The American Craft Council (ACC) is a national, nonprofit educational organization founded in 1943. with a mission to promote understanding and appreciation of contemporary American craft.
The Baltimore ACC Show is the American Craft Council’s flagship show – a must-attend for craft lovers – runs from Feb. 19–21, 2016 at the Baltimore Convention Center.
More than 650 top contemporary jewelry, clothing, furniture, and artists from across the country will gather under one roof. It’s a great chance to touch, feel, and explore high-quality American craft and meet the makers behind the fabulous work.
Artist Drew Storm Graham is one of the outstanding makers that will be showing at the Baltimore ACC show – featuring his artistically handcrafted interchangeable wooden bow ties and his company Switchwood. (Booth: 2100)
TICKETS Purchase your tickets online or at the show. CLICK HERE for online weblink. FREE for American Craft Council members and children 12 and under. Join the ACC and get in free!
SPECIAL FRIDAY EVENING ADMISSION Get into the show for just $5 after 5 p.m. Sorry, no other discounts apply.
Before we throw away the 2012 calender, we are looking thru the pages of the Washington Glass School dates and blog postings – noting that events from a few months ago seem like ages ago. The strange phenomena of time flying by is observed once again. Many of the years past events were months – or years- in planning and preparation, and seemed like they would never happen, now seem faraway, and the impact, bothgood and bad will be here for a while. Month by month – here is a quick review of Washington Glass School’s 2012: _____________________________________________
January 2012
“Facture” exhibit at Bullseye Gallery, Portland.
Michael Janis started the year out west, showing at Bullseye Gallery in Portland, OR. The show “Facture“ was centered on artists that use glass as a canvas with artistsMichael Janis, Kari Minnick, Martha Pfanschmidt, Ted Sawyer, Abi Spring, and Jeff Wallin; moderated by Michael Endo. The show ran thru February, and later traveled to Bullseye’s RCBA Gallery in Emeryville, CA. _____________________________________________
February
Rob Kincheloe gets close to the critter.
Italian flameworkerSimone Crestaniwas here teaching workshops at the new Chrysler Museum of ArtGlass Workshop.While here in the area, Simone was working at Rob Kincheloe’s newtorch studioout in Virginia.
After annealing, the bug was filled with plasma and charged.
The installed sculpture at Smith Farm
The “Science of Art Laboratory” (SOFALab) project was created to initiate the spark of communication that can bring out new understanding and develop new tools of interactions from both the sciences and arts. Developed as a collaborative effort from the Executive Director ofSmith Center for Healing and the Arts, Shanti Norris; the Director of Printmaking at George Mason University, Helen Fredrick; and the Founder of Hamiltonian Artists and physics professor of George Mason University, Paul So, a SOFAlab project was held with Dr. Caroline Wellberry and Erwin Timmers using glass diverted from the waste stream. The students were from Georgetown University and Residents from the Fort Lincoln Clinic. The resulting glass and steel sculpture was exhibited at Smith Center Gallery.
Michael & Christina Bothwell: TLF.
February is also the month of Love – with American Craft Magazine included Michael Janis in its survey on who was “Craft Crushing”. Michael was all about sculptor Christina Bothwell.
The Washington British Embassy hosted the signing of the US/UK Friendship Agreement. L-R Chief Executive of Sunderland City Council Dr David Smith and Washington, DC Mayor Vincent C. Gray
The cities of Washington, DC and Sunderland, England renewed their Friendship Agreement in February, and the formal connection between the two cities were strengthened. The unique connection has allowed for international exchanges that played out in the year and beyond. _____________________________________________
March
Professors Tate and Janis at UK’s Washington Old Hall, ancestral home of US President George Washington.
Sunderland Uni has a world class glass facility.
Fulbright Scholars Michael Janis and Tim Tate were off to England’s North East, teaching at the University of Sunderland. Joined by Michael’s wife, Kay Janis, acting as chaperone for the lads, the boys were teaching at the National Glass Centre in the expansive glass facilities at the University.
DC’s Fulbright duo teach at Creative Cohesion.
