glass sculpture | Washington Glass Studio

Petrovic & Tate Are At It Again

Posted on July 26, 2010 by Michael Janis |

Marc Petrovic and Tim Tate

Fresh from their collaborative work that is now on exhibit in the Dead or Alive show at the Museum of Arts and Design, artists Tim Tate and Marc Petrovic are working on another set of works.
Marc & Tim’s M.A.D. installation: Apothecarium Moderne, resembles a 19th century apothecary. Take a closer look though and you’ll see that the contents of these glass sculptures represent cures for modern day ills such as Loss Of Faith, Financial Insecurity, Identity Theft and Erectile Dysfunction, The show has garnered a lot of reviews and attention, including the NY Times inclusion of an image of their work in the Time’s Science section.

Apothecarium Moderne: Glass, mixed media, video.
photography by AnythingPhotographic

This collaboration is one of many such projects that the Connecticut-based Petrovic and DC-based Tate have worked on over the years, since they first met at Penland School of Crafts in 1992.

Word is that the new series is based on the seven deadly sins & they have been busy trying out each and every sin to gain insight.

Marc Petrovic and Tim Tate

Posted in glass sculpture, marc petrovic, mixed media, Tim Tate

CASE STUDY: Glass Sculpture as Public Art

Posted on March 28, 2010 by Michael Janis |

Prince George’s County Circuit Courthouse

Prince Georges’s County Upper Marlboro Circuit Courthouse artwork

If you have been following the ongoing story of the Washington Glass Studio’s design and progress of the installation of Prince George County’s Upper Marlboro courthouse glass public art sculpture – the installation is almost complete. As described in the June 2009 blog posting –

The historic 1939 Circuit Court building was devastated by fire in 2004, completely destroying the ornate Duvall Wing. The old bell tower that was atop the portico entry had been reduced to the structural frame and the historic bell within had crashed down to the ground during the fire.

The cupola’s 124-year-old bell fell through the second floor during the fire and was buried in the rubble. (photo: Mark E. Brady — Prince George’s County Fire/emergency Medical)

For a number of years, during the renovation of the courthouse, the bell tower structure continued to deteriorate on what had become a construction site for both the courthouse expansion and the renovation of the damaged courthouse.

The structural remains of the original 1939 bell tower cupola.

In 2008, Prince George’s County asked two of the artists that had made artwork for the interior of the Marbury Wing court expansion to collaborate and come up with some concepts for the front entry courtyard of the refurbished court building as it neared completion. Early on, the decision was made to restore the original bell tower cupola as the center point of the public artwork sculpture, and that informed the many design concepts explored. Infill panels made of cast glass with courthouse/legal imagery, sandcarved glass infill panels, backlighting with computer controlled LED panel lighting effects, neon lighting – were some of the many different ideas that were explored and the design options were narrowed down, documented and presented to the courthouse committee, headed by Circuit Court Judge Sheila Tillerson-Adams.

Different concepts of integration of lighting and cast recycled glass were explored.

Titled “Rebirth and Renewal “, the concept was modified with input from the judges and the committee, and in late 2009, the original steel structure and copper dome top was restored and set into a new paved area outside the courthouse, near the main courthouse entry. Glass began being cast into bas-relief panels with imagery based on the courts, the legal system, Prince George’s County, and the original court building.

Cast bas-relief panels made from recycled glass were made with court and community based imagery. Michael Janis begins coldworking the panels. Nicole Puzan installs the cast textured panels into the steel framework.

Steel frames were made for the glass panel infill support. Neon artist Marty King made a neon representation of the original bell of the bell tower, which, by tradition, was struck at 9.30 am each day court was in session. An engineer certified the original bell tower cupola’s structural integrity for the modifications and reuse. Custom benches for seating around the artwork were started. The chamfered corner panel infills were designed to incorporate detailed county seals representing the counties served by the Circuit Court. These panels were clear, with deep, intricate sandcarved panels. In December of 2009, all the elements were coming together, and installation of the cast glass began.

Erwin Timmers tests the neon. Erwin Timmers and Alonzo Davis bolt the infill panels to the steel structure.

During the installation, the Washington, DC area was hit by two snowstorms that dumped the largest amount of snow ever recorded in the area’s history, and installation had to work around the snow removal efforts.

The Circuit Court for Prince George’s County shares the Seventh Judicial Circuit with the Circuit Courts for Calvert, Charles and St. Mary’s counties. Seals of each of the counties are presented in the artwork.

The names of the Circuit Court refurbishment committee are acknowledged in sandcarved panels mounted in the glass and steel sculpture. The cast recycled glass alternates with clear glass to allow alternating views looking into the neon bell sculpture and allowing diffused lighting from the neon to illuminate the cast glass symbols.The final elements were recently installed, and the neon switched on.

The artwork “Rebirth and Renewal” at night.

Posted in architecture, case study, Duvall Wing, glass sculpture, neon art, outdoor neon sculpture, Prince George's County, Public Art, Upper Marlboro

WPA "Cream" Exhibition Features DC GlassWorks Artists

Posted on January 29, 2010 by Michael Janis |

Megan Van Wagoner, Comforts of Home: Potatoes, 2010
Blown Glass, White clay | 12″ x 12″ x 8″

Washington Project for the Arts (WPA)’s opening of its newest exhibition, Cream, is this weekend, and the show runs January 30 – March 6, 2010, at the American University Museum at the Katzen Arts Center.

This annual exhibition features works by more than 110 local and national artists selected by an esteemed group of eight top curators including scholars, museum directors, practitioners and collectors.

All works are on view until the WPA Annual Art Auction Gala, which will take place March 6, 2010, during which the exhibited works are available to the highest bidders. An opening reception will be held on Saturday, January 30, 2010 from 6-9pm, along with a talk by the curators on Thursday, February 25, 2010, 6:30-9:30pm, both at the Katzen Arts Center, 4400 Massachusetts Ave. NW, WDC.

The 29th iteration of this exhibition highlights some of the region’s most talented artists, presenting a broad range of media and styles of both new and emerging artists as well as more established career artists.

Cream is a notable survey of contemporary art in the region and beyond, with selected works representing the cream of the crop and the talent of the artists included that rose above thousands of others viewed during the curatorial process.

“We are tremendously pleased with the participating curators and their art selections – the work is fresh and exciting, and there are artists with long-standing ties to WPA as well as new names that the curators are introducing to the public,” said Lisa Gold, WPA’s Executive Director.

Four artists (David D’Orio, Joseph Corcoran, Steven Jones, and Megan Van Wagoner) of DC GlassWorks created special glass sculptures for the Art Auction Gala. These pieces will be featured in the museum exhibition and on the dining tables during the auction event, and are available for bid. Click HERE to see the WPA link on these works.