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Harvey Littleton,
Yellow Crown II, 1984, glass
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Michael Janis, Eclipse, 2012, glass powder imagery |
Allegra Marquart, Monkey Girl, 2012, glass |
Tim Tate will be featured in Habatat Galleries space (#1200) – which has expanded their SOFA booth to accommodate 18 solo exhibitions!
Tim Tate,
The Deconstruction Of George Melies,2012, Cast and Blown Glass, Video
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The 1962 workshop launched the Studio Glass Movement, and made it possible for individual artists to work directly with glass. This new film documents the week-long residency that honors the past and celebrates the future of creative experimentation in glass. Screenings will be followed by Q&A with Robert Minkoff, Managing Trustee of the Robert M. Minkoff Foundation; Andrew Page, Director of the Robert M. Minkoff Foundation.
Nov 1 – 4, 2012
Festival Hall, Navy Pier
Georgetown Book Hill Gallery Walk features WGS artists
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On September 14 from 6-8pm, DC’s Georgetown will have an evening Gallery Walk that will showcase art galleries located on the upper Wisconsin Ave – near Book Hill Park.
Allegra Marquart “Peacock’s Compliant” |
Maurine Littleton Gallery will feature artwork by local DC-area artists including Allegra Marquart, Michael Janis and Drew Storm Graham at the gallery for the September 14 Book Hill gallery walk event.
Drew Storm Graham “Dusk” |
Michael Janis “Eclipse” |
September 14 from 6-8pm
phone: 202-333-9307
GlassWeekend 2011 Biennial Features WGS Artists
>GlassWeekend is a major contemporary glass event that runs from June 10 to 12 at WheatonArts in Millville, New Jersey. The three-day biennial weekend, first organized in 1985, brings together an international community of leading collectors, museum curators, gallery dealers, and artists for lectures, demonstrations and exhibitions. The event is organized by The Creative Glass Center of America at WheatonArts (CGCA) and the Art Alliance for Contemporary Glass (AACG). Over the course of three days, Millville, New Jersey, will be ground-zero for glass art auctions, workshops, and lectures.
Glass art legend Dan Dailey will speak Saturday. Other highlights of Saturday’s lectures include a round-table of museum curators discussing their approach to exhibition planning moderated by Newark Museum decorative arts curator Ulysses Dietz and including Elizabeth Agro, Philadelphia Museum of Art associate curator of American modern and contemporary crafts and decorative arts; Renwick curator Nicholas Bell; and the fast-rising Ron Labaco, recently appointed curator of decorative arts and design at the Museum of Arts and Design.
Washington Glass School will be represented at the Biennial by Tim Tate, Allegra Marquart and Michael Janis – Michael will also be named “Rising Star” by The Creative Glass Center of America at WheatonArts and the Art Alliance for Contemporary Glass.
Millville, New Jersey has long been associated with glass. In 1739 when Casper Wistar founded America’s first successful glass factory near Alloway Creek, glassmaking and South Jersey became inextricably fused. From humble entrepreneurial beginnings, glass manufacturing ultimately became the region’s major innovative industry by the late 19th century.
In 1904, the celebrated poet, Carl Sandburg, proclaimed:
“Down in southern New Jersey, they make glass. By day and by night, the fires burn on in Millville . . . Big, black flames shooting out smoke and sparks; bottles, bottles, bottles, of every tint and hue . . . that marks the death of sand and the birth of glass.”
Although the production of window and bottle glass may have left Cumberland, Salem and Gloucester counties, the studio glass movement has been flourishing. WheatonArts and the Creative Glass Center of America (CGCA) in Millville have nurtured a growing number of talented individuals to use glass as their primary medium by offering its facilities to artists from around the world.
Click HERE to jump to GlassWeekend’s program.
June 10th – 12th, 2011
WheatonArts1501 Glasstown Road
Millville, New Jersey 08332
Tel: 800 998 4552
Website: http://www.glassweekend.com/
for some photos of GlassWeekend 2009 – click HERE.
Allegra Marquart’s Narrative Glass
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Allegra Marquart
The Deer, Mouse, Crow & Turtle
kilncast and sand carved glass 18.5″ x18.5″
Since 1976 Allegra Marquart has been a professor at Maryland Institute College of Art teaching printmaking. Allegra’s imagery continues to gain in visual complexity. Her narrative glass panels started using fables that were familiar to those who know Aesop, La Fontaine and old English rhymes, but now her stories include ones written by Kipling, Edward Lear and ones handed down through generations of American Indians. If you ask Allegra what she does she might say that she makes people stand still, think and smile. Each of these stories are enhanced with a personal drawing style and processes Allegra loves for both making etchings on paper and in the fabrication of glass panels. Allegra’s work is full of invention, humor and pain.
