International Glass + Clay: Collective Imagination Pt 4

Opening March 1, 2013, Washington, DC will host an international exhibit of glass and clay artwork – the third collaborative exhibition organized by Artomatic and the DCCAH between Washington, DC artists and artists from our Sister City of Sunderland, England. With all the amazing glass and ceramic artwork being showcased, Washington Glass School will publish online a five part series of profiles on the artists behind the works. US & UK Artists in the International Glass + Clay 2013 Exhibition in Washington, DC.

Part 4 of 5

                                                                                                 

Tim Tate / Glass / US

Tim Tate is a Washington, DC native, and has been working with glass as a sculptural medium for the past 25 years. Co-Founder of the Washington Glass School, Tim’s work is in the permanent collections of a number of museums, including the Smithsonian’s American Art Museum, Renwick Gallery and the Mint Museum. He was awarded the title of “Rising Star of the 21st Century” from the Museum of American Glass and was also the recipient of the 2009 Virginia Groot Foundation award for sculpture. His work has been shown at the Milwaukee Art Museum, the Fuller Museum, the Asheville Art Museum and the Museum of Arts and Design in New York. He is a 2012 Fulbright Scholar recipient at Sunderland University in England.

                                                                                                

Inge Paneels / Glass / UK

Inge Panneels has been designing and making architectural or sculptural glass pieces since 1998. Inspiration for her work is driven by location and circumstance and life’s rich tapestry a recurrent theme. Inge is originally from Belgium now lives and works in the Scottish Borders but works throughout the UK. Inge also lectures part time at the Glass and Ceramics Department of the University of Sunderland.

A body of sculptural work exploring mapping is emerging; such as “Liverpool Map (2011) commission for the Museum of Liverpool, with new work being developed inspired by residencies at Mercator Museum (Belgium) and Jedburgh Abbey in 2012, to be completed in 2013.
                                                                                                

Nancy Donnelly / Glass / US

Nancy Donnelly is a studio artist at the Washington Glass School. She makes 2- and 3-dimensional art glass using color and imagery drawn from her painter’s training. Her work can be seen at Foundry Gallery and elsewhere in the Washington area.

                                                                                                

Philippa Whiteside / Ceramics / UK

Philippa Whiteside graduated from Sunderland University in 2010 with a BA Hons in Glass and Ceramics. She was awarded a 12 month scholarship with Creative Cohesion, supported by Sunderland City Council. In May 2011, Philippa was elected Director of Creative Cohesion where she now runs her ceramic studio. Philippa expores her fascination with lettering and words, and often combines ceramics with textile decoration and texture.
                                                                                               

Allegra Marquart / Glass / US

Allegra Marquart came to Baltimore, Maryland in 1976 to teach printmaking at the Maryland Institute College of Art (MICA). Gradually she became recognized for her narrative imagery that revolves around the joys, absurdities and surprises of human experience. Her prints are held in collections including the Zimmerli Art Museum, the Baltimore Museum of Art, the Philadelphia Museum of Art and the Huntsville Museum of Art. In 2001 she began to explore the possibilities of realizing her images in glass. Allegra began interpreting old stories and intricately rendering them on colorful glass panels. Her glass work was represented in a recent contemporary glass art exhibition at the Museum of American Glass at Wheaton Arts. One of her glass towers is also in the collection of the National Institute of Health in DC.

                                                                                           

Stephen Beardsell / Glass / UK

Stephen Beardsell graduated from the University of Sunderland achieving an MA in glass 2006 and BA in glass and ceramics 2001. Working in sculpture for the past 17 years, Stephen creates mixed media sculptures that sit comfortably in the natural environment without conflicting with their immediate surroundings. Stephen crafts his glass artwork employing many techniques, including blown glass, hot sculpting, and hot casting into sand or graphite moulds, kiln form glass. He recently kiln cast the largest singular piece of glass in the UK – a large oval red lens weighing 350kg (770 lbs), cast in a Czech glass. 
                                                                                           

Ani Kasten / Ceramics / US

Ani Kasten has been working in the ceramic medium since 2000, beginning with an apprenticeship with British ceramist Rupert Spira. After a year in England, Ani traveled to Kathmandu, Nepal where she spent four years as head of a project for developing stoneware technology for a community of artisan potters in the village of Thimi. Her training in England and the exotic working environment in Nepal have infused Ani’s sculptural vessels with a combined aesthetic, drawing on minimalist British studio ceramics, as well as ancient, weathered, hand-made objects born from traditional cultures throughout Asia. After leaving Nepal, Ani began working in Oakland, California where the fresh natural beauty of the California coastline juxtaposed with extreme urban deterioration began to inform the language of her work. From 2007 through 2009, Ani was an Artist in Residence at Red Dirt Studio in Mt. Rainier, MD, where she worked closely with ceramic artist Margaret Boozer, and further developed her distinct combination of sculpture and vessel work, showing her ceramics nationally at galleries and craft shows.

