Washington Glass School & Virginia Glass Guild Explore New Directions In Special Glass Exhibit

Erwin Timmers talks about the environmental themes that are part of his glass artwork to Gayle Paul - Curator at the Portsmouth Art & Cultural Center

Erwin Timmers talks about the environmental themes that are part of his glass artwork to Gayle Paul – Curator at the Portsmouth Art & Cultural Center. For this exhibit, PACC joins with the Chrysler Museum of Art and regional art facilities to celebrate the art of glass as Norfolk, VA hosts the Glass Art Society Conference from June 1-3, 2017.

Tying into the creativity that is part of the Glass Art Society 2017 conference in Norfolk, artists of the Washington Glass School and the Virginia Glass Guild are creating a joint exhibit at the nearby Portsmouth Art & Cultural Center (PACC). Titled “EMBRACING NARRATIVE: Artwork of the Washington Glass School and Virginia Glass Guild”, the show will feature works by members of the two glass organizations. Together these organizations promote the awareness and advancement of glass through ideas, theory, sculptural design, technology and installation. 

Audrey Wilson talks about her plasma-charged narrative assemblages.

Audrey Wilson talks about her plasma-charged narrative assemblages.

Gayle Paul, the Curator of the PACC came to the Washington Glass School this weekend to finalize selection of glass artworks. The jurors of the exhibit are Diane Wright, Curator of Glass, Chrysler Museum of Art and Sheila Giolitti, Mayer Fine Art Gallery.

Featured Washington Glass School artists include: Michael Janis, Tim Tate, and Erwin Timmers, Audrey Wilson, Diane Cabe, Sean Hennessey,  Allegra Marquart, Syl Mathis, Elizabeth Mears,  Debra Ruzinsky, Nancy Weisser, Erin Antognoli, Steve Durow, Jennifer Lindstrom, Sherry Selevan, and Jeff Zimmer.

Gayle Paul is intrigued by Allegra Marquart's combination of glass and textile for her sculptures.

Gayle Paul is intrigued by Allegra Marquart’s combination of glass and textile for her sculptures.

 

Embracing Narrative
Artwork of the Washington Glass School and the Virginia Glass Guild

Portsmouth Art & Cultural Center
400 High Street
Portsmouth, VA 23704

March 3- June 4, 2017
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Tim Tate is Aces in London!

WGS Co-Director Tim Tate wins award at London Contemporary Art Competition!

LCALondon Contemporary Art has created a platform for artists to showcase their work in the heart of London and has brought together a unique blend of talents from all around the world. Carefully selected from over 800 applicants, LCA endeavoured to present a diverse show displaying a broad range of techniques, mediums and philosophies. The exhibition showcases 21 National and International artists who demonstrate the very best in creative process, craftsmanship and technique. First Place and the first ever LCA Prize winner  was Emma Leone Palmer, and our Tim Tate was awarded second place! 

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Detail of Tim Tate’s “Endless Cycle”; 36 x 36 x 4; Glass, Aluminum, Poly-Vitro, electronics

There will also be a Public’s Choice Award which will be open to all members of the public submitted through a ballot box in the gallery. The votes will be tallied at the end of the show on the 26th February.

Well Done Mr Tate!!!

Virginia Museum of Contemporary Art Opens “Mindful” – & Examine Creativity’s Role in Mental Health

The Virginia Museum of Contemporary Art (MOCA) opens “Mindful: Exploring Mental Health through Art”- an exhibit that looks at mental health through the lens of contemporary craft. Mindful features more than 40 works created by 14 contemporary craft artists  – WGS Co-Director Michael Janis’ glass artwork is highlighted in the show that runs January 28 – April 16, 2017.

Other artists include: Edward Eberle, Ian Thomas, Meredith Grimsley, Grace Kubilius, Swoon, Rose Clancy, Jesse Albrecht, Joan Iversen Goswell, Sophia Jung-Am Park, Alison Saar , Jennifer Ling Datchuk, Lyn Godley, and Kaitlyn Evans.

