Washington Glass School Winter Exhibition & Open House

santa.in.washington.dc.glass.xmasWashington Glass School invites all to gather around the warmth of the kilns and celebrate the season! On Saturday December 13th, from Noon til 5, you are invited come on in to the Washington Glass School and see some of the new directions the artists of the Washington Glass School are moving the traditional craft with integration of modern process, mixed media, and narrative.

Audrey Wilson, glass, mi

Audrey Wilson, mixed media

 

Some of the region’s leading mixed media sculptors and artists work from the studios on the edge of DC, and artwork both large and small will be on sale.

Syl Mathis, cast and carved glass

Syl Mathis, cast and carved glass

Works by the following artists will be on display: Diane Cabe, Veta Carney, David Cook, John Henderson, Sean Hennessey, Michael Janis, Trish Kent, Nancy Kronstadt, Jennifer Lindstrom, Allegra Marquart, Syl Mathis, Tim Tate, Erwin Timmers, Audrey Wilson and more! 

 

Erwin Timmers Recycled Glass lighting

Erwin Timmers, lighting made from recycled glass

Visit the adjacent studio spaces as well – next door White Point Studio will have their first open studio! Check out work by artists of Red Dirt Studio and nearby Ani Kasten’s artbar – make a day of it! 

Sean Hennessey, cast glass

Sean Hennessey, cast glass

 

Washington Glass School Winter Exhibition and Open House

 

Saturday, Dec 13th, from Noon til 5:00 pm

3700 Otis Street, Mt Rainier, MD 20712

Omaha’s The Reader on Glass Exhibit

Gallery 72's exhibit of studio glass in Omaha, Nebraska.

Gallery 72’s exhibit of studio glass in Omaha, Nebraska.

Recently, the Washington Glass School blog noted Omaha, NE’s Gallery 72 exhibit “The Greatness of Studio Glass”. The show (just ending) had a great review in the local newspaper “The Reader“. Critic David Thompson wrote:” Rich in content and impeccably installed, this show provides a great opportunity to understand the relatively brief history of studio art glass as an American art form. The twelve artists in this show… all combine to say a great deal about art glass’s past, present, and future.”  

Mr Thomas has some notes about WGS artists: “Allegra Marquart’s past as a printmaker lingers in her flat, pictorial pieces that seem glow like pages from a magical storybook (Aesop’s Fables is one of her inspirations).”

Michael Janis’ artwork is also commented upon: “Yet another intriguing use of glass occurs in the work of Michael Janis, for whom the material functions as a lens, sometimes one of several, through which we view the other, more pictorial elements of the work.  Sometimes these elements are three-dimensional, as in the glass leaves that cascade down the front of “The Forest for the Trees.”  Sometimes they are both two- and three-dimensional, like the tiny shadows sprinkled across Janis’s works that are cast by bubbles in the glass surface.”

Mr Thompson ends his review with: “Gallery 72 has given us an engaging array of pieces from art glass’s past and present.  It is not to be missed.  Harvey Littleton would be proud.”

All of us, actually!

Click HERE to jump to the entire article in The Reader”.

JRA Distinguished Artists Tommie Rush & Richard Jolley

Each year the James Renwick Alliance (JRA) sponsors the Distinguished Artist Series and gives craft artists prominent in their fields an opportunity to conduct workshops and give lectures. The JRA partners with other regional arts organizations which host workshops on their premises. This weekend the Distinguished Artist in Glass is presented a couple: Richard Jolley & Tommie Rush.

Tommie Rush "Red Fade Botanical Bowl"

Tommie Rush “Red Fade Botanical Bowl”

Tommie Rush and Richard Jolley, husband-and-wife glass artists, cover a broad spectrum. Rush creates exquisite functional pieces on an intimate scale in a desire to “make the everyday more enjoyable.” Jolley, on the other hand, has recently debuted an installation being hailed as one of the largest figurative glass-and-steel assemblages in the world.

In separate successful careers, the pair has added greatly to the world of glass art. Each has had numerous solo and group exhibits and their work is included in many public and private collections throughout the world. Rush and Jolley will offer a demonstration workshop on Saturday, October 25 at 10am. Richard Jolley will demonstrate his technique for creating large-scale glass. The couple will describe their process during the demo. Participants registered for the Saturday event will be invited to a potluck dinner in honor of the artists on Saturday evening (space may be limited). On Sunday, October 26 at 2pm, the artists will give a lecture at the McEvoy Auditorium at the Smithsonian American Art Museum. This lecture is free and open to the public.

Lecture Date: October 26, 2014
Time: 2:00 pm – 3:00 pm

Lecture Venue: McEvoy Auditorium of the
Smithsonian American Art Museum.

Corning Museum of Glass Residency

The Studio of The Corning Museum of Glass is an internationally renowned facility that offers glassmaking classes for a variety of skill levels and techniques, as well as artist residencies, rentals, and a variety of other programs.The Studio’s Artist-in-Residence program brings artists from around the world to Corning. The artists spend a month at The Studio, exploring new directions in glass art, or expanding on their current bodies of work, while using the immense resources of the world’s leading glass museum. At the end of the residency, each artist gives a presentation about his or her work.

Apply for a Residency

Proposals with all supporting materials included must be received at The Studio by October 31. No late submissions will be considered.