                                                                                                 

Click Here to jump to US / UK Artist Profile Part 1
Click Here to jump to US / UK Artist Profile – Part 2
Click Here to jump to US / UK Artist Profile – Part 3
                                                                                                 There will be a “Day of Demos” by a number of the visiting UK artists – Saturday, March 2, 2013.

Criss Chaney “Vessel”

11:00 AM at the Washington Glass School, UK-based glass artists Criss Chaney and Robyn Townsend will demonstrate using metal wire and sheet inclusions into cast glass, and painting a layer of metal powders onto the inside mould surface. They will also demonstrate cold techniques for applying metals to a finished piece of glass, and options for patination using common household chemicals. Click HERE to reserve a space at this free demo.

2:00 PM at DC GlassWorks, superstar UK hot glass artists Phil Vickery, Colin Rennie and Roger Tye will show how they work. Click HERE to reserve a space at the free demo.

International Glass + Clay: Collective Imagination Pt 3

Opening March 1, 2013, Washington, DC will host an international exhibit of glass and clay artwork – the third collaborative exhibition organized by Artomatic and the DCCAH between Washington, DC artists and artists from our Sister City of Sunderland, England. With all the amazing glass and ceramic artwork being showcased, Washington Glass School will publish online a five part series of profiles on the artists behind the works. US & UK Artists in the International Glass + Clay 2013 Exhibition in Washington, DC.

Part 3 of 5

                                                                                                 

Margaret Boozer / Clay / US

Margaret Boozer lives and works in the Washington, DC metro area. She received a BFA in sculpture from Auburn University and an MFA in ceramics from New York State College of Ceramics at Alfred University. Her work is included in the collection of the Smithsonian American Art Museum, The Museum of the City of New York, The US Department of State, The Wilson Building Public Art collection and in many private collections. Boozer taught for ten years at the Corcoran College of Art and Design before founding Red Dirt Studio in Mt. Rainier, MD where she directs a ceramics and sculpture seminar. Recent projects include a commissioned installation at the US Embassy in Djibouti and writing a chapter for  U. S. Geologic Survey’s Soil and Culture. Recent exhibitions include Swept Away: Dust, Ashes and Dirt at the Museum of Arts and Design in New York.
                                                                                                

David D’Orio / Glass / US


David D’Orio has a BFA in sculpture from the University of Hartford and has worked in glass for over 15 years. His artwork features mixed media, glass and steel. Dave is Director of DC GlassWorks, one of the DC area’s premier public access hot glass shop, located in Hyattsville, MD. His work has been shown at Artomatic in Crystal City, the Marlboro Gallery of Prince George’s Community College and last year was part of the Arlington Arts Center Solos. At this past Artomatic Art Fair, the James Renwick Alliance gave Dave’s installation sculpture its ‘Award of Recognition’. David was awarded second place in the 2012 Trawick Art Prize.
                                                                                                

Robyn Townsend / Glass / UK


Robyn Townsend‘s work is focused in areas of psychology, biology and philosophy, but the key theme of her work is the human condition.  Working in glass as well as casting with industrial materials to create a unique aesthetic and lifelike atmosphere, Robyn shows people for their similarities rather than their differences, their universally qualities that are consistent regardless of race, culture, gender or political background. Robyn says of her work: “I am using intimate and recognizable body parts that give no hint of identity, to highlight the anonymity of people as well as reflect how our actions, often guided by our internal thoughts and fears, allow us to form our own human nature and create ourselves.
                                                                                                

Cate Watkinson / Glass / UK

Cate Watkinson of Watkinson Glass Associates has over 20 years experience as an architectural glass artist, designing and fabricating architectural glass to commission for a wide variety of applications. During this period she has been instrumental in developing the potential of glass in the public realm. Her projects range from decorative glass panels for public and private buildings to street furniture and sculptural public art pieces. She has also exhibited her works in galleries in the UK and across Europe. Through commissioned works Cate has built up a wide range of innovative techniques and has gained significant knowledge and experience working with glass on a large scale in the public realm, not only in aesthetic terms but also in design of structure and durability of materials used. Since 2006 she has held the post of Subject Leader and Senior Lecturer in Architectural Glass at the University of Sunderland in the UK.
                                                                                               

