Craft Will Save The World: Renwick Gallery’s 40 Under 40

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Stephanie Liner, Momentos of a Doomed Construct (installation detail), 2012, plywood, foam, Dacron, cotton, adhesive, live model

The Smithsonian Renwick Gallery’s Craft Futures: 40 Under 40 exhibit has just opened this week (on exhibit now thru February 3, 2013), and it is a must-see show! Nicholas Bell, the Curator of American Craft organized the exhibition which features forty artists born since 1972 – the year the Smithsonian established the Renwick Gallery. Evolving notions of craft within traditional media such as ceramics and glass, as well as in fields such as industrial design, installation art, fashion design, and mathematics are explored.

General view of gallery space - Artwork in foreground: Marc Maiorana, Renwick Gate, 2011, iron

Artwork in the exhibition was created since Sept. 11, 2001 and this new work reflects the changed world that exists today, one which poses new challenges and considerations for artists. Nicholas Bell talked about the work and the selection process at a noon lecture on Friday, July 20, outlining some concepts that included  underlying themes that could be seen within the works – including postmodernism, environmental and economic issues, and how the explosion in craft is based on a desire by artisans to try and fix the world via the process of creation. There was also mention of a topic at Nicolas’ talk that I want to investigate more: the ‘sloppy craft movement’ (!) – but that is for a later blog posting.

Some of the standout works seen at the opening nite include:

Stephanie Liner, Momentos of a Doomed Construct (installation detail), 2012, plywood, foam, Dacron, cotton, adhesive, live model.

Stephanie combines clothing and furniture forms into Fabergé egg-like armatures that are as fascinating as they are unnerving. It’s a rare opportunity to see them as they’re intended, with living, breathing (beautiful) woman inside of the bubble, gazing back at you.

Andy Paiko, Spinning Wheel, 2007, blown glass, cocobolo, steel, brass, leather

Great to see Matt Szösz and his inflated fused glass. Matt was recently awarded the Louis Comfort Tiffany Foundation Grant. 

Korean born Bohyun Yoondescribes his work titled “Glass Tube”.

Opening nights are about networking. Above left image in center: Chris Rifkin, Fuller Craft Museum’s board chairman and Right rear image: Perry Price, Director of Education at American Craft Council.

Cristina Córdova, Dulce, 2011, ceramic, paper

Mia Pearlman’s paper works dominate one of the gallery spaces with massive installations and a video.

Olek, Knitting is for Pussies,2005-2011, mixed media, 100% acrylic yarn, live models

Detail from Olek’s ‘Knitting is For Pussies’ installation and of ‘yarn-bombed’ tricycle parked in front of Renwick Museum on Opening Nite.
The opening night gala was a spectacular event – very much with a retro art-happening vibe.

The fun, audacity, interesting & provoking attitudes of the show make it a winner and it should be added to one’s list of gallery/museum to-do lists for Washington, DC this year. Click HERE to jump to the Smithsonian Renwick Gallery website.

Craft Futures 40 Under 40 at Smithsonian Renwick

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40 under 40:Craft Futures features forty artists born since 1972, the year the Smithsonian American Art Museum’s contemporary craft and decorative arts program was established at its branch museum, the Renwick Gallery. 

Opening July 20, 2012, the exhibition investigates evolving notions of craft within traditional media such as ceramics and metalwork, as well as in fields as varied as sculpture, industrial design, installation art, fashion design, sustainable manufacturing, and mathematics. The range of disciplines represented illustrates new avenues for the handmade in contemporary culture.

Matthew Szösz, b. 1974

All of the artworks selected for display in the exhibition were created since Sept. 11, 2001. This new work reflects the changed world that exists today, which poses new challenges and considerations for artists. These 40 artists are united by philosophies for living differently in modern society with an emphasis on sustainability, a return to valuing the hand-made and what it means to live in a state of persistent conflict and unease.

Nicholas R. Bell, The Fleur and Charles Bresler Curator of American Craft and Decorative Art at the Renwick Gallery, organized the exhibition. The museum hopes to acquire works by every artist featured in the exhibition to commemorate the fortieth anniversary of the Renwick Gallery. 

Matthew Szosz Untitled (Inflatable no.46p)
Matthew demo’d his technique at the Washington Glass School – click HERE to jump to description and video.

Click HERE to jump to the list of the youngsters in the show.

40 under 40: Craft Futures July 20, 2012 – February 3, 2013
1st floor, Renwick Gallery (Pennsylvania Avenue at 17th Street N.W.) Washington, DC