GlassBoston

You might recall the postabout the cancellation of the G.A.S. Boston conference. In the wake of the G.A.S. conference cancellation, The Society of Arts and Crafts, MIT Glass Lab, APG/NOCA, and Strattman Design have organized “GlassBoston” –

a  conference that will be held in Boston and Cambridge this June.  GlassBoston includes workshops, lectures, demonstrations, and tours, as well as a nonjuried glass show and sale that will be open to the public. Information (and registration access) is posted on the website of The Society of Arts and Crafts: http://www.societyofcrafts.org/learn/glassboston.asp.

GlassBoston has been designed for emerging, mid-career and established artists and the public interested in glass. Highlights include:

-  Lectures by glass and origami artists Erik and Martin Demaine; Professor of Materials Science Michael J. Cima; and an associate from James Carpenter Design Associates.

-  A symposium on the use of CAD and rapid prototyping tools and technologies, including artists Tavs Jorgensen and Norwood Viviano.

-  Tours of the MIT Media Lab, Center for Bits and Atoms, and the MIT Museum.

-  A one-day come-one-come-all glass show and sale, open to all attendees and the public.

-  Demonstrations by Rik and Shelley Allen, James Mongrain, Pablo Soto, Mark Petrovic, Hank Adams, Deborah Czeresko, Matthew Szosz, Alexander Rosenburg, Wesley Fleming and others to be announced.

-  Tours to studios, museums, galleries and private collections.


GlassBoston attendance is limited to 200, so if interested, you need to sign up soon.

Housing will be available in the MIT dorm New House – single ($68) and double ($88). 
Click HERE to jump to registration site. 

American Craft Magazine Features Washington Glass School Artists

Check out American Craft Magazine online.

The April/May issue of American Craft Magazine is now out – within the sheets of the magazine – or at the ACC website, one can see familiar faces names and artworks.
The magazine cover lists the contents: Fossils, Claws, Fur, Chicken Legs, Fangs, Fungi, Spider Eggs and Twigs – so clearly, the magazine is all about WGS.
Marc Petrovic’s beautiful blown sculpture “Not The Brightest Bulb” is featured with an article by Glen Adamson, from London’s V & A Museum, that asks if craft can connect the viewers more to nature.

Great article by Glen Adamson on the rise of technology and the disconnect with nature.

“Mermaids Past Their Prime”photo by Pete Duvall

Tim Tate is also featured in the article by senior editor Julie Hanus, titled “More Than Human“. Julie’s article is a fun look at how artists create human/animal imagery to create compelling insights to who we are. His featured work, one of his pieces from his eries ’21st Century Sideshows’ – a mixed media reliquary titled “Mermaids Past Their Prime”. Daily Art Muse blog author Susan Lomuto was the starring actor for the video portrayal of a chain smoking world weary faded maid.

Other glass artists – Martin Janecky and Anne Wolff‘s works were in an article about Habatat Galleries upcoming 41st International Glass Invitational, which opens April 24. The Michigan gallery will have a concurrent exhibition, titled “eXpose,”at that time that includes works by our Sean Hennessey.

Getting a big spread of 8 pages, Michael Janis is profiled by Rebecca Ritzel.

Forget “Being John Malkovich” – the American Craft Magazine article is about “Becoming Michael Janis”!
sgraffito on glass, scraffito, glass frit powder drawing
photo by Robert Severi

Rebecca talks with Michael and uncovers his past life as an architect in Australia, and how, in a short amount of time, became one of leading ‘sgrafitto’ glass artists in the world.

If you get the subscription for the magazine – it should be delivered in the next few days. If you want it online – you can get the digital subscription to the magazine HERE.
Or – run right out to the newstand and demand your copy – AT ONCE!

Mesa Contemporary Arts Museum Opens Tim Tate & Marc Petrovic Exhibit

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“Envy” Tim Tate and Marc Petrovic; Cast and Blown Glass, Metal, Video

The artist team of Tim Tate & Marc Petrovic are an artistic powerhouse duo! Tonight their exhibit “Glass Secessionism” opens at the Mesa Contemporary Arts Museum.

GLASS SECESSIONISM

When:

 

Friday, September 14, 2012 – Sunday, January 6, 2013 

Where:

 

Project Room

For more than two decades, artists Tim Tate and Marc Petrovic have created some of the most striking and innovative works in glass today. Known for his distinctive fusion of new media with traditional glass techniques, Tim Tate cleverly incorporates audio and video apparatuses with found objects and blown and cast glass elements. Marc Petrovic’s blown and sculpted pieces evoke a timelessness and quiet elegance that captures the imagination. The centerpiece of this exhibition is Tate and Petrovic’s latest collaborative venture, The Deadly Sins, which visually depicts the traditional vices in contemporary times.