Michael Janis / Glass / US

Michael Janis developed a focus on kiln-glass after working for twenty years as an architect in the United States and Australia. Now Co-director of the Washington Glass School, Michael has taught at the Penland School of Crafts, California’s Bay Area Glass Institute, and The Glass Furnace (Istanbul, Turkey). His work has been shown at major galleries and art fairs and is included in the permanent collection of the Art Institute of Chicago. In 2011, Michael mounted a solo exhibition at the Fuller Craft Museum (Massachusetts). His work was featured in Corning Museum of Glass publication ‘New Glass Review’, and he was named a “Rising Star” by the Creative Glass Center of America. In 2012, awarded a Fulbright Scholarship, Michael went to the UK’s University of Sunderland and National Glass Centre. He was an Artist-in-Residence at the Institute for International Glass Research (IIRG). American Craft Magazine will have an 8-page profile of Michael and his work in the 2013 April/May issue.
                                                                                           

Criss Chaney / Glass / UK

Criss Chaney is an internationally recognized glass artist, who has exhibited extensively in the UK, Europe, and the United States. Including a solo exhibition at the Museum Humanum in Austria. For years she has been developing techniques for combining glass and metals, exploiting methods for working with both materials. Her pieces make people question their views on glass and push the boundaries between glass and other media. She now makes her work at Creative Cohesion in Sunderland, where she has recently completed a large public art commission. Criss’ work is about the human experience, spirituality and the subconscious.
                                                                                                 

Click Here to jump to US / UK Artist Profile Part 1
Click Here to jump to US / UK Artist Profile Part 2
                                                                                                

There will be a “Day of Demos” by a number of the visiting UK artists – Saturday, March 2, 2013.

Criss Chaney “Vessel”

11:00 AM at the Washington Glass School, UK-based glass artists Criss Chaney and Robyn Townsend will demonstrate using metal wire and sheet inclusions into cast glass, and painting a layer of metal powders onto the inside mould surface. They will also demonstrate cold techniques for applying metals to a finished piece of glass, and options for patination using common household chemicals. Click HERE to reserve a space at this free demo.

2:00 PM at DC GlassWorks, superstar UK hot glass artists Phil Vickery, Colin Rennie and Roger Tye will show how they work. Click HERE to reserve a space at the free demo.

International Glass + Clay: Collective Imagination Pt 2

Opening March 1, 2013, Washington, DC will host an international exhibit of glass and clay artwork – the third collaborative exhibition organized by Artomatic and the DCCAH between Washington, DC artists and artists from our Sister City of Sunderland, England. With all the amazing glass and ceramic artwork being showcased, Washington Glass School will publish online a five part series of profiles on the artists behind the works. US & UK Artists in the International Glass + Clay 2013 Exhibition in Washington, DC.

Part 2 of 5

                                                                                                 

Sean Hennessey / Glass / US

Sean Hennessey is a mixed media artist based in Washington, DC. Working in glass, concrete, steel, light and video, Sean creates imaginative wall relief works inspired by architectural sculpture and drawing narrative content from philosophical, mythological, historical and personal interpretations. Sean has received fellowships with the city of the District of Columbia, an award of Craft Excellence from the James Renwick Alliance, and is in the collection of the US State Department Art in Embassies Program. His work has been seen on the Discovery Channel, National Geographic, HGTV, The Kennedy Center and at Aqua Art Miami. Sean is currently a Resident Artist at the Washington Glass School.
                                                                                                

James Maskrey / Glass / UK

James Maskrey started working with glass in 1990. He originally trained as an apprentice and subsequently worked for 7 years at a hot glass studio in Dorset, in South West England. He left to study glass at The Surrey Institute of Art and Design, graduating in June 2000. After graduation he was appointed as Artist in Residence at the Surrey Institute. In 2001 James joined the Glass and Ceramics department at The University of Sunderland, where he graduated with an MA in Glass with distinction in 2004. His work is held in many collections including The Crafts Council, Dan Klein and Alan J.Poole (National Museum of Scotland), Perth Museum and Art Gallery, Northlands Creative Glass, The Captain Cook Memorial Museum, Manchester Metropolitan University special collection and Crystallex (Czech Republic). He has exhibited widely in the UK, in the USA and at the International Glass Symposium in the Czech Republic.
                                                                                                  

