Job Opening at Brentwood Arts Exchange

Brentwood_arts.exchangeThe Brentwood Arts Exchange is seeking a motivated individual who is passionate about the arts for a part time position as a Marketing Assistant. Job duties include but are not limited to the following:

· Write content for a variety of publicity materials.

· Draft e-newsletters in Constant Contact.

· Maintain content on various digital platforms and social media.

· Research and facilitate advertising purchases.

· Provide customer service in person and over the phone including retail sales and class registrations.

· Perform routine office functions.

· Assist with installation exhibitions, including basic wall patching.

· Maintain the cleanliness of all areas of the facility.

The Marketing Assistant is a part-time entry-level position with no experience required that will be scheduled to work approximately 2-3 days per week. The position holder must be able to lift and move up to 25 lbs. and be available to work evenings and weekends. A successful candidate will be outgoing and self-motivated to learn about gallery operations through hands-on work. Positive qualities in consideration for this position include strong writing skills, the ability to relate to diverse audiences, and familiarity with contemporary art.

To apply, email a resume and a brief cover letter to Frannie Payne at FrannieD.Payne@pgparks.com

More info about the organization available at http://arts.pgparks.com. Brentwood Arts Exchange 3901 Rhode Island Avenue, Brentwood, MD 20722

SOFA Chicago In Sight!

The world-renowned art fair dedicated to Sculpture, Objects, Functional Art & Design (SOFA) returns to Navy Pier’s Festival Hall. Many artists are working on the last bits of work to be shown at the exhibit that runs from November 7-9 2014, with a preview on the evening of November 6, 2014. 

Celebrating its 21st year, SOFA CHICAGO is the longest continuously running, gallery-presented art fair in the city of Chicago, and one of the most successful in the country. Last year’s fair attracted 34,000 attendees from around the globe.

A number of Washington Glass School artists and alum will be shown at the art fair – Tim Tate will be at Habatat Galleries space, Allegra Marquart and Michael Janis will be showing at Maurine Littleton Gallery‘s space, and alum Jeff Zimmer will be one of Craft Scotland‘s collection that was designed to give audiences in Chicago the opportunity to see and buy some of the finest examples of ceramics, glass, wood, textiles, silver and jewelry being produced in Scotland today. Click on image below to see Craft Scotland’s video about their artists and works being showcased at this year’s fair.

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Glass artist Jeff Zimmer describes his work being featured at Craft Scotland exhibit during SOFA Chicago 2014

DC Georgetown’s Fall Book Hill Gallery Art Walk

Georgetown Galleries on Book Hill have their Fall Art Walk this Friday, Sept 12th, 2014. Nine galleries will host an evening stroll and launch their fine art exhibitions in a beautiful part of Washington, DC. A night of art, fun, and refreshments is on the agenda. Start at Maurine Littleton Gallery, whose new exhibit “Body/Building” opens.
Book Hill Galleries

Maurine Littleton Gallery, 1667 Wisconsin Ave, NW; Washington, DC.

Body / Building  Opening Reception: Friday, September 12
6 – 8 PM

Corning Museum of Glass New Glass Review Deadline Approaches!

New Glass Review

Call for Entries: The Corning Museum of Glass invites artists, craftspeople, designers, and architects worldwide to submit images of new works using glass.

The deadline for submissions is October 1, 2014. In late November or early December, a jury selects 100 images from the submissions.New Glass Review is published every spring by The Corning Museum of Glass in conjunction withNeues Glas (New Glass), published by Ritterbach Verlag, Frechen, Germany, and GLASS: The UrbanGlass Art Quarterly, published by UrbanGlass, Brooklyn, New York.

Participants are requested to complete the entry form, submitting a total of three digital images illustrating one work per image. Three images of different pieces are preferred, although participants may send multiple views of one or two pieces. Digital photographs must be of actual objects designed and made between October 1, 2013, and October 1, 2014.

Click HERE to jump to CMOG info and instructions to submit online.

Maurine Littleton Gallery : Body/Building Exhibit

When She was There.michael_janis

Michael Janis; “When She Was There”; kiln formed glass, glass powder imagery; 24 x 15 x 2″

Maurine Littleton Gallery presents BODY/BUILDING, an interdisciplinary exhibit of thought, architecture and art.