Creative Cohesion, a Sunderland, England artist collaborative was initiated by artists that had participated in one of DC’s Artomatic events. Inspired by and modeling themselves on the Washington Glass School model, the City of Sunderland helped create a non-profit organization which specializes in arts based activities, and provides space, facilities and services to local creative practitioners and the local community. Creative Cohesion’s facilities include a glass hot-shop, which was set to open, and Michael and Tim were invited to teach at the inaugural glass workshops. The gallery component of Creative Cohesion was one of the exhibitors at London’s Affordable Art Fair in March. Michael and Tim were invited to show their artwork at the huge international art fair, and the lads were off to the big city.
The artists celebrate at London’s Affordable Art Fair.
Jeffrey Sarmiento, Kevin Petrie and Michael Janis
Back to the University of Sunderland, for a big wrap up of more workshops. Professor and glass artist Jeffrey Sarmiento – showed Michael how the University’s waterjet machine worked with glass panels, creating a class demo piece.
Hugs to all as the Fulbrighters returned home to Washington, DC, determined to reinforce the connections made. Right after the boys left Sunderland, Creative Cohesion’s artist facility was damaged as the adjacent building partially collapsed during a strong windstorm, closing the artist center until later in the year.
Upon Tim’s return to DC, he appeared as one of the speakers in a TED Talk about “The Creative City”. _____________________________________________
April
“Jazz Man” tops the refurbished Howard Theater.
Sean Hennessey was in the news as Washington’s historic Howard Theater re-opened to fanfare. Working with Brower Hatcher and Mid-Ocean Studios, Sean created the concrete and glass trumpet form for the team. At the opening, Sean was interviewed by National Public Radio (NPR). Erwin Timmers was one of the 121 featured artists at the 30th Annual Smithsonian Craft Fair.
Erwin Timmers and Mick Coughlin set up at the National Building Museum.
His cast recycled glass sculptures were a strong point of the show at the National Building Museum.
Space Shuttle Discovery does a low flyover the Washington Glass School in April.
NASA’s Space Shuttle program was retired, and the shuttle “Discovery” flew over the glass school as it headed out across the country. We ate “astronaut freeze dried ice cream” in its honor.
Tim Tate’s glass and video sculptures received the “Critics Award” at Habatat Galleries 40th Annual International exhibit in Michigan.
Habatat Galleries held its 40th Annual International invitational, and exhibited Tim Tate’s video reliquaries. Tim’s work won the Critic’s Award at the show. _____________________________________________
May
May started off running with Glass Art Magazine having an article about Erwin Timmers eco-glass and a cover story about Michael Janis’ frit powder drawings – creating a publishing two-fer! The magazine also late ran a special online feature about Tim Tate & Michael Janis’ Fulbright adventures. Some great photos by Pete Duvall of Anything Photographic filled the 10 pages of articles about Erwin and Michael.
The design concept for the LOC Adams building doors.
Rubber mold from one of the LOC sculptures.
The Washington Glass Studio began working on theLibrary of Congress Adams Building doors in May, working to recreate the historic sculpted bronze doors in cast glass. The project integrates a number of artists from the Washington Glass School and connects craft artisans from FireArt Glass in Portland, OR. Sean Hennessey started the process by creating a test panel taken from the original doors. There would be a full size sample made of the cast /laminated artwork panel, submitted to the US Architect of the Capitol for approval.
Dave D’Orio’s artwork awarded by the JRA.
Artomatic 2012 – the month long, non-juried, anything-goes exhibit opened in May. This year, the setting was a soon-to-be-demolished office building in Crystal City. The James Renwick Alliance (JRA) is an independent national nonprofit organization dedicated to advancing scholarship and education on contemporary American craft, to supporting activities directed toward this purpose, and to encouraging connoisseurship and collecting. At this Artomatic, the JRA sponsored activities and programs, and had reviewed the 10 floors of artwork, selecting winners in different media.