The Mesa Contemporary Arts Museum located at the Mesa Arts Center in downtown Mesa, Arizona opens a number of glass based exhibits  – click HERE to jump to the Museum’s website. Mesa Arts Center, One East Main Street, Mesa, Arizona 85201

Marc Petrovic Solo Show @ Heller Gallery

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New York’s Heller Gallery will be presenting a solo exhibition of Marc Petrovic  – in a show titled ‘Avian’. Marc often uses bird imagery as a metaphor for relationships, parenting, home, shelter, and geographical identification. In his most recent series, Avian, he takes a closer look at his subject as he pixelates, deconstructs and then reconstructs the figure.  

To create his sculpture, Marc first creates a murrini flat patterned sheet that is later worked in the hot shop, using the roll-up process. The flat fused panel is a result of painstaking detailed cutting and firing of flat colored sheets of Bullseye glass.
Marc Petrovic with Jonathan Chapman work in the hot shop to shape the glass into a dimensional piece.


Using Bullseyecolored glass, Marc cuts the sheet glass, arranges and fuses it into abstract patterned slabs (beautiful as an abstract flat plate). He then uses the “Aussie Roll-up” technique to transform them into incredibly detailed blown glass sculptures. If you are familiar with Marc’s work, his knowledge of anatomy of (seemingly all) living creatures comes into play, as his work easily travels between obsessive, meditative labor, visionary  abstraction and poignant representation. He has been working on this show for most of the past year, and it really shows in the beauty and detail of the work.

Marc Petrovic “Avian” Hot-sculpted and blown Bullseye murrini roll-up. H 9, W 15, D 10 in.
Marc and his work will be featured in an article in the upcoming Fall 2012 print edition of GLASS Quarterly  magazine. Click HERE to jump to a set of photos on Facebook of his process.

MARC PETROVIC – AVIAN

September 7- October 6, 2012

Reception for the artist: Thursday, September 6, 6-8pm

Demo: Saturday, September 8, 2012 11am at Brooklyn Glass to benefit Urban Glass Studio.

Heller Gallery

420 West 14th St.

New York NY 10014

Blue Spiral 1 Gallery in Asheville, NC features Glass Secessionists

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Robert Bender‘s cast glass sculptures.

A number of venues around the country are hosting exhibitions this year in honor of the 50th anniversary of the Studio Glass Movement (including one at the Asheville Art Museum). The current exhibition at AshevilleNC’s Blue Spiral 1 gallery is a little different however…  
Stepping outside the gallery’s standard focus on southern artists, this national invitational centers on Glass Secessionism – on view through July 28, 2012.      

Works by Sean Hennessey and Christina Bothwell.

Often incorporating other media, work by Glass Secessionists is predominantly narrative or conceptual. Noted in the group’s description, “The intent of the (Glass Secessionism) group is to underscore and define the twenty-first century Sculptural Glass Movement and to illustrate the differences and strengths compared to late twentieth century technique-driven glass. While the twentieth century glass artists’ contributions have been spectacular and groundbreaking, this group focuses on the aesthetic of the twenty-first century.”    

Tim Tate‘s treats in glass.
Thor & Jennifer Bueno and Christina Bothwell ‘s artwork make striking juxtapositions.
Marc Petrovic‘s amazing sculptures.
Artists have done fantastic and innovative things with glass over the past 50 years, while its potential as a sculptural medium continues to grow as we see object  makers crossing over from their primary discipline and articulating ideas through a variety of media. Bringing background and technical knowledge of particular materials, artists approach new mediums with fresh perspective, often discovering exciting ways to handle or combine media. Glass is no stranger to this phenomenon. For example, Tim Tate incorporates video elements in some of his works. Most of Christina Bothwell’s sculptures marry glass with ceramics…along with a host of other materials. Susan Taylor Glasgow assembles iconic images of domesticity through sewing together glass elements. These artists represent a number of makers who are redefining the field.  

The bold sculptures by Marc Peiser provide a counterpoint to Susan Taylor Glasgow‘s domestic icons in glass. 

Michael Janis‘ drawings in glass.

Artwork by Michael Janis, Ken Carder and Christina Bothwell in the front window of the gallery.

The story may be poignant or provocative; the imagery haunting or humorous, but whether they lean toward edgy or whimsical, a growing number of glass artists have something compelling to say. Many share the sentiment that the medium offers more than dazzling effects, desiring objects that transcend materiality and stir something within us.     

Glass Secessionism includes work by Rick Beck, Robert Bender, Christina Bothwell, Thor & Jennifer Bueno, Ken Carder, Susan Taylor Glasgow, Sean Hennessey, Michael Janis, Mark Peiser, Marc Petrovic, Sally Rogers, and Tim Tate. The exhibition opened June 7 and will continue through July 27 in the Showcase Gallery on Blue Spiral 1’s main level and extends through the month of August upstairs.

Works by Christina Bothwell, Rick Beck, Sally Rogers and Robert Bender.