Virginia Museum of Contemporary Art

Virginia Museum of Contemporary Art

The exhibition highlights a variety of techniques and forms that include innovative art expressions rooted in traditional craft materials, as well as art that explores unexpected relationships between craft and painting, sculpture, conceptual, and installation art.

Along with the exhibition MOCA will plan innovative community programming, partnerships and education opportunities. Mindful reaches beyond the museum walls to examine creativity’s role in mental health, resiliency, and compassion.

This exhibition was organized by the Society for Contemporary Craft, Pittsburgh, Pennsylvania.

Michael will also be featured in a Virginia MOCA Artist Talk on April 13 – click HERE for details.

Virginia MOCA

Mindful: Exploring Mental Health Through Art

2200 Parks Ave
Virginia Beach, VA 23451

Glass Art Magazine Features WGS Co-Director Michael Janis

janis.michael.glass.art.magazine.leatherbarrow.usa.mixed_media.sculptureGlass Art Magazine had profiled WGS artist Michael Janis recently for their podcast series “Talking Out Your Glass“. The Glass Art celebrates warm, cold and hot glass in multiplatforms – and had presented profiles in print magazines that are issued bi-monthy.

In the new January/February issue, some incredible articles – including a great read on Michael Janis’ works events, and fascinating profile on pioneering glass artist Ginny Ruffner’s distinguished career. 

Have a listen to the Michael Janis podcast HERE – and click HERE to jump to Glass Art magazines site to get a subscription to the latest info on glass and glass education.

Class 5008 – Open Studio – Work At Your Own Pace

Already know the basics of casting or fusing? Open Studio gives each student the opportunity to work independently in a world class studio. Tuition includes a kiln firing per session, clear base glass and colored scrap glass, use of studio tools. Note: students working in dry plaster casting need to schedule cleanup date with studio coordinator.

Cost: $350 for 4 sessions. $100 for 1 session. Open studio is 12-4 on weekdays. Email erwin@washglass.com for questions or scheduling.

Congrats Deb Ruzinsky – New Director of Appalachian Center for Craft!

The Appalachian Center for Craft is a satellite campus of Tennessee Tech.

The Appalachian Center for Craft is a satellite campus of Tennessee Tech.

The Appalachian Center for Craft (ACC) has announced that their new Director of the Appalachian Center for Craft at Tennessee Tech University is our Debra Ruzinsky! Congratulations Debra – and congrats to the school who is getting such a thoughtful and dedicated new director! This will be great for both of them!

Deborah Ruzinsky lectures on glass casting techniques at Washington Glass School.

Debra Ruzinsky lectures on glass casting techniques at Washington Glass School.

 

The Appalachian Center for Craft is located on over 500 wooded acres overlooking Center Hill Lake in scenic Middle Tennessee near the town of Smithville. The facility was built in 1979 and exceeds 87,000 square feet of spacious studios, gallery, exhibitions, administrative offices, library, cafe, student housing and meeting/audio visual rooms.

The Craft Center is approximately 60 miles east of Nashville and 120 miles west of Knoxville; and only 25 miles west of TTU’s main campus in Cookeville.

Debra Ruzinsky is a creative facilitator, an arts administrator, and an active and engaged glass artist with an ongoing practice. Her works are found in numerous collections, among them the Seto City Museum collection in Seto, Japan, and the Glasmeseet Ebeltoft collection in Denmark. She has exhibited at such venues as Vis Arts in Rockville, MD, Urban Glass in Brooklyn, NY, Hawk Galleries exhibition BIGG: Breakthrough Ideas in Global Glass in Columbus, OH, The Wayne Art Center exhibition Reflections in Glass in Pennsylvania, the Brattleboro Museum of Art exhibition Glass in All Senses in Vermont, and the Glass Heap Challenge exhibition at the Glass Factory Museum in Boda Glasbruk, Sweden.