Featuring the work of Erwin Eisch, Nancy Genn, Sergei Isupov, Iliya Isopov, Michael Janis, Richard Jolley, Dorothy Simpson Krause, David Dodge Lewis, Stanislav Libensky, Colin Reid, Ginny Ruffner, Joe Sanders, Holis Sigler, James Tanner and Therman Statom, BODY/BUILDING investigates radically different subject matter approached with similar sensibilities. Exploring human and architectural forms through Vitreographs (prints made from glass plates), ceramics and glass sculpture, each artist conveys structure & relationships in literal, figurative and poetic terms.

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Sergei Isupov; “Monkey”

Plato opined that by defining a singular human archetype, it was possible to create environments that would be universally appealing and accessible to all. As our identities become more complex and our relationships with each other more interconnected, mankind still seeks to find a harmony where the body and space blurs. 

Alternately eloquent and visceral, BODY/BUILDING offers a collection of what most fascinates us: our bodies, our buildings and our relationships. The works contained within are inclined to represent just enough so that we, the viewer, are encouraged/obliged to imagine the rest: the rest of the building, the rest of the body, but most importantly, the rest of the story.

BODY/BUILDING

September 12 – October 17, 2014; Opening Reception: September 12, 2014, 5:30 – 7:30 PM

MAURINE LITTLETON GALLERY

1667 WISCONSIN AVENUE, NW / WASHINGTON, DC 20007

Sean Hennessey : Alice Revisioned @ CSM

Sean Hennessey; "Drink Me-tamorphosis"; Glass, Concrete, Paint 24"x12"

Sean Hennessey; “Drink Me-tamorphosis”; Glass, Concrete, Paint
24″x12″

Sean Hennessey’s mixed and multimedia series “Alice Revisioned” will be on exhibit in September at the Tony Hungerfold Memorial Gallery at the College of Southern Maryland.

Sean Hennessey began this work with the desire to add video and lighting to a series of mixed media artwork based on the writings of Lewis Carroll. Working with the stories of Alice in Wonderland and Through the Looking Glass, he began to explore the relationship of the text and the ideas to his own personal method of storytelling and visual language. Sean brainstormed ideas as he read and reread the text focusing on particular imagery and ideas that popped into his mind. The pieces come from this planning and sketching but adapt to the process of the layout of elements and glass techniques. As he makes his molds, casts the glass, paints objects, adds concrete, and plans and films videos, he lets happenstance and expression shape the direction of the piece. For the sake of unity, he deliberately maintains a consistent palette and overall aesthetic of the series. 

Sean wanted to tell the story of Alice using his own feelings of the importance of ideas and interpretations. The “Drink Me” potion becomes an idea about transformation and metamorphosis. A means of growth that one takes upon themself, even when the potion bottle seems foreboding. The “Mad Tea Party” is about a fight with the entity of Time resulting in the punishment of having to continuously relive teatime, imagined as the never-ending stream of tea pouring into the cup captured in video. The meeting of Alice and the Unicorn represented to him the power of belief and the importance of imagination. What realities do we see in the cloud formations that we stare at in wonder? 

September 8 – October 3

Gallery Talk and Reception:  September 16  |  12 p.m

The Tony Hungerford Memorial Art Gallery is located at the La Plata Campus, Fine Art Center and is open Monday – Friday from 9 a.m. to 9 p.m. and Saturday from 10 a.m. to 6 p.m.

Washingtonian Magazine Loves Glass Class

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The September issue of Washingtonian Magazine is all about learning. The “Learn Something New” cover article highlights the editors and writers favorite of the “most interesting courses for smart people who love to learn new things”. The Washington Glass School makes the grade, and the Beginners Glass Lovers class was selected as the top of the class for Glass Art!

200th Anniversary of War of 1812 Battle of Bladensburg

or How the Washington Glass School is Tied to the War of 1812, The Brits Sacking the White House & The Star Spangled Banner.

This is a re-run of a Blog Post from 2012 – as the Bicentennial of the 1814 Battle of Bladensburg is this August 24th – it is a fitting reminder of where we began.

