>The online arts magazine Bourgeon has a great article about Tim Tate and the Washington Glass School. The magazine article’s highlights include Tim’s achievements and plans for the upcoming 10th anniversary of the Washington Glass School and his thoughts about the tremendous changes that are remaking the art world landscape. Tim talks of how the artist’s career path has changed, and how he has succeeded – indeed thrives, within the current technological and social interactive changes going on.
“in the late 1980’s, the art world presented a hugely different terrain than it does today. In those days, there was one primary path. An emerging artist would try to be noticed by a local gallery, which, if the artist were lucky, would represent him/her in that geographic region. Ideally, one would find several different galleries in different regions, striving for a New York gallery one day. If a gallery had contacts with a museum curator, perhaps it could get them to notice your work. The art world was full of gate-keepers – gallerists, curators, writers –all dominated by a small number of very knowledgeable people who had their own stable of familiar and talented artists. It was very tough to be noticed from the outside.”
“Utilizing Facebook has been a big change, and a big ally, in my work. It started, as all good Facebook stories begin, with [a posting of] a video of a cat playing the piano. … 24 hours later, I was in a show at the Museum Of Art and Design in NYC called “Dead or Alive” with Damien Hirst and Nick Cave.”
For the full article click HERE.