USA Art Glass Industry Goes South

uroboros

A few Uroboros workers will have the options of transferring to California to work for Oceanside. About 40 people work at Uroboros. photo April Baer

Oregon glass makers have gotten skewered in the news this past year. 2016 was the year one modest Forest Service research project turned the Northwest’s storied art glass industry upside down. Samples taken near two Portland art glass factories were shown to carry dangerously high concentrations of heavy metals. These companies make supplies for glass artists all over the world. 

After a tumultuous year of regulatory and public scrutiny, Uroboros Glass founder and owner Eric Lovell is spending this winter preparing to send his 44-year-old art glass business, Uroboros Glass, into new hands. Lovell made the decision this fall to retire and sell his business to a California-based company, Oceanside GlassTile.

Click on link HERE to read KUOW Puget Sound Public Radio’s (PSPR) April Baer interview with Eric Lovell as he prepares to hand off Uroboros to California’s Oceanside GlassTile. While the company has some Oregon connections, it means the loss of some 40 Portland-area jobs to Oceanside, whose production facilities are in Mexico.

2016 Washington Glass School Year-In-Review

2016 Glass Year In Review
As 2016 winds down, The Washington Glass School remembers what brought us together in 2016, and look forward the connections we’ll make in 2017.

It was a year to be confounded, shocked, outraged, exuberant, and saddened. Whether you loved 2016 or hated it, one thing is clear: It was a year full of the unexpected.

January

Marvin Lipofsky, 1938-2016

Marvin Lipofsky, 1938-2016

Studio Glass great Marvin Lipofsky passed away January 15, 2016. Marvin Lipofsky was one of the six students that Studio Glass founder Harvey Littleton instructed in a program at the University of Wisconsin-Madison in fall 1962 and spring 1963. Marvin’s work has been an integral component of modern sculpture in glass for some 50 years while his personality was a challenge for many.

WGS alum Cheryl P Derricotte had a great year! Cheryl was a finalist in the 2016 Society for Contemporary Craft (SCC) LEAP awards. Later in the year, Cheryl received rave reviews with her solo exhibit “Ghost/Ships” at San Francisco’s Museum of the African Diaspora (MoAD).

February

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Protesters surround the BE factory in Portland after high hexavalent chromium levels were found.

It has been a tumultuous year for art glass makers. Researchers found elevated levels of toxic heavy metals near Uroboros and Bullseye Glass factories in Portland, OR, prompting ramped up regulation of the industry. Oregon’s EPA had focused its regulations that control emissions. The new regulations require costly industrial filters that prevent the release of glass production’s toxic byproducts. The EPA regulators later identified 14 factories that may make art glass using heavy metals.The cease and desist order threw art glass production in the US for a loop, with the glass companies struggling to comply. Bullseye Glass voluntarily stopped using the metals in its manufacturing process. Later it said it would never again use arsenic. It also suspended the use of chromium. The EPA story would play out all year long, closing a number of US art glass makers and shifting fabricators out of the country.

On a happier note, the Corning Museum of Glass (CMoG) announced the appointment of Susie J. Silbert as curator of modern and contemporary glass. 

CMOG's Curator of Mern Glass, Susie Silbert.

CMOG’s Curator of Modern & Contemporary Glass, Susie Silbert.

In February, members of the National Capital Area Glass Guild (NCAGG) visited at the Washington Glass School in February for a presentation on public art works. Tim Tate, Erwin Timmers and Michael Janis covered how possible site-specific projects are identified, how proposals were put together, and how a team is created to create the public art and installations – a real soup to nuts presentation.

The NCAGG at WGS.

The NCAGG at WGS.

Speaking of site-specific commissions, also in February, Washington Glass Studio completed two commissions for artwork in a refurbished downtown Bethesda building lobby. Working with art consultants, Directions in Art, Washington Glass Studio designed and fabricated artwork for two levels of an office building that was undergoing a major renovation. 

Site specific illuminated glass artwork by Washington Glass Studio.

Site specific illuminated glass artwork by Washington Glass Studio.