The British burn the President's Mansion 1814
The British burn the President’s Mansion 1814

One of the beauties of being in Washington, DC is the sense of history that surrounds the place. Growing up in northwest suburban Chicago, history seemed to have started after WWII, with suburban subdivisions overtaking farmland. Here, the area is so steeped with the history that appears in grade school books, that important – but deemed lesser – sites can be forgotten; the scurf of yesterdays. As the Maryland area celebrates the Bicentennial of the War of 1812, it is interesting to note that the Washington Glass School building sits atop an important battlefield – one of the key parts in the Battle of Bladensburg. With the US loss at this battle, British forces swept into Capitol Hill and burned the White House, the Capitol and the Treasury.
Since there are no signs on this site – this blog will act as a virtual ‘historical marker”.

Historical Overview

The War of 1812 was a military conflict fought between the United States of America and the British Empire. In these battles, the British set off their new weapon – the Congreve rocket – a rocket carrying about one pound of powder that could travel almost 1,000 yards and their success had a tremendous impact on modern warfare.

After the defeat and exile of Napoleon in April 1814, the British were able to send newly available troops and ships to the war with the United States. On August 20, 1814, over 4,500 seasoned British troops landed at the little town of Benedict, MD and marched fifty miles towards Capitol Hill.

Artists Rendering of the Battle of Bladensburg (Gerry Embleton-Courtesy NPS/Star Spangled Banner National Historic Trail)

Artists Rendering of the Battle of Bladensburg
(Gerry Embleton-Courtesy NPS/Star Spangled Banner National Historic Trail)

What Went Wrong

Incorrect deductions that were drawn gave the Americans the impression that Baltimore was their destination. General Armstrong could not be convinced that Washington would be the target of the invasion and not Baltimore, an important center of commerce. There was much confusion trying to outguess the British.  In Bladensburg,MD, American troops began to be assembled by Brigadier General William Winder, the Secretary of War, John Armstrong, as well as the Secretary of State, James Monroe. General Smith, another American commander, used his aide – Francis Scott Key – to assemble his troops. Calvary units were positioned to the right of the main road (now called Bladensburg Ave.), while the first and second American lines were positioned nearly a 1/2 mile apart from each other. The organization (and constant second guessing by commanders) of the troops, the general concern about the size of the British army, and the lack of preparation by the rag-tag militia would eventually lead to the undoing of the hastily assembled group.

Current day map showing US troop positions in Battle of Bladensburg

Current day map showing US troop positions in Battle of Bladensburg

As the British entered the town, they were greeted by the American troops firing the first volleys across the Eastern Branch of the Potomac (now called Anacostia River). The British initially fell back and moved behind the masonry buildings in Bladensburg. Soon though, the British set off their new weapon – the Congreve rocket. These rockets would eventually become the famous “rocket’s red glare.” British troops began to return fire as the rockets burst above the Americans. American leaders on the first line, unclear on their support from the second line, ordered retreat. American soldiers began to fall back and leave the field via the Georgetown Pike (now Bunker Hill Road). The second line, (positioned approximately at the modern 40th – 38th Avenue) and the members of the Cabinet left the field of battle at or before this point. Cannons were left behind, soldiers moved in haphazard movements responding to the need to fight and the orders for retreat. General chaos reigned across the field of battle.

Commodore Joshua Barney - painted by Charles Willson Peale (1741–1827)

Commodore Joshua Barney – painted by Charles Willson Peale (1741–1827)

The strongest attack against the British was made by Commodore Joshua Barney and his seasoned Floatillamen. At Dueling Creek, Kramer’s Militia (troops from Montgomery and Prince George’s County) fought hard against the British but eventually retreated up the hill past Commodore Barney’s men.  Barney’s men were valiant fighters, however, the authorities in Washington “forgot” Barney for several days. Without orders, he and his men arrived in the midst of the battle. Combined with Captain Miller’s Marines, Barney fired down the hill toward the British, causing significant British casualties. British troops were ordered into a single file line, flanking  Barney’s troop placement and overtaking them. Commodore Barney, after having had his horse killed under him in battle, was severely wounded by a musket ball “near a living fountain of water on the estate of the late Mr. Rives, which was later known as Barney’s Spring” Benson Lossing, Field-book of the War 0f 1812, Chapter 39, 1869

General Winder ordered a general retreat. The retreat order was never passed to Barney’s command, but with no ammunition, flanked on the right and deserted on the left, the Commodore knew that the end had come. He ordered the guns spiked and the men to retreat. The officers and men who were able to march effected the retreat; but the Commodore’s wound rendered him unable to move, and he was made prisoner. He died shortly after; but not before he was able to have influence on Francis Scott Key in his efforts to compose the Star Spangled Banner.

