Being cheeky in Texas can end in tears.

Getting GAS’d Up – Glass Art Society Conference Opens in Toledo

>In recognition of the Toledo Museum of Art’s role as the cradle of the American Studio Glass Movement, GAS will be holding its 2012 conference in Toledo, Ohio, June 13 – 17, 2012. 
Toledo is welcoming again artists from around the world to celebrate the achievements of the past and to explore the seemingly endless possibilities of glass. Professor Tim Tate will be on a panel with Matthew Szosz, Alexander Rosenberg and moderated by Andrew Page. The discussion is titled: Post Studio Glass    and will discuss how:
The work in glass being shown in galleries and art fairs still focuses on formalist object on a plinth. A new generation of glass artists is breaking with the existing glass art field to apply new strategies. Panelists speak with GLASS Quarterly editor Andrew Page about this generational shift and its implications.

POST STUDIO GLASS PANEL A Look at the New Parameters 
for Work in Glass
Saturday,June 16 at 1:45-3:15pm in the Seagate rooms 202-208


Click HERE for the conference program pdf.

If you are going to GAS, be sure to avail yourself of all the exhibitions that are part of the Studio Glass Movement’s 50th Anniversary. One of the shows (just outside of Toledo in the suburb of Perrysburg, OH) is a great mix of art work by artists that work with narrative imagery. Artwork by leading glass artists April Surgent, Therman Statom, Tim Tate, Marc Petrovic, Susan Taylor Glasgow, and Michael Janis.

Images

June 11- Sept 14, 2012

Walter E. Terhune Gallery

Prince George’s County Buys Artomatic Artwork

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This past Saturday at Artomatic, Prince George’s County announced their acquisitions of artwork on exhibit by Prince George’s County artists. The Department of Parks & Recreation said that the purchase of artwork comes as “recognition of our artists’ role in the regional art community and is an attempt to highlight, showcase and promote their accomplishments as well as demonstrate the long-term positive impact of the arts within our communities”.

Ronnie Gathers, Director, Prince Georges County Department of Parks and Recreation announces the artwork selection.

Below lists the 11 works purchased – the artists below deserve well-earned congratulations! Prince George’s County deserves a huge thank you! from the DMV arts community for its support.

2012 Prince George’s County Artomatic Purchases

Ellen Cornett                     “No Puppets”                      Pastel on paper

Matt Deal                          “Machinery”                       Blown glass

Eric Eldritch                     “Elementals I”                      Acrylic on sandpaper

Eric Eldritch                     “Elementals II”                     Acrylic on sandpaper

Rania Hassan                   6 Panels from “Knit Dress”  Acrylic & Fiber on Canvas

Sean Hennessey              “Hopes and Dreams”            Glass, Concrete, Paint, Steel, LED

Jessica Murray                “Untitled”                             Mixed media on paper

Bert Pasquale                  “Final March”                       Photograph

Bert Pasquale                  “Final Flight”                        Photograph

Ishmail Reaves                 “Microphone”                      Acrylic on canvas

Ronnie Spiewak               “Landfall”                            Collage

Washington Glass Studio  “Fractal Panel”                    Glass, paint, light

Curtis G. Woody              “Just Beyond the Sunset”     Mixed media collage

Blue Spiral 1 Gallery Looks to Studio Glass’ Future

>North Carolina’s Asheville was named one of AmericanStyle magazine’s “Top 25 Arts Destinations” . This week, another of its top galleries – this time Blue Spiral 1 – opens a show that looks to honor the 50th Anniversary of the American Studio Glass Movement.

WGS is well represented in the list of artists!

Blue Spiral has curated the show with an eye to the future of glass with “compelling sculpture [that] speaks to conceptual and narrative directions the medium takes in the 21st Century”.


Artists include a number from the Washington Glass School extended family – Tim Tate, Sean Hennessey, Michael Janis, Marc Petrovic, Christina Bothwell and Susan Taylor Glasgow.


With Erwin Timmers’ work showing at nearby Bender Gallery – its like a Washington Glass School summer camp in the Blue Ridge Mountains!


Glass Secessionism
June 7 – July 26, 2012
Opening Reception, June 7, 5-8 pm
Blue Spiral 1 Gallery
38 Biltmore Avenue
Asheville, NC 28801

Asheville, NC Celebrates Studio Glass’ 50th Anniversary

>North Carolina’s Bender Gallery, located in the hip arts city of Asheville, will host an exhibition that will celebrate the diversity of glass as an artistic medium since the inception of the American Studio Glass Movement in 1962. New works made expressly for the exhibition along with work never before shown by thirty two regional and national as well as Canadian glass artists will be on display. 

Erwin Timmers “Banding Together”

 
Divergent Visions: Celebrating the 50th Anniversary of American Studio Glass” will showcase the various techniques of glass art inspired by each individual artist’s unique vision and interpretation. There will be an extensive variety of contemporary art glass on exhibit including delicate flame-worked sculpture; tactile kiln cast glass, hot formed glass pieces, gauzy pate de verre and glass “painting” with vitreous enamel.

The Bender Gallery will host an opening reception from 5-8 p.m. Thursday June 7, 2012.

Erwin Timmers “More or Less”

The “king of recycling” – ErwinTimmers‘ striking glass sculptures made from recycled glass are featured.

Janis Miltonberger “Between Worlds”

Also in the gallery are new flame-worked glass sculptures by Janis Miltenberger.


The Bender Gallery is located at 12 S Lexington Avenue in Asheville, North Carolina. The gallery is open Monday through Saturday from 10:30 am – 5 pm and Sunday from 12 pm – 5 pm. For inquiries call 828-505-8341.