S.O.F.A. Chicago Art Fair 2012 Features Studio Glass

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SOFA CHICAGO From Technique to Artistic Expression

The critically acclaimed international art fair SOFACHICAGO returns to historic Navy Pier Friday, Nov 2 through Sunday, Nov 4, 2012, with an Opening Night Preview on Thursday, Nov 1.  The exhibition features masterworks of contemporary and modern arts and design, sculpture, functional art, and visionary art, plus related special exhibitions and lecture series. SOFA CHICAGO promises to be the world hot spot for international studio glass art. The American Studio Glass Movement is celebrating its 50th Anniversary this year and the acclaimed art and design fair at Navy Pier will be center-stage. New this year, iPhone and iPad users can use the free SOFA FAIR App to browse the works on display at the show and identify works or contact galleries, simply by pointing their phone at artworks and adding them or instantly receiving information about that work. To download the SOFA FAIR App visit sofaexpo.com.

Harvey Littleton,
Yellow Crown II, 1984, glass

From the SOFA CHICAGO 2012 website: Art “dealer Maurine Littleton of Maurine LittletonGallery (Washington, D.C.), daughter of Harvey Littleton reports that half her booth space (#408) will feature “a selection of rarely seen (and first-time offered) pieces” by her father, including a “spectacular example” from his signature Arc series entitled Yellow Crown II (1984), direct from its exhibition at the Chazen Museum of Art in Madison, Wis. Littleton says it is the only one of its type still available; similar works can be found at the Smithsonian’s Renwick Gallery of the American Art Museum and in major national public and private art collections.”

Michael Janis, Eclipse, 2012, glass powder imagery

Works by Michael Janis and Allegra Marquart will be amongst the artists featured in the other half. 

Allegra Marquart, Monkey Girl, 2012, glass

Tim Tate will be featured in Habatat Galleries space (#1200) – which has expanded their SOFA booth to accommodate 18 solo exhibitions!

Tim Tate,

The Deconstruction Of George Melies,2012, Cast and Blown Glass, Video

Additionally, the Robert M. Minkoff Foundation will screen their new documentary, The Toledo Workshop Revisited, 1962-2012. In a March 2012 residency, three young artists at the Toledo Museum of Art rebuilt a small glass furnace modeled after the one Harvey Littleton and Dominick Labino designed 50 years earlier. 

The 1962 workshop launched the Studio Glass Movement, and made it possible for individual artists to work directly with glass. This new film documents the week-long residency that honors the past and celebrates the future of creative experimentation in glass. Screenings will be followed by Q&A with Robert Minkoff, Managing Trustee of the Robert M. Minkoff Foundation; Andrew Page, Director of the Robert M. Minkoff Foundation.

SOFA Chicago 2012
Nov 1 – 4, 2012
Festival Hall, Navy Pier

600 E. Grand Ave., Chicago, IL 60611

Georgetown Book Hill Gallery Walk features WGS artists

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On September 14 from 6-8pm, DC’s Georgetown will have an evening Gallery Walk that will showcase art galleries located on the upper Wisconsin Ave – near Book Hill Park.

Allegra Marquart “Peacock’s Compliant”

Maurine Littleton Gallery will feature artwork by local DC-area artists including Allegra Marquart, Michael Janis and Drew Storm Graham at the gallery for the September 14 Book Hill gallery walk event.

Drew Storm Graham “Dusk”
The artists on exhibit at the Maurine Littleton Gallery bring to life an otherwise cold and transparent medium in their glass art, which flaunts dimensions and depth of color unmatched by other art media. Contemporary glass art by local artists has been displayed at the gallery since its opening in 1984; each work reflecting new interpretations and uses of a range of traditional craft media.

Michael Janis “Eclipse”

September 14 from 6-8pm

Maurine Littleton Gallery

1667 Wisconsin Ave., NW

Washington, DC 20007

phone: 202-333-9307

GlassWeekend 2011 Biennial Features WGS Artists

>GlassWeekend is a major contemporary glass event that runs from June 10 to 12 at WheatonArts in Millville, New Jersey. The three-day biennial weekend, first organized in 1985, brings together an international community of leading collectors, museum curators, gallery dealers, and artists for lectures, demonstrations and exhibitions. The event is organized by The Creative Glass Center of America at WheatonArts (CGCA) and the Art Alliance for Contemporary Glass (AACG). Over the course of three days, Millville, New Jersey, will be ground-zero for glass art auctions, workshops, and lectures.

Glass art legend Dan Dailey will speak Saturday. Other highlights of Saturday’s lectures include a round-table of museum curators discussing their approach to exhibition planning moderated by Newark Museum decorative arts curator Ulysses Dietz and including Elizabeth Agro, Philadelphia Museum of Art associate curator of American modern and contemporary crafts and decorative arts; Renwick curator Nicholas Bell; and the fast-rising Ron Labaco, recently appointed curator of decorative arts and design at the Museum of Arts and Design.