Transportation, as well as room and board, will be arranged for those invited to participate in these month-long programs. All basic supplies will be provided, and the facility will be made available whenever classes are not in session. Residents will have access to the Rakow Research Library and the collection of The Corning Museum of Glass. Residents are expected to make their own work during a residency.

Residencies will be held in March, April, May, October, and November. One or two individuals will be selected for each month.

If interested in being considered, please submit application including 10 digital images of artwork, two letters of recommendation, a written proposal (including detailed information on residency plans; necessary supplies, equipment, and assistants), the best months for to participate, and a resumé.

Location: Corning, NY

Located in Corning, New York, The Studio is part of the Corning Museum of Glass. The Studio has state of the art glass making facilities in furnace work, flameworking, kiln working, coldworking and engraving. 

Click HERE to jump to CMOG application.

 

Corning Museum of Glass New Glass Review Deadline Approaches!

New Glass Review

Call for Entries: The Corning Museum of Glass invites artists, craftspeople, designers, and architects worldwide to submit images of new works using glass.

The deadline for submissions is October 1, 2014. In late November or early December, a jury selects 100 images from the submissions.New Glass Review is published every spring by The Corning Museum of Glass in conjunction withNeues Glas (New Glass), published by Ritterbach Verlag, Frechen, Germany, and GLASS: The UrbanGlass Art Quarterly, published by UrbanGlass, Brooklyn, New York.

Participants are requested to complete the entry form, submitting a total of three digital images illustrating one work per image. Three images of different pieces are preferred, although participants may send multiple views of one or two pieces. Digital photographs must be of actual objects designed and made between October 1, 2013, and October 1, 2014.

Click HERE to jump to CMOG info and instructions to submit online.

Next Generation: Audrey Wilson

portsmouth.art.center.audrey_wilson

PACC, 400 High Street, Portsmouth, VA 23704

Audrey Wilson is an artist in high demand! Not only does she have a great show at North Carolina’s Bender Gallery, she has work in a show of artists of the Chrysler Museum glass studio that also opens August 1, 2014.

Virginia’s Portsmouth Art & Cultural Center (near Norfolk’s Chrysler Museum) joins with the TCC Visual Art Center to host a series of glass exhibits and programming that celebrate the studio glass movement. The two locations combine to offer artwork by instructors and past and present art glass studio assistants at the Chrysler Museum of Art Glass Studio and/or completed their studies in glass at the Visual Art Center, Portsmouth. Chrysler Museum of Art Glass Studio Manager Charlotte Potter’s work will be featured in “Personal Cartography” at the Visual Art Center.next.gen

The upcoming generation of glass artists – which includes our Audrey Wilson – will be featured at PACC in “Mapping the Next Generation”.

Mapping the Next Generation, August 2 – October 12, 2014

Opening Reception August 1, 2014

PACC – 400 High Street, Portsmouth, VA 23704

The Portsmouth Art & Cultural Center (PACC), housed in the 1846 Courthouse, is devoted to offering quality educational, cultural and aesthetic experiences in the arts through rotating visual art exhibits, lectures, classes and performances.

“All New” Glass Fun Facts: Part 1

Its been a while since we got our glass geek on. These fact-filled glass trivia were very popular when we were on the old blog format, and we’re ready to burst with glass bits-of-info.

When glass breaks, the cracks move at speeds of up to 3,000 miles per hour.

breaking-glass-oThin-glass goblets can vibrate when hit by sound waves. This is due to resonance.

Glass takes over 1 million years to decompose in our landfills and dumps. Recycling glass reduces air pollution by 20%, and water pollution by 50%. Only 27% of the glass used in the United States is recycled. A typical glass recycling factory can recycle up to 20 tons of glass per hour. The energy saved from recycling 1 glass bottle can run a 100-watt bulb for 4 hours.

glass landfillHydrofluoric acid will dissolve glass.

From the start of time glass has been available to man. Stone Age man used obsidian (a naturally formed glass) for cutting tools and weapons. The Phoenicians also accidentally discovered glass when cooking near nitrates that when heated formed glass. However, we have to wait until the Egyptian times before we can actually trace deliberate glass manufacture which was in the form of beads.

core-forming_glass

In 1500 BC, we believe the first glass bottles were made using the “Core-Forming Method”.

early.venetian.glass

The term glass developed in the late Roman Empire. It was in the Roman glassmaking center at Trier, now in modern Germany, that the late-Latin term glesum originated, probably from a Germanic word for a transparent, lustrous substance.Glass manufacture had developed in Venice by the time of the Crusades (A.D. 1096-1270), and by the 1290’s an elaborate guild system of glass workers had been set up. 

Later this week: Part 2 All New Glass Fun Facts!

Click HERE to jump to Part 2

Sunderland, UK Artist’s Residency @ Washington Glass School

criss.chaneyTwo internationally recognized glass artists have come to the Washington Glass School for an artist residency. Criss Chaney and Robyn Townsend are both UK-based glass artists that work from Sunderland’s Creative Cohesion art studio. During the International Glass And Clay exhibit in March of 2013, Robyn and Criss presented a workshop on glass inclusions at the Washington Glass School.

criss_chaney.robyn.townsend.fused.glass.metal.inclusion

2013 workshop led by artists Robyn Townsend and Criss Chaney (center) outline their process of inclusions into fused glass.

Robyn Townsend said that she looks forward to the opportunity to “explore new directions” in glass art in her return to Washington, DC. If you are in the area – make sure that you stop in and welcome the artists back to DC!

robyn.townsend