Getting GAS’d Up – Glass Art Society Conference Opens in Toledo

>In recognition of the Toledo Museum of Art’s role as the cradle of the American Studio Glass Movement, GAS will be holding its 2012 conference in Toledo, Ohio, June 13 – 17, 2012. 
Toledo is welcoming again artists from around the world to celebrate the achievements of the past and to explore the seemingly endless possibilities of glass. Professor Tim Tate will be on a panel with Matthew Szosz, Alexander Rosenberg and moderated by Andrew Page. The discussion is titled: Post Studio Glass    and will discuss how:
The work in glass being shown in galleries and art fairs still focuses on formalist object on a plinth. A new generation of glass artists is breaking with the existing glass art field to apply new strategies. Panelists speak with GLASS Quarterly editor Andrew Page about this generational shift and its implications.

POST STUDIO GLASS PANEL A Look at the New Parameters 
for Work in Glass
Saturday,June 16 at 1:45-3:15pm in the Seagate rooms 202-208


Click HERE for the conference program pdf.

If you are going to GAS, be sure to avail yourself of all the exhibitions that are part of the Studio Glass Movement’s 50th Anniversary. One of the shows (just outside of Toledo in the suburb of Perrysburg, OH) is a great mix of art work by artists that work with narrative imagery. Artwork by leading glass artists April Surgent, Therman Statom, Tim Tate, Marc Petrovic, Susan Taylor Glasgow, and Michael Janis.

Images

June 11- Sept 14, 2012

Walter E. Terhune Gallery

Blue Spiral 1 Gallery Looks to Studio Glass’ Future

>North Carolina’s Asheville was named one of AmericanStyle magazine’s “Top 25 Arts Destinations” . This week, another of its top galleries – this time Blue Spiral 1 – opens a show that looks to honor the 50th Anniversary of the American Studio Glass Movement.

WGS is well represented in the list of artists!

Blue Spiral has curated the show with an eye to the future of glass with “compelling sculpture [that] speaks to conceptual and narrative directions the medium takes in the 21st Century”.


Artists include a number from the Washington Glass School extended family – Tim Tate, Sean Hennessey, Michael Janis, Marc Petrovic, Christina Bothwell and Susan Taylor Glasgow.


With Erwin Timmers’ work showing at nearby Bender Gallery – its like a Washington Glass School summer camp in the Blue Ridge Mountains!


Glass Secessionism
June 7 – July 26, 2012
Opening Reception, June 7, 5-8 pm
Blue Spiral 1 Gallery
38 Biltmore Avenue
Asheville, NC 28801

"Dead or Alive" Exhibition at MAD Update

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The Apothecarium Moderne Marc Petrovic/Tim Tate

Readers of the WGS blog might remember earlier postings about Tim Tate & Marc Petrovic’s collaborative work ” The Apothecarium Moderne” that was part of the Museum of Arts and Design (MAD) exhibition “Dead or Alive: Nature Becomes Art”.

The museum’s curators just received notice that the International Art Critics Association (AICA) will be giving the exhibition an award. These awards are given in recognition of the exceptional and important work in the visual arts contributed that year by artists, curators, gallerists, writers, scholars, and cultural institutions. Past winners include the nation’s most important and innovative art institutions. Last year they included the Museum of Fine Arts, Boston, the Los Angeles County Museum of Fine Arts, the Museum of Modern Art, New York, and the Metropolitan Museum of Art among others. The award ceremony will take place on March 14, 2011 at Cooper Union’s Rose Auditorium in New York City.

Category: Architecture or Design Show
Title: Dead or Alive: Nature Becomes Art
Institution: The Museum of Arts and Design, New York, NY
Dates: April 27 – October 24, 2010
Curators: Chief Curator David Revere McFadden and Senior Curator Lowery Stokes Sims

Congrats to all the artists and the museum!

Petrovic & Tate Are At It Again

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Marc Petrovic and Tim Tate

Fresh from their collaborative work that is now on exhibit in the Dead or Alive show at the Museum of Arts and Design, artists Tim Tate and Marc Petrovic are working on another set of works.
Marc & Tim’s M.A.D. installation:
Apothecarium Moderne, resembles a 19th century apothecary. Take a closer look though and you’ll see that the contents of these glass sculptures represent cures for modern day ills such as Loss Of Faith, Financial Insecurity, Identity Theft and Erectile Dysfunction, The show has garnered a lot of reviews and attention, including the NY Times inclusion of an image of their work in the Time’s Science section.

Apothecarium Moderne: Glass, mixed media, video.
photography by AnythingPhotographic


This collaboration is one of many such projects that the Connecticut-based Petrovic and DC-based Tate have worked on over the years, since they first met at Penland School of Crafts in 1992.

Word is that the new series is based on the seven deadly sins & they have been busy trying out each and every sin to gain insight.

Marc Petrovic and Tim Tate

Petrovic & Tate Talk!

>New York’s Museum of Arts And Design current exhibition Dead or Alive features a collaborative artwork piece by Marc Petrovic and Tim Tate.


Apothecarium Moderne by Tim Tate & Marc Petrovic
photograph by Anything Photographic


The two artists discuss their collaboration and the story behind the artwork in a video made by the Museum of Arts and Design.

Click on image to jump to video of Tim Tate & Marc Petrovic.