Sean Hennessey’s artwork awarded by the JRA
Dave D’Orio, Sean Hennessey and Michael Janis were each selected for their works in glass. The JRA also sponsored receptions and artist talks during the event. (FYI- The not-for-profit organization Artomatic.org has been instrumental in organizing international exhibits that brought together Sunderland artists and the Washington Glass School, and some new plans are being developed for the coming year.) _____________________________________________
June 2012 was anniversary year marking the start of the American Studio Glass Movement in 1962. A number of shows were held this summer to give some insight into how the art form has changed during the past 50 years. In the arty city of Asheville, NC, Bender Gallery showcased Erwin Timmers, and Asheville’s Blue Spiral 1 hosted a show about the next generation of glass artists (including Christina Bothwell, Thor & Jennifer Bueno, Susan Taylor Glasgow, Sean Hennessey, Michael Janis, Marc Petrovic, Tim Tate and others).
Marc Petrovic demo’s at GAS
Laura Donefer works the runway.
The Glass Arts Society (GAS) held its annual conference in the nominal birthplace of the studio glass movement – Toledo, OH. Said Tim Tate of the Toledo GAS – “ [Outgoing GAS President] Jeremy Lepisto’s gang did a spectacular job! and Laura Donefer’s fashion show blew me away!” _____________________________________________
July
Sean Hennessey gets serious at the LOC.
The panel molds are cleaned in the studio.
The month of July was a scorcher! Work continued on the US Library of Congress bronze doors in the sun with temps in the mid ’90’s F (mid 30’s C!). The “rockets red glare” refers to how hot it feels. Sean and crew worked in the brutal heat taking rubber molds from the Lee Lawrie bronze sculpted doors.
The Renwick Gallery of the Smithsonian Museum opened its spectacular “Craft Futures – 40 Under 40” exhibit. 40 under 40:Craft Futuresfeatures forty artists born since 1972, the year theSmithsonian AmericanArt Museum’s contemporary craft and decorative arts program was established at the Renwick.
Matt Szosz at the opening of 40 Under 40.
The show, curated by Nicholas Bell, showed how the youngsters in craft are remaking the world of craft. This show generated many discussions on how craft is no longer a part of the “apprentice to a master” world, and is one where the young students wish not to be tied to any one craft media.
Audrey Wilson models the latest in cold shop fashion.
Speaking of kids today, in July, Audrey Wilson joined the Washington Glass School as the new studio coordinator. Audrey had met Tim Tate when he was teaching a workshop at the Chrylser Museum of Glass in June, and applied for the position.
Elegance comes to the Glass School.
Audrey soon was teaching classes at the Glass School, and her accessible and welcoming teaching style won over many of the artists at the studio. ______________________________________________
August In August, the Brentwood Arts Exchange (part of Maryland’s Prince George’s Parks and Recreation) held part of its summerCreative Expressions Camp encouraging the kids to explore a variety of artistic media as well as contemporary reading and writing activities around such themes as animals, nature, and adventure.
The studio was overrun with kids, all eager to try working in glass. Some showed an intuitive knack for the craft – Who knows where these young artists will take the medium and artworld as they grow up!
Ceramic artist Novie Trump worked in the studio, working to incorporate glass into a commissioned artwork piece. Novie wanted to make an illuminated hive for an installation of ceramic bees. Novie made a number of fused glass alternates and presented to the client – a trendy restaurant in Georgetown. Ultimately, however, the architect selected a ceramic version for the installation. We will get her to glass somehow, we will not surrender.
An impressive steed. And a handsome horse too. Michael Janis as a Beltway Cowboy.
The London Olympics were celebrated here as the Washington Glass School hosted the equestrians dressage events along Otis Street. In Mt Rainier, MD. Ok, the 2012 Summer Olympics did not take place at the Washington Glass School, but the 2012 National Night Out (NNO) did. The NNO is a campaign that involves citizens, police, neighborhoods and local officials to increase crime and drug prevention and to strengthen police-community partnerships.
Then & Today Left inset: Engraving (ca. 1860) of battlefield site where Joshua Barney fell by Benson Lossing in “Field Book of the War of 1812“; Right: Washington Glass School on the same site. Over the past 200 years, the topography has been modified and changed tremendously – the creek now flows under the concrete pathway opposite the Glass School.