Washington Glass School will be represented at the Biennial by Tim Tate, Allegra Marquart and Michael Janis – Michael will also be named “Rising Star”
by The Creative Glass Center of America at WheatonArts and the Art Alliance for Contemporary Glass.

Millville, New Jersey has long been associated with glass. In 1739 when Casper Wistar founded America’s first successful glass factory near Alloway Creek, glassmaking and South Jersey became inextricably fused. From humble entrepreneurial beginnings, glass manufacturing ultimately became the region’s major innovative industry by the late 19th century.

In 1904, the celebrated poet, Carl Sandburg, proclaimed:

“Down in southern New Jersey, they make glass. By day and by night, the fires burn on in Millville . . . Big, black flames shooting out smoke and sparks; bottles, bottles, bottles, of every tint and hue . . . that marks the death of sand and the birth of glass.”

Although the production of window and bottle glass may have left Cumberland, Salem and Gloucester counties, the studio glass movement has been flourishing. WheatonArts and the Creative Glass Center of America (CGCA) in Millville have nurtured a growing number of talented individuals to use glass as their primary medium by offering its facilities to artists from around the world.

Click HERE to jump to GlassWeekend’s program.

GlassWeekend 2011

June 10th – 12th, 2011

WheatonArts

1501 Glasstown Road
Millville, New Jersey 08332
Tel: 800 998 4552
Website: http://www.glassweekend.com/

for some photos of GlassWeekend 2009 – click HERE.

Allegra Marquart’s Narrative Glass

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Allegra Marquart
The Deer, Mouse, Crow & Turtle
kilncast and sand carved glass 18.5″ x18.5″

Since 1976 Allegra Marquart has been a professor at Maryland Institute College of Art teaching printmaking. Allegra’s imagery continues to gain in visual complexity. Her narrative glass panels started using fables that were familiar to those who know Aesop, La Fontaine and old English rhymes, but now her stories include ones written by Kipling, Edward Lear and ones handed down through generations of American Indians. If you ask Allegra what she does she might say that she makes people stand still, think and smile. Each of these stories are enhanced with a personal drawing style and processes Allegra loves for both making etchings on paper and in the fabrication of glass panels. Allegra’s work is full of invention, humor and pain.


Allegra Marquart
The Blue Jackal
kilncast and sand carved glass 18.5″ x18.5″


From Allegra’s artist statement:

“For the over a decade my etchings have grown from my observations of city life, human foibles and old fables. About 6 years ago I experienced a kind of epiphany. My images needed to be made of glass! The glass would act as a metaphor for the transparency, fragility, strength, permanence and reflective power in all the moments I was describing. I imagined these pictures in low relief made of glass that would refer to stone carvings on columns and friezes that people in ancient times used to describe their daily life.

Allegra Marquart
The Elephant’s Trunk
kilncast and sand carved glass 18.5″ x18.5″


So sure was I of this revelation that I went to work immediately. I began with sand blasting deeply into the glass to create my first body of work in this medium that was so new to me. A class at Pilchuck with Paul Marioni taught me how sand casting could give my images even greater physicality and drama. Work at The Corning Studio and The Washington Glass School (in DC) expanded my casting experience.

Allegra is part of the faculty at the Washington Glass School, and she creates the multi-colored glass panels in the studio’s large kilns. Firing color atop color, Allegra creates a basis on which to deep sand carve her visual narratives.

Below is a glimpse into the steps she uses in the creation of the fantastic panels:

Allegra spreads out crushed colored glass (coarse frit) on top of a glass panel that has already been fired with a different color.

Prepping the kiln for another long panel to be loaded for fusing.


After the panel is fired, annealed and cooled, Allegra covers the glass with a thick vinyl resist.

Allegra transfers and draws her imagery onto the resist, later cutting away the elements to be exposed to a deep sand blast session.


The panel is then carved with a force fed media (deep sand blasted) that cuts through the various color layers of glass.
Allegra will repeat the process on both the front and back of a panel, allowing the mix of light and color to work with her imagery.


The SOFA Chicago Art Expo will feature Allegra’s work at Maurine Littleton Gallery‘ space (#720).

Click HERE to jump to Allegra Marquart’s website.

Upcoming Class

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allegra.marquart


Class 919 –
Jump Start Your Imagery

Do you have the artist’s equivalent of writer’s block? Do you have lots of half formed ideas and don’t know which one to use? Are you worried that you’ll be repeating yourself if you work with an idea more than once? Do you think that none of your ideas will be good enough; that it has all been done before and it just doesn’t matter? Join this 2-day workshop to discard self-defeating thoughts and build your creative energy.Find the ideas you need in order to take your first steps along a new path of sustainable creative endeavor. We will use writing and drawing for intensive imagining sessions. Later we will use cut glass shapes to make images in fused glass. The resulting pieces will be something you can keep as a reminder of how to get started again when you feel stuck. About the instructor

Instructor Allegra Marquart
Dates Sat / Sun Oct 3 / 4
Time 11 am – 4pm
Tuition $325

Click HERE to jump to Washington Glass School class list.