 

March

In March, the Smithsonian’s National Portrait Gallery’s Outwin Boochever Portrait Competition selected Penland resident artist Dean Allisons cast glass sculpture as one of the 43 finalists selected from the competition’s more than 2,500 entries received in its celebrated competition, held every three years.   

Michigan’s Habatat Galleries exhibited at New York Art Fair SCOPE featuring works by Tim Tate, Sean Hennessey and Michael Janis. 

Art Fair Scope NYC 2016

Art Fair Scope NYC 2016

April

penland kilnformed glass technique

Sean Hennessey teaching at Penland School of Craft in North Carolina in April.

In April, Sean Hennessey taught his bas relief cast glass and color techniques at NC’s Penland School of Craft, with Audrey Wilson as his teaching assistant.

The Laurel Library public artwork community glass “quilting bee” workshops began in April – and making the sculpture would continue most of the summer. 

Laurel Library artwork sought involvement by the residents and the community.

Laurel Library artwork sought involvement by the residents and the community.

May

In a move that shocked many in the art glass world, Spectrum Glass company announced that they were going out of business. Spectrum, which made System 96 fusing glass and numerous varieties of stained glass stated that “due to several factors, it’s no longer financially feasible for Spectrum Glass to continue to operate.” These factors included the EPA regulations imposed as of February 2016. In September, Spectrum announced that they “…finalized the sale of Spectrum Glass and System 96 brands, equipment, and formulas to world-renowned glass manufacturer Oceanside Glasstile (OGT) in Carlsbad, CA.”

 

Sibylle Peretti at the Smithsonian Renwick Gallery.

Sibylle Peretti at the Smithsonian Renwick Gallery.

The James Renwick Alliance “Distinguished Artist” series – glass artist Sibylle Peretti was in Washington, DC for a workshop. On Sunday, May 22, Sibylle Peretti presented her works to the audience that gathered at the Smithsonian Renwick Gallery. 

June 

Virginia Commonwealth University (VCU) Craft/Material Studies student Sandhya Kiran Chiluvuri did a stint of independent study at Washington Glass School.  Sandhya graduated VCU in just 2 and a half years after a career at a male-dominated computer job. 

Sandhya Kiran Chiluvuri working in glass.

Sandhya Kiran Chiluvuri working in glass.

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2016 Americans for the Arts Annual Leadership Awards.

The Americans for the Arts annual convention  was June 17 – 19, 2016, held in Boston, MA.  The Washington Glass Studio is proud to have made the awards for the 2016 Annual Leadership Awards.

July

The permanent collection returned to the refurbished Smithsonian Museum’s Renwick Gallery with a dynamic new presentation of 80+ objects celebrating craft as a discipline and an approach to living differently in the modern world. The installation, titled “Connections” featured favorites alongside new acquisitions made during the museum’s renovation. Nora Atkinson, The Lloyd Herman Curator of Craft, selected the objects and conceived the innovative presentation.

Pokémon Go — the augmented-reality game that sent the classic Japanese franchise into a new age — took the world by storm in July. The Washington Glass School was listed as a Pokestop, with the nearby Mt Rainier Mini-Park was designated a Poke gym. Go Figure.

Pokemon Go DC Destination: Washington Glass School.

Pokemon Go DC Destination: Washington Glass School.

August

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Josh Hershman works on the Laurel Library artwork.

The Laurel Library public art sculpture continued in both the workshops and in assemblage. Glass artist Josh Hershman joined in on the process.