Joe Hicks / Ceramics / US

Joe Hicks has been living in Washington DC where he moved after receiving a BA in Art from Shippensburg University in 2000.  He enrolled at The George Washington University where he studied for three years earning his MFA in Ceramics in 2005.   Joe Hicks currently maintains a studio for his own ceramic vessels and sculpture work, participating in ceramic and sculptural exhibitions on the regional and national level.   He directs the ceramic program at Gallaudet University and is an Adjunct Professor of ceramics at The George Washington University.
                                                                                                 

Dr Margareth Troli / Glass / UK

Dr Margareth Troli is based at the National Glass Centre (UK) in Sunderland where she explores the integration of digital technologies in her artwork. She completed a Phd in 2011 with the support from the Art and Humanities Research Council (AHRC). She developed technical approaches for the Studio Glass through the investigation of waterjet cutting. Margareth’s research has also been presented at international conferences, and she has received numerous prizes, awards and scholarships for her artwork. Margareth has participated in several international exhibitions and design fairs such as the British Glass Biennale (UK,) 100% Design, (UK), SOFA New York, Designers Block, (UK), Coburger Glass Prize Exhibition, (DE), Design Mart (UK) and The British Parliament.

                                                                                                 

Tamara Laird / Ceramics / US

Tamara Laird has a wide range of experience, teaching and studying internationally. In 1985 she moved to Nairobi Kenya, where she worked at the National Museums of Kenya on a United Nations Preservation project for the Island Community of Lamu, and as Professor of Art [Ceramics] at Kenyatta University. In 1994, Tamara relocated to Bangkok, Thailand, where she carried out extensive research, visiting individual artists, traditional village production practices, and full-scale industrial ceramic factories. Sponsored by the Thai Government, Tamara joined an educational tour of Industrial Production Facilities. Tamara has also traveled through Mexico, documenting production methods that integrate traditional and contemporary industrial production. Her frequent travel throughout Italy, researching Italian Majolica from Deruta in the north to Vietri in the south, continues a life long habit of documentation, focusing on connections between local culture, artistic development and traditional practice. These experiences have been integrated into her teaching practice, bringing universal craft education practice to the classroom.
                                                                                            

Syl Mathis / Glass / US

Syl Mathis has been with the Washington Glass School from its first “glass and steel” workshop. Self-taught as a glass carver, Syl combines investment casting techniques, high pressure abrasive carving, and cold-working techniques to create sculptural pieces in glass that often reflect stylized natural artifacts. His imaginative and skillful use of design–designs which are combinations of man-made and natural forces–not only reflects a love of Nature which invites meditation and thoughtfulness, but also, eloquently highlights the beauty of Nature’s own patterns with a precision that transcends the mere manipulation of tools or careful, mechanical dexterity. As a professional educator, Syl is a firm believer in process, the process of creative expression and of learning; as such, each carving is both a piece of art and the first step in a journey that promises to deepen our perception of Nature.

                                                                                                 

Click Here to jump to US / UK Artist Profiles Part 1
                                                                                                

There will be a “Day of Demos” by a number of the visiting UK artists – Saturday, March 2, 2013.

Phil Vickery and Roger Tye @ DC Glassworks 2009

11:00 AM at the Washington Glass School, UK-based glass artists Criss Chaney and Robyn Townsend will demonstrate their techniques for combining glass and metals, exploiting methods for working with both materials. Click HERE to reserve a space at this free demo.

2:00 PM at DC GlassWorks, UK hot glass artists Phil Vickery, Colin Rennie and Roger Tye will show how they work. Click HERE to reserve a space at the free demo.

DC Artists: DCCAH Announces 2013 Grant Programs

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The DC Commission on the Arts & Humanities offers several funding programs for individuals and nonprofit organizations located in the District of Columbia. Individuals are not required to provide matching funds. Organizations are only required to provide matching funds as indicated

Commission staff conducts general workshops where participants learn useful information about the Commission and the steps to take to submit a grant application. At these workshops, staff and applicants discuss each grant-making opportunity. Workshop dates, times and locations are subject to change.

For more info – click HERE to jump to the DC Commission on the Arts & Humanities online Grants page.

DC Artist Fellowship Exhibition at Smith Farm Gallery

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The DC Commission on the Arts and Humanities held the opening of their exhibition of visual artists that are competing for the 2011 DCCAH Artist Fellowship at Smith Farm’s Joan Hisaoka Gallery on Friday, Sept 13, 2010. Here are some shots of the gallery and the range of the artwork.