Allegra Marquart
The Blue Jackal
kilncast and sand carved glass 18.5″ x18.5″
From Allegra’s artist statement:
Allegra Marquart
The Elephant’s Trunk
kilncast and sand carved glass 18.5″ x18.5″
So sure was I of this revelation that I went to work immediately. I began with sand blasting deeply into the glass to create my first body of work in this medium that was so new to me. A class at Pilchuck with Paul Marioni taught me how sand casting could give my images even greater physicality and drama. Work at The Corning Studio and The Washington Glass School (in DC) expanded my casting experience.”
Allegra is part of the faculty at the Washington Glass School, and she creates the multi-colored glass panels in the studio’s large kilns. Firing color atop color, Allegra creates a basis on which to deep sand carve her visual narratives.
Below is a glimpse into the steps she uses in the creation of the fantastic panels:
Allegra spreads out crushed colored glass (coarse frit) on top of a glass panel that has already been fired with a different color.
After the panel is fired, annealed and cooled, Allegra covers the glass with a thick vinyl resist.
Allegra transfers and draws her imagery onto the resist, later cutting away the elements to be exposed to a deep sand blast session.
The panel is then carved with a force fed media (deep sand blasted) that cuts through the various color layers of glass. Allegra will repeat the process on both the front and back of a panel, allowing the mix of light and color to work with her imagery.
The SOFA Chicago Art Expo will feature Allegra’s work at Maurine Littleton Gallery‘ space (#720).
Click HERE to jump to Allegra Marquart’s website.
Upcoming Class
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Class 919 – Jump Start Your Imagery
Do you have the artist’s equivalent of writer’s block? Do you have lots of half formed ideas and don’t know which one to use? Are you worried that you’ll be repeating yourself if you work with an idea more than once? Do you think that none of your ideas will be good enough; that it has all been done before and it just doesn’t matter? Join this 2-day workshop to discard self-defeating thoughts and build your creative energy.Find the ideas you need in order to take your first steps along a new path of sustainable creative endeavor. We will use writing and drawing for intensive imagining sessions. Later we will use cut glass shapes to make images in fused glass. The resulting pieces will be something you can keep as a reminder of how to get started again when you feel stuck. About the instructor
Instructor | Allegra Marquart |
Dates | Sat / Sun Oct 3 / 4 |
Time | 11 am – 4pm |
Tuition | $325 |
Click HERE to jump to Washington Glass School class list.
About the instructor:
Allegra Marquart has been teaching printmaking at the Maryland Institute College of Art (MICA) for decades. Nine years ago she began to include glass as a way to strengthen and revitalize her imagery. Her glass artwork is featured at international art venues, including SOFA Chicago and Palm Beach 3. She currently has her work on exhibit at both Maurine Littleton Gallery in the Georgetown section of Washington, DC and at the Emerson Gallery in the McLean Project for the Arts in McLean, VA.
Click HERE to see Allegra’s website.
Northern Virginia Art Beat
Kevin Mellema of FCNP reviews McLean Project for the Arts shows – including Allegra Marquart and Michael Janis’ glass artwork. Novie Trump’s ceramic works are also reviewed.
Kevin also reviews Michael Janis and Allegra Marquart at Maurine Littleton Gallery.
Click HERE for the link to the entire article.
excerpt from the FCNP:
To Tell the Tale: Works by Allegra Marquart, Michael Janis and Tom Baker, at the MPA (1234 Ingleside Ave., McLean). The exhibit runs through Nov. 7, and the gallery is open Tuesday – Friday, 10 a.m. – 4 p.m. and Saturday 1 – 5 p.m. For more details, call 703-790-1953 or visit www.mpaart.org.
Allegra Marquart and Michael Janis both work in glass out of the Washington Glass School in Mt. Rainier, Md. Tom Baker is a print maker from New Jersey.
Baker’s prints seem to juxtapose destructive and utilitarian objects in playfully similar ways. A coil spring stands beside a falling bomb with corkscrew spiraling trajectory trailing behind it. Similarly, an underwater mine sits ready to destroy anything that touches it, while a ship’s propeller motors past unscathed.
Allegra Marquart produces multi-colored relief glass panels that depict children’s fables. Maraquart’s works resemble wood block prints, not surprisingly, because she came from printing to glass making and at times, still makes wood block prints.
Marquart’s panels spare none of the gory details in what are often fairly graphic childhood tales. The combination of crude, often heavy handed childhood tales, with the cool, highly polished glass surfaces, gives the works a natural sense of tension.
Michael Janis is showing his re-interpretations of tarot cards.
In addition to the images here at MPA, both Janis and Marquart have works on view through October at the Maurine Littleton Gallery in upper Georgetown (1667 Wisconsin Ave. NW, Washington, D.C.). The Georgetown gallery is open Tuesday – Saturday, 11 a.m. – 6 p.m. For more details, call 202-333-9307 or visit www.Littletongallery.com).
Marquart’s work seems of a uniform mien at both locations. Janis however has two new large panel works and nine smaller 12-by-12-inch panels at Littleton Gallery.