Curator Jennifer Lindsay brought together two sculptors, Laurel Lukaszewski (ceramics) and Joseph A. Corcoran (glass) to create site-­specific installations for the Brentwood Arts Exchange in the show “Other Worlds of Imagination and Wonder“. Using collaborative installations as a way to intensify the viewer’s immersion in a transformative or revelatory experience, Lindsay juxtaposed works by both artists, from miniature to monumental, illuminating each artist’s individual responses to materials, nature, culture, and the environment.

otherworlds.corcoran.lukaszewski.brentwood_arts_exchange

September

2016 DC Mayor's Arts Award

2016 DC Mayor’s Arts Award

Washington, D.C.’s 31st Annual Mayor’s Arts Awards ceremony was held at the Historic Lincoln Theater and Washington Glass School Co-Director Michael Janis was awarded the “Excellence in the Arts” honor! The DC Mayor’s Arts Awards are the most prestigious honors conferred by the city of Washington, D.C. on artists, teachers, nonprofit organizations and patrons of the arts and humanities. 

Artist Klaus Moje, who founded the Glass Workshop at the Australian National University School of Art, passed away in September at the age of 79. Klaus Moje had been recognized internationally as one of the most significant innovators in the medium of glass, and as a highly influential educator who has inspired several generations of young artists. Born in Hamburg, Germany, Moje established his first studio, in 1961. He relocated to Australia in 1982, where he founded the Glass Workshop of the Canberra School of Art and the modern art glass movement in Australia. 

Klaus Moje

Klaus Moje 1936-2016

Michael Janis’ solo exhibit at Maurine Littleton Gallery – “Echoes of Leaves and Shadows” opened to great reviews. Dr Claudia Rousseau – Professor of Art History at Montgomery College – reviewed the show in the East City Art “glass works that cross the line between sculpture (as in relief sculpture) and painting, and which stand out in brilliant color….From both a technical and subjective viewpoint this is a striking show.” Washington Post Arts Critic Mark Jenkins wrote that Janis’ work “combine the stateliness of stained-glass windows with the vivacity of pop art — half medieval cathedral, half 1960s Vogue”.

October

Uroboros Glass Company- also located in Portland- announced that they will be shutting down after almost 44 years in the business. In December, Uroboros announced that the company had been sold and will continue production in Mexico. Bullseye Glass had announced that, under the supervision of the Oregon Department of Environmental Quality, Bullseye has implemented an environmental protection capital investment program, installing baghouses on 12 of their furnaces. Permanent rules adopted by the Oregon’s Environmental Quality Commission in September require the installation of additional technology, which were planned to be in place in December. Bullseye plans to resume full production of glass in early 2017. Until then, they are not be able to produce glasses containing chrome. BE continues to develop new chrome-free greens and have reformulated other styles. One of the styles BE reformulated is 0100 Black, which appears to be slightly more transparent than it was in the past. BE has advised that this will be the case until they can once again use chrome.

November

Opening of SOFA Chicago at Navy Pier.

Opening of SOFA Chicago at Navy Pier.

SOFA Chicago! Once again, a number of artists from Washington Glass School were featured at SOFA CHICAGO – one of the longest running art fairs in the world, and the oldest art fair in Chicago. 

Go CUBS! Audrey Wilson shows her support for the World Champs at Wrigley Field.

Go CUBS! Audrey Wilson shows her support for the World Champs at Wrigley Field.

After 108 years of waiting, the Chicago Cubs won the 2016 World Series with 8-7 victory in the final game over the Cleveland Indians. Awesome.

 

Vitrum's Judith Conway and Kevin O'Toole.

Vitrum’s Judith Conway and Kevin O’Toole.

Vitrum Studios announced that their glass resource center would close at the end of 2016. Vitrum Studio was started by Judith Conway and Kevin O’Toole in 2001. 

The Washington Glass Studio (WGScompleted installation of a community based site specific public art commission for Prince George’s County Laurel Library. On opening day the community members that participated in the creation of the over 100 glass panels eagerly sought out the location of their artworks.

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Glass and steel artwork, titled “Involve Me and I Learn” installed at the new Laurel Library, Laurel, MD. photo by Pete Duvall.

 

December

The international contemporary art world descended on Miami, Florida for the infamous Art Basel Miami Beach exposition, and its numerous satellite events. The exhibits were as outrageous as ever, and Washington Glass School artists Tim Tate and Audrey Wilson’s work were featured at the shows. Tim Tate had a solo booth at SCOPE Miami, and Audrey Wilson at CONTEXT, showing at Alida Anderson Art Projects. 