Artist Nancy Donnelly next to her flying glass birds “Trio”.


Visitor contemplates Sean Hennessey‘s cast glass and concrete “The Measure of Value”.


Top Left: Pat Goslee‘s “Pearling”; Below Left: Rania Hassan‘s mixed media “Ktog 29 (Knit Together)”; Right: Scott Brooks‘ “Patience”.

Top Left: Elaine Langerman‘s “Poem/Painting #1”; Below left: Tim Tate‘s glass and electronic “Safe In My Nest”; Right: Michael Janis‘ “Altered Memories”.

Left: Sondra Arkin‘s “Edge of Spring”; Center Top: Alec Simpson’s “Postcard From Berlin”; Below Center: Kate Macdonnell‘s “Median”; Right: Rex Weil’s “Hotland Vista #3”.

Les than one third of the artists will be selected to receive the fellowship – the selection committee has their work cut out for them! The exhibition runs thru August 25.

The Joan Hisaoka Gallery
at Smith Farm Center
1632 U Street, NW, Washington DC, 20009
August 13 – 25, 2010

DCCAH seeks artwork!

>CALL FOR ARTISTS
DC CREATES PUBLIC ART ART BANK 2009
Deadline: Wednesday, July 8, 2009 at 5:30pm (This is not a postmark deadline)
The DC Commission on the Arts and Humanities is purchasing artwork to be part of the District of Columbia’s 2009 Art Bank Program. The Art Bank is a growing collection of moveable works funded through DC Creates Public Art Program. Works in the collection are owned by the DC Commission on the Arts and Humanities and are loaned to other District Government agencies for display in public areas of government buildings. This collection helps preserve the city’s past and is an important legacy for future generations.
Currently, nearly 2000 artworks are on display in over 150 District government agencies. This is an opportunity for artists to exhibit their work as part of our continued commitment to
supporting our vibrant artistic community and its excellence.

Artwork:
The Art Bank Advisory Committee will select two-dimensional works including prints, drawings, mixed media, paintings, and photographs. The artwork submitted for consideration must be available for purchase and review (see calendar). Artwork must be created with archival materials. Works in series with smaller dimensions will also be considered. Work must have been created within the last five years to be eligible. The Commission is interested in diversity amongst its artists, images of the city and its citizens, particularly the youth.

Selection Process:
The Art Advisory Committee will view the images and make preliminary selections. Artists must deliver works identified for possible purchase to DCCAH for final review by the Art Advisory Committee (see calendar below). All applicants will be notified of final selection in writing. DCCAH will retain selected works for framing. Artists must retrieve works not selected by the committee (see calendar). DCCAH reserves the right to negotiate the purchase price or decline to purchase any artwork selected by the committee.

Eligibility:
This competition is open to professional artists who live in the District of Columbia, Virginia and
Maryland. Preference will be given to artists who reside in the District of Columbia.

CALENDAR:
June 24, 2009 from 7-8.30pm Workshop at Artomatic to assist applicants
(55 M Street, SE; Washington D.C. 8th floor classroom
By Metro – Navy Yard Metro Station; Ballpark exit)

July 8, 2009 at 5:30pm Application Deadline
On or before July 20, 2009 Primary selection and notification
July 20-24, 2009 Drop off work (NOTE: DCCAH office is open during the
hours of 9am to 5.30pm)
July 27-31, 2009 Final selection and notification
August 2-7, 2009 Pick up work that was not accepted

For more information, contact Rachel Dickerson at (202) 724-5613.
Click HERE for DCCAH website

DC residents – apply for DCCAH grants!

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It’s Grant Time!
The DC Commission on the Arts and Humanities is renewing its commitment to supporting local artists and arts organizations through its distribution of grants for the fiscal year 2010 grant season. According to the National Assembly of State Arts Agencies, the District of Columbia ranks first among states in per capita investment in the arts.
“The creative industry is one of the most prosperous business sectors in the District, in workforce numbers, ticket sales and tax revenue generation,” said DC Commission on the Arts and Humanities Executive Director Gloria Nauden. “We also boast of more than 460 nonprofits in the city that self-identify as arts, humanities or cultural organizations.” “One of our priorities for disseminating the grants is to ensure that the process is demystified. Our staff is available to help artists and arts organizations develop the most effective grant application possible,” Nauden added.

The Commission offers free grant writing assistance.
The DC Commission on the Arts and Humanities is an agency funded in part by the National Endowment for the Arts.
Click HERE for more information , or to receive a grant application, call (202) 724-5613.