Connections to American history was exposed in the August post about how the Glass School’s Mount Rainier building site was part of a key battle in the War of 1812 – in theBattle of Bladensburg. With the US loss at this battle, British forces swept into Capitol Hill and burned the White House, the Capitol and the Treasury.
Penland School of Craft Auction Tent, 2012
Michael Sherrill’s incredible studio
An ardent support of the Penland School of Craft, Tim Tate took a group of collectors from the James Renwick Alliance to the annual Penland Auction and as part of the “Tim Tate Tour“. The group visited the artist studios of Hoss Haley, Michael Sherrill, Dan Essig, Christina Cordova & Pablo De Soto and Stoney Lamar.
Glass artist Beth Lipman with Susan and Fred Sanders at Penland.
The excursion also included an art tour of Asheville, NC with a visit to the Glass Secessionism show at Blue Spiral Gallery. _____________________________________________
September
Carol Trawick, David D’Orio & Catherine Leggett.Photo: Bethesda Urban Partnership
September opened big for artist Dave D’Orio, as he was one of this year’s winner of the Trawick Prize.- a visual art prize produced by the Bethesda Arts & Entertainment District that honors artists from Maryland, Washington, D.C. and Virginia. The annual juried competition awards prize money to selected artists and features the work of the finalists in a group exhibition. Dave is the executive director ofDC GlassWorks, a glass blowing facility (and sister school to the Washington Glass School) in Hyattsville, MD. At the 2012 Artomatic, theJames Renwick Alliance gave Dave’s installation sculpture its ‘Award of Recognition’.
Toots Zynsky, William Warmus,Matthew Szösz at Smithsonian Renwick lecture.
William Warmus takes photos of Erwin Timmers’ artwork.
The 40 Under 40 exhibit at the Renwick Gallery continued its run, with author, independent curator and glass expertWilliam Warmus moderating a conversation about the past, present, and future of studio glass between veteran glass artistToots ZynskyandartistMatthew Szösz. After the talk, William visited the Glass School – of which he said: “It’s better than I thought it’d be…it’s not as bad as it could’ve been“.Hmmm.
The month of September is usually the start of the exhibition season – and this one did not disappoint.
Detail from Sean Hennessey’s “Finding The Right Key“
Based on Alice In Wonderland, Sean’s work in the show: Reimagining Alice incorporates cast glass that was painted with concrete and integrates videos, LEDs, EL panels and other media that pulls traditional glass into new realms. Tim Tate and Marc Petrovic also had openings in September – at Arizona’s Mesa Contemporary Arts Museum. Under the title “Glass Secessionism”, the show opened to record crowds.
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October
Nancy Donnelly‘s solo show at Foundry Gallery included her “Glass Bouquets” that art critic Lenny Campello described as an update to the Washington Color School saying “… [Nancy’s] new work takes the color stripes from the canvas of the 1960s giants of DMV painting and re-invents it in a fresh new approach to a 21st century dialogue in glass and concrete”.
Tim Tate teaching at Penland School of Craft
Tim Tate returned to North Carolina’s Penland School of Craft in October, this time teaching with Sean Hennessey and Robert Kincheloe.
Sean Hennessey explains the dry plaster casting process.
The class was 21st Century Reliquaries, and the students incorporated techniques that included Rubber Mold Making, Wax Casting, Plaster/Silica Mold Making, Lost wax, Dry Plaster Casting, Painting Glass, Cutting Glass, Glass etching and Flameworking. _____________________________________________
November November started with the big show in Chicago – SOFA!
SOFA Opening Night at Chicago’s Navy Pier
Allegra Marquart’s panels on exhibit at Maurine Littleton.
Michael Janis and Allegra Marquart were shown at Maurine Littleton Gallery and Tim Tate was shown thru Habatat Galleries. As the focus on both craft and art at SOFA is so high, this show is where the artists have stretched a bit to show they have game.
Michael Janis’ works were huge!
Michael’s new colorful works involved optical distortion and the resolution of the imagery.
Tim Tate’s works at Habatat Galleries space.
Tim’s new works were a larger scale – and he was thinking outside the dome. Upon return to Washington, DC – the setup of shows continued, as artists from the Washington Glass School were featured in the special exhibit on the 50th Anniversary of Studio Glass at the Washington Craft Show.