About the instructor:

Allegra Marquart has been teaching printmaking at the Maryland Institute College of Art (MICA) for decades. Nine years ago she began to include glass as a way to strengthen and revitalize her imagery. Her glass artwork is featured at international art venues, including SOFA Chicago and Palm Beach 3. She currently has her work on exhibit at both Maurine Littleton Gallery in the Georgetown section of Washington, DC and at the Emerson Gallery in the McLean Project for the Arts in McLean, VA.

Click HERE to see Allegra’s website.

Northern Virginia Art Beat

>Northern Virginia Art Beat

Kevin Mellema of FCNP reviews McLean Project for the Arts shows – including Allegra Marquart and Michael Janis’ glass artwork. Novie Trump’s ceramic works are also reviewed.
Kevin also reviews Michael Janis and Allegra Marquart at Maurine Littleton Gallery.

Click HERE for the link to the entire article.

excerpt from the FCNP:

To Tell the Tale: Works by Allegra Marquart, Michael Janis and Tom Baker, at the MPA (1234 Ingleside Ave., McLean). The exhibit runs through Nov. 7, and the gallery is open Tuesday – Friday, 10 a.m. – 4 p.m. and Saturday 1 – 5 p.m. For more details, call 703-790-1953 or visit www.mpaart.org.

Allegra Marquart and Michael Janis both work in glass out of the Washington Glass School in Mt. Rainier, Md. Tom Baker is a print maker from New Jersey.

Baker’s prints seem to juxtapose destructive and utilitarian objects in playfully similar ways. A coil spring stands beside a falling bomb with corkscrew spiraling trajectory trailing behind it. Similarly, an underwater mine sits ready to destroy anything that touches it, while a ship’s propeller motors past unscathed.

Allegra Marquart produces multi-colored relief glass panels that depict children’s fables. Maraquart’s works resemble wood block prints, not surprisingly, because she came from printing to glass making and at times, still makes wood block prints.

Marquart’s panels spare none of the gory details in what are often fairly graphic childhood tales. The combination of crude, often heavy handed childhood tales, with the cool, highly polished glass surfaces, gives the works a natural sense of tension.

Michael Janis is showing his re-interpretations of tarot cards.

In addition to the images here at MPA, both Janis and Marquart have works on view through October at the Maurine Littleton Gallery in upper Georgetown (1667 Wisconsin Ave. NW, Washington, D.C.). The Georgetown gallery is open Tuesday – Saturday, 11 a.m. – 6 p.m. For more details, call 202-333-9307 or visit www.Littletongallery.com).

Marquart’s work seems of a uniform mien at both locations. Janis however has two new large panel works and nine smaller 12-by-12-inch panels at Littleton Gallery.

ars-beat

Michael Janis’s “Words Left Unsaid.”

While the tarot card pieces are interesting, they come off as a bit literal at times. The new smaller pieces at Littleton, however, are anything but. Those works have a mysterious dream state sense of surrealism that engages the viewer on a deeper more engrossing level. Using figures, text and common objects we are left to our own devices to figure out the story.

One fairly straightforward image titled, “Words Left Unsaid,” shows a man with a jumble of letters floating in his throat. It’s a notion most all of us can relate to. How would things be different if we released the words behind our mouths. Would the world be better or worse for it? Would our lives be fulfilled, or would our deepest fears be realized by their release? Would we even have the chance to say them at all if we wait too long?

We can’t answer any of those questions here. All we can do is stare at the man and wonder at his fate and the fate of those around him. We sense his need to speak, but can’t make out what it is from the disjointed jumble of letters on view. Perhaps even he doesn’t yet know exactly what to say just yet. All nine of the smaller panels are filled with entertaining and somewhat voyeuristic questions.

Palm Beach 3 Opens!

>Celebrating its 12th anniversary, the PalmBeach3 contemporary art fair returns to the Palm Beach County Convention Center on January 15-18, 2009. The glittering vernissage debuts January 14, 2009.
Washington Glass School is represented by Allegra Marquart, Tim Tate and Michael Janis showing in Maurine Littleton Gallery’s space.

John LaPrade, assistant director of Maurine Littleton Gallery sends his cell phone pix of the setup at the fair.

The gallery looks great!

Allegra Marquart

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Allegra Marquart’s is a print artist who is now translating her work into glass. Allegra creates whimsical, allegorical stories that are sand carved into colored glass panels that she makes. Her story panels were the hit of Chicago SOFA 2008, and her work is represented by Maurine Littleton Gallery in Georgetown.

Look at more of Allegra’s work on her website – click here

Allegra will be showing at Palm Beach 3 Contemporary Art Fair in January, 2009.