Craft Futures 40 Under 40 at Smithsonian Renwick

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40 under 40:Craft Futures features forty artists born since 1972, the year the Smithsonian American Art Museum’s contemporary craft and decorative arts program was established at its branch museum, the Renwick Gallery. 

Opening July 20, 2012, the exhibition investigates evolving notions of craft within traditional media such as ceramics and metalwork, as well as in fields as varied as sculpture, industrial design, installation art, fashion design, sustainable manufacturing, and mathematics. The range of disciplines represented illustrates new avenues for the handmade in contemporary culture.

Matthew Szösz, b. 1974

All of the artworks selected for display in the exhibition were created since Sept. 11, 2001. This new work reflects the changed world that exists today, which poses new challenges and considerations for artists. These 40 artists are united by philosophies for living differently in modern society with an emphasis on sustainability, a return to valuing the hand-made and what it means to live in a state of persistent conflict and unease.

Nicholas R. Bell, The Fleur and Charles Bresler Curator of American Craft and Decorative Art at the Renwick Gallery, organized the exhibition. The museum hopes to acquire works by every artist featured in the exhibition to commemorate the fortieth anniversary of the Renwick Gallery. 

Matthew Szosz Untitled (Inflatable no.46p)
Matthew demo’d his technique at the Washington Glass School – click HERE to jump to description and video.

Click HERE to jump to the list of the youngsters in the show.

40 under 40: Craft Futures July 20, 2012 – February 3, 2013
1st floor, Renwick Gallery (Pennsylvania Avenue at 17th Street N.W.) Washington, DC


JRA Announces "Masters Of Medium"

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 The James Renwick Alliance has announced the winners of their “Master of the Medium” award for 2013. The Masters of the Medium award recognizes artists of consummate craftsmanship who have contributed to and influenced their chosen fields. The Masters of the Medium awards were initiated in 1997 on the occasion of the fifteenth anniversary of the James Renwick Alliance and the twenty-fifth anniversary of the Renwick Gallery. The Masters of the Medium Awards are given biennially in odd numbered years. 
The 2013 winners are:

GlassPaul Stankard

Paul J. Stankard “integrates mysticism with botanical realism giving the glass organic credibility”.  His work celebrates the beauty of nature on an intimate level.  His work is in 38 museum collections, five books and documentaries are published about his work, has been shown in too many exhibitions to count.  He has helped advance flame working by teaching at seven master classes, including in Japan and Scotland.  He supports the Creative Glass Center of America as a board member since its founding in 1983 and as president for three years.

Jewelry/MetalBruce Metcalf

“Jewelry is interesting because it is one of the last portable art forms.  Carried on the body, jewelry intrudes into public space at the same time it represents the persona of the wearer.  The more unusual the ornament, the more disturbing the intrusion, and the more radical the representation.  Wearing my jewelry requires either a great sense of adventure, or a total disregard for potential ostracism.” – Excerpt from Artist Statement, 1991



WoodWilliam Hunter

William Hunter masterfully turns and disc cuts wood to create precise and polished spirals and helixes which open up the vessel with contrast between inside and outside, shadow and light, matter and empty space. He  rewards us with unique and innovative vessels and sculptural forms.  His work is in 23 museum collections, featured in 28 books of sculpture and woodturning, and has been shown in over 60 exhibitions. 

FiberMary Giles

Mary Giles resides in St. Croix, Minnesota.  In the early 1980’s she participated in shows with other influential basket artists. She creates mixed – media coiled baskets that are very sculptural in nature. Her choice of fine waxed linen and metal attached shapes go far beyond the traditional basket. The forms take on a surprise element. She says this about her work, “Today, I am very concerned about the environment and try to capture the forms, textures and light found in nature.”

ClayAdrian Saxe

Adrian Saxe, a Guggenheim Fellowship recipient, has been named, “the most significant ceramic artist of his generation” by L.A.critic, Chris Knight.  A California artist and influential teacher for more than 30 years – another critic sums up his work thus,” Saxe is a virtuoso…spectacularly skilled”.  His ornate, and humorous vessels make reference to traditional vessels and become objects of rare originality and beauty at the same time.  

The winners will receive their awards during Spring Craft Weekend, April 5 to 7, 2013.

Emotional Leak

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The UK has some great glass artists – ones that are moving narrative or content driven glass forward. Erin Dickson and Jeffrey Sarmiento are two such artists, and they had collaborated on this work titled “Emotional Leak”. Both artists work out of England’s University of Sunderland, and with access to waterjet cutters, have exploited that resource to their artistic end. From Erin’s artist statement: “my works takes on…the intersection of glass and architecture. As an architect by training, and more recently a glass designer, I use my own experience to evaluate how glass can be manipulated to suit both intentions. When glass is used in architecture, it is too often viewed as a separate component passed to glass ‘specialists’ or artists for manipulation, it is allowed to become a dissected part of the building. My aim is to remove glass from being just a ‘window’ and enable it to become an architectural design element of its own. My work looks at non-traditional methods of using space and light, using glass to manipulate a viewer’s experience of place.”

 Dickson/Sarmeinto, Emotional Leak, 2011: waterjet cut glass with steel and rubber base about 9.5 x 4 x 4 ft 
Below is a video of the construction of Emotional Leak – 

Emotional Leak Construction from Sarmiento Glass on Vimeo.