Visitors gather around Joan Falconer Byrd, author of the new book “Harvey K Littleton: A Life in Glass“. Ms Byrd was one of the show’s speakers at the event. She was one of the first students in the Toledo workshops and was Professor of Art at Western Carolina University.
Maurine Littleton Gallery’s show-within-a-show was the centerpiece to the Washington Convention Center.
Historical works by some of the Studio Glass Pioneers were featured.
Works by Tim Tate, Allegra Marquart, Sean Hennessey, Erwin Timmers, Alison Sigethy and Michael Janis were shown as where the next generation of glass artists are heading. ______________________________________________
December
Art Miami’s Aqua show brought throngs.
Miami became the focus of the art world with the Art Basel/Art Miami juggernaut as the world seems to head south for the huge art extravaganza. Washington Glass School artists were well represented, with Tim Tate, Erwin Timmers, Sean Hennessey and Audrey Wilson’s works at a number of international galleries.
Audrey did very well, selling a major work to a NYC collector and a museum has asked about having her work for an upcoming art exhibit – awesome!
Everyone at the Washington Glass School sends a big THANK-YOU to all for the love & support this past year… ______________________________________________
Whats coming up in 2013? We can divulge some news scoops for the coming year – Michael Janis will be the Art Alliance for Contemporary Glass (AACG) calender boy for the month of January, as the “Artist of the Month”. January… starts the year off right…
Artomatic is planning to host a variation of the Glass 3 (the international exhibition US & UK artists) however, this year, it will be an international Glass + Ceramics showcase at downtown DC’s Edison Gallery – the month of March is being blocked out for the opening, gallery talks, workshops, and events.
Glassweekend will take place at New Jersey’s WheatonArts this coming June 7,8,9, 2013. The international symposium of contemporary glass will have demos by Beth Lipman, Davide Salvadore, Hiroshi Yamano; the keynote speaker will be Judith Schaecter.
WGS alumn Jeff Zimmer will be one of the artists featured by Scotland in the Philadelphia Museum of Art Craft Show Nov 10 – 13, 2011. Jeff will be exhibiting his exquisite series “Whitewash”. This past summer, Jeff’s work was a favorite of Washington Post arts critic Michael O’Sullivan in his review of the LongView Gallery show of Washington Glass School artists.
Said Jeff of his new works: “Whitewash depicts a series of landscapes, both urban and rural, American and Scottish, under a blanket of snow — a metaphor for the way we, as individuals and nations, ‘whitewash’ our pasts. The luminous, internally illuminated landscapes, placed in thick frames, contrast the untrammelled snow with the barely-concealed debris which remains, only partially hidden from view.”
Jeff Zimmer, We Were All Wrong (The Writing on the Wall) 2011 Multiple layers of enamelled and sandblasted glass in lightbox 18 x 15 x 6″
The Glass Quarterly blog gives a nice cover to Jeff’s work online – click HERE to jump to Ruth Reader’s article.
Click HERE to jump to more of Jeff’s series “Whitewash” (every piece is stunning, by the way).
More than 700 of the country’s leading craft artists are gathered under one roof to present the latest designer & handmade work at the American Craft Council Show in Baltimore, the largest juried, indoor craft show in the nation. This fantastic show of the highest quality handmade jewelry, furniture, clothing, home décor, and more, will be available for purchase at the BaltimoreConvention Center, February 27 – March 1, 2009.
A group from the WashingtonGlassSchool made a grand tour of the enormous show – some of the highlights included:
Tommie Rush’s booth – great to catch up with Tommie & Richard Jolley. Tommie is the Vice President of the Glass Arts Society. Click here for info about her glass.
Kenny Pieper had great work on display at his booth – always great to catch up with one of the worlds best blowers! Click here for his website.
Rania Hassan – is showing in a new section of the ACC show – ALTCRAFT. This section features rising indie crafters whose work illustrates the innovative techniques and materials of the burgeoning new handmade movement, in a shared market-style space. And her work looked fantastic! Click here for her website
Robert Wiener’s DC Art Glass booth was packed – a very popular place!