Tim Tate (and his artwork) was a babe magnet.

Tim Tate (and his artwork) = babe magnet.

 

PBS’ Maryland Public Television (MPT) tapped our Michael Janis to be Co-Host on the fifth season of the series ‘Artworks’ with host Rhea Feikin.The show features intriguing profiles of established, emerging and experimental artists from across the country working in all creative categories: musicians, performers, visual artists, writers, designers, and artisans. 

Michael Janis and Rhea Feiken on Artworks episode  514

Michael Janis and Rhea Feiken on Artworks episode 514

So much to absorb. Yet if 2016 was a world turned upside down, just wait until next year!

The instructors and artists at the Washington Glass School and Studio wish All a Happy New Year! 

I Want My M* TV! (*= Michael Janis)

WGS' Michael Janis gets mic'd up for a taping of Maryland Public Television (MPT)  "Artworks" taping.

WGS’ Michael Janis gets mic’d up by Jim Bigwood, MPT audio engineer for a taping of Maryland Public Television (MPT) “Artworks” episode while host Rhea Feikin reviews the script.

Maryland Public Television (MPT) will launch the fifth season of Artworks, MPT’s weekly arts series. The lively series is hosted by Rhea Feikin, a cultural icon in her own right. The show features intriguing profiles of established, emerging and experimental artists from across the country working in all creative categories: musicians, performers, visual artists, writers, designers, and artisans.

Michael Janis will be the guest Co-Host on two action-packed episodes – the first airing December 29, 2016 and the second airing January 5th, 2017.

Dutch artist Berndnaut Smilde's monumental rainbow prism  featured on Artworks Episode 513.

Dutch artist Berndnaut Smilde’s monumental rainbow prism featured on MPT’s Artworks: Episode 513.

Artworks: Episode 513

Premiere date: Thursday, December 29, 2016 at 8:30pm on MPT-HD (repeats Sundays at 12:30pm, MPT-2 Sundays at 12pm)

Description: Co-Host Michael Janis, Co-Director, Washington Glass School. Dutch artist Berndnaut Smilde’s monumental rainbow prism; Houston Grand Opera’s lush costumes; Fawzia Khan, surgeon turned sculptor; and pageantry of the Rose Parade meets Downton Abbey on New Year’s Day.

Click HERE to jump to watch online!

 

EMULSION 2017 | Call for Artists

emulsion4EMULSION – The Fourth Annual East City Art Regional Juried Show has released their call for artists to submit work. The exhibition is open to anyone 18 years and over who resides or creates art within 50 miles of East City Art’s headquarters located at 922 G Street SE in Washington, DC. This includes the greater DC and Baltimore region.

EMULSION 2017 HIGHLIGHTS
New Location—To accommodate the increase in the number of applicants for EMULSION, the 5,000 square foot PEPCO Edison Gallery. ECA hopes to show a minimum of 40 artists.
Prize Money—The first prize purse from $1,500 to $2,000. There will also be two additional cashes prizes of $250 in the new honorable mention category.
Extended Viewing and Extended Programming—EMULSION 2017 opens on Fri., March 3 and runs through Thu., March 16. That’s two full weeks of viewing plus weeknight programming.

Television Coverage—WETA (DC PBS Affiliate) will be filming the drop-off, installation and opening reception.

Entry Deadline: January 9, 2017
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PRIZES

$2000 First Place Prize
$1,000 Second Place Prize
$500 Third Place Prize
Two (2) $250 Honorable Mentions

Entry Fee
An entry fee of $42.50 paid to East City Art via Submittable. You may submit up to five (5) works including images, video and audio.

Location
Pepco Edison Place Gallery located at 702 8th Street NW in the heart of Downtown Washington DC

Juror
Deirdre Ehlen MacWilliams, Public Art Project Manager for Arlington County’s public art program. Read more about the juror HERE

To apply online – click HERE.