Bourgeon On Tim Tate

>The online arts magazine Bourgeon has a great article about Tim Tate and the Washington Glass School. The magazine article’s highlights include Tim’s achievements and plans for the upcoming 10th anniversary of the Washington Glass School and his thoughts about the tremendous changes that are remaking the art world landscape. Tim talks of how the artist’s career path has changed, and how he has succeeded – indeed thrives, within the current technological and social interactive changes going on.

“in the late 1980’s, the art world presented a hugely different terrain than it does today. In those days, there was one primary path. An emerging artist would try to be noticed by a local gallery, which, if the artist were lucky, would represent him/her in that geographic region. Ideally, one would find several different galleries in different regions, striving for a New York gallery one day. If a gallery had contacts with a museum curator, perhaps it could get them to notice your work. The art world was full of gate-keepers – gallerists, curators, writers –all dominated by a small number of very knowledgeable people who had their own stable of familiar and talented artists. It was very tough to be noticed from the outside.”
“Utilizing Facebook has been a big change, and a big ally, in my work. It started, as all good Facebook stories begin, with [a posting of] a video of a cat playing the piano. … 24 hours later, I was in a show at the Museum Of Art and Design in NYC called “Dead or Alive” with Damien Hirst and Nick Cave.”

For the full article
click HERE.

Elizabeth Ryland Mears

>

Elizabeth Mears is an award winning artist who creates objects in glass and mixed media primarily through the glass blowing technique of Flamework. She studied at Penland School of Crafts, Pilchuck Glass School, and the Studio of the Corning Museum of Glass, receiving scholarships and eventually teaching at those same venues, as well as others. Her book, FLAMEWORKING, was published in 2003 by Lark Books, and she is a contributing author to PENLAND BOOK OF GLASS published in 2008 by Lark Books. In 2009 Mears was named a Master Artist for the state of Virginia, and she was one of four artists chosen to install work in the Capitol Hill office of Senator Mark Warner to represent the arts in Virginia
.
Living in northern Virginia, she is inspired by nature in all seasons and forms.

Liz utilizes the forms of nature to create works of glass, which reflect her relationship to both her inner and her outer worlds. The glass is first worked in the mesmerizing flame of a bench torch then often is combined with other materials to become the exquisitely crafted and nationally exhibited objects for which she is known. Liz’s creations are represented by galleries throughout the nation and are included in numerous private, corporate (Mellon Bank Headquarters), and museum collections (Racine Art Museum, LOWE Museum) and have also been included in numerous magazine articles focused on contemporary glass art and books including: Women Working in Glass, Formed of Fire, 500 Glass Objects, Contemporary Lampworking, and Etched Glass.

Liz will be teaching two spectacular lampworking classes here at the Washington Glass School, where her love of nature and glass come together!

Class 1036 – Lets Make Leaves! with Elizabeth Ryland Mears
Why leaves you may ask. We will pay homage to Nature’s small factory (Bio 101…CO2 + chlorophyll, + sunshine = sugar and O2) while we learn to control the bench torch, manipulate hot glass, direct the heat, use tools to create shape and texture, and work with different sizes of clear rod and tube. The focus of our endeavors will be to make “parts” which can be incorporated into larger sculpture at a later time.
Dates: October 23/24, 10am til 1 pm, $350


Class 1037 – Building Flowers With Bridges! with Elizabeth Ryland Mears
“Bridges” are to Flameworking what exoskeletons are to beetles…they hold everything together. We will use the technique of “bridging” to make a daisy-like flower. We will make the flower then add the bridging to hold all the parts in place while we thoroughly fuse the glass together in the flame of the bench torch. This technique is invaluable when larger sculpture is created, so we will practice on a smaller object. The instructor will guide you step by step through the process. The bridging is temporary so will be removed to reveal a small object ready for further creative use.
Dates: November 06/07, 10am til 1 pm, $350

Click HERE to get more information about her classes at the Washington Glass School.

Liz will be teaching for a week next spring at Penland and a week at the Pittsburgh Glass Center in June 2011, and had just completed a Professional Artist in Residence (PAiR) at Pilchuck.

Call For Entries St Louis Craft Alliance

>

Gregory Grennon oil on glass

Saint Louis’ Craft Alliance has announced a national invitational and juried exhibition titled “Identify Yourself” – exhibition dates are May 20-July 3 , 2011.

The theme of the show is, “Who are you? What is your history and what makes you, you?” The curator/juror, noted gallery owner Duane Reed, will be choosing work that explores ideas pertaining to cultural identity, psychological identity or personal narrative.

Some of the invited artists include Sonya Clark, Gregory Grennon, Elizabeth Lo, Mark Newport and Joyce J. Scott. The exhibition will be at the Craft Alliance DELMAR LOOP location: 6640 Delmar Blvd, Saint Louis, MO 63130.

All featured works must be made of clay, glass, metal fiber or wood.

Entry postmark deadline is MARCH 25, 2011.

Click HERE to jump to prospectus.

Michael Mangiafico Flamework Workshop

>

Michael Mangiafico works thru the detailed steps to create incredibly articulated lampworked sculpture.

Michael Mangiafico (aka ‘Fig’) has been working thru an awesome workshop at the Washington Glass School this weekend, taking students on a journey thru the insect world, working with them to make glass bugs.

Fig shows how to do an ant right.

Soon glass ants are everywhere!

And they became unintentionally irradiated and thus become THEM!

Head For Art Interviews Lenny Campello

>

Head for Art‘s Aleid Ford interviews Lenny Campello of DC Art News about his upcoming 100 Washington Artists book.
Since Lenny has announced his work on the book and the artists included, a lot of interest and commentary has erupted – who is included, who should have been included, snarky gripes and complaints left and right. Aleid held the interview with Lenny at the Washington Glass School. (Full disclosure – WGS directors Erwin Timmers, Michael Janis and Tim Tate are all included in the initial 100 Washington, DC artists book).

click on photo to jump to video interview

Boro Casting

>

A casting kiln loaded with boro.

Robert Kincheloe has been developing a method of casting using borosilicate glass (aka “hard” glass or 33 C.O.E or Pyrex) and creating components that can later be assembled into Flameworked sculpture.

Rob Kincheloe prepping the glass to be invested into the molds.

Here Rob had made plaster/silica molds via the “lost wax casting” process, and is now loading into the kiln, investing with boro glass.
His process of merging warm and hot glass practices creates one of a kind sculptural works of art.

Rob arranging the molds inside the kiln – ensuring even heating.

Placing the “hard” glass into the molds

Rob documents each step of the process for his posting online.

“Crashing” the kiln to take the glass out of devit range.

The red-hot glass at 2100º F

Some of the cast boro elements – showing the translucent colors. These elements will later be flameworked into sculpture.