The building that houses the Washington Glass School is located on the site (now near the intersection of Oak and Otis Street).

Then & Today Left inset: Engraving (ca. 1860) of battlefield site where Joshua Barney fell by Benson Lossing in "Field Book of the War of 1812 " ; Right: Washington Glass School on the same site. Over the past 200 years, the topography has been modified and changed tremendously - the creek now flows under the concrete pathway opposite the Glass School.

Then & Today
Left inset: Engraving (ca. 1860) of battlefield site where Joshua Barney fell by Benson Lossing in “Field Book of the War of 1812 ” ; Right: Washington Glass School on the same site. Over the past 200 years, the topography has been modified and changed tremendously – the creek now flows under the concrete pathway opposite the Glass School.

Immediately after the battle, the British sent an advance guard of soldiers to Capitol Hill. The President’s house was burned, and the British raised their Union Flag over Washington.

The Brits pillage the White House.

The Brits pillage the White House.

The First Lady Dolley Madison remained behind to organize the slaves and staff to save valuables from the British.  The buildings housing the Senate and House of Representatives were set ablaze not long after. The interiors of both buildings, which held the Library of Congress, were destroyed, although their thick walls and a torrential rainfall that was caused by a hurricane the following day preserved the exteriors.

During the war of 1812 when the British attacked Washington DC, The First Lady, Dolley Madison stayed behind in the White House to save the artifacts and symbols of America. The engraving above shows her saving the Declaration of Independence.

During the war of 1812 when the British attacked Washington DC, The First Lady, Dolley Madison stayed behind in the White House to save the artifacts and symbols of America. The engraving above shows her saving the Declaration of Independence.

With their mission accomplished, the British feared the Americans would reassemble their forces and attack while they were in the vulnerable position of being a long distance from their fleet. The men were miserable in the sweltering temperatures. They were tired, ill and wounded. At dusk the troops quietly withdrew from the city. The troops were so exhausted that many died of fatigue on the four day march back to the ships, several deserted, but the body of men marched on. 

wgs.4th.julySeveral of the British stragglers and deserters were arrested by citizens in Maryland. When the British commanders learned of the incident, they sent a small force back to arrest William Beanes, a well respected doctor and town elder. Following his arrest, Georgetownlawyer Francis Scott Key and U.S. Agent for Prisoner Exchange John S. Skinner went to secure Bean’s release from the British. They brought with them letters from British troops who testified as to the compassion that they received while in Bladensburg after the battle.  Brought on board one of the British vessels, Francis Scott Key would see the battle in Baltimore raging on and the flag standing at the end of the battle, leading to the writing of the Star Spangled Banner.

Times have changed, and we now rely on the Brits as an important and trusted ally – however -the next time representatives from DC Sister City – Sunderland, England comes for a visit to the Glass School, they have some ‘splaining to do.For more info – check out the book A Travel Guide to the War of 1812 in the Chesapeake.

Shelfworks: Art Exhibition in the Reading Room

ShelfWorks is an art exhibition curated by Molly Ruppert that will take place within the shelves of the Reading Room at Petworth Citizen. Reception with the artists on Thursday, August 14th.

Featured Artists Include: Beth Baldwin, Joseph Barbaccia, Jessica Beels, The Cliff Group. Cynthia Connolly, Mary Early, Eve Hennessa, Linda Hesh, Matt Hollis, Michael Janis, F Steven Kijek, Bridget Sue Lambert, Laura Lukaszewski, David Mordini, Peter Alexander Romero, Ira Tattelman, Lisa Marie Thalhammer, Karen Joan Topping, Jenny Walton, and Ellyn Weiss.petworth.citizen.logo

ShelfWorks Exhibition Dates:
August 14-Aug 31st, 2014
Opening reception Thursday Aug 14 6-9pm
Gallery Hours Fridays, Saturdays, Sundays 6-8pm

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Petworth Citizen; 829 Upshur St NW, Washington, DC 20011