"The Elements" at ArtSpace

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Sean Hennessy “A Dream Of Flying” cast glass, concrete

The Elements,” is an exhibition that features the imaginative work of four contemporary artists, Sherill Gross, Sean Hennessy, Sean Lundgren and Alexandra Zealand, opening on Friday, Feb 5th at ArtSpace Herndon.

Anchored in the classic elements of Hellenic physics – Water, Fire, Earth and Air – these artists use the elements as a part of their medium, rather than as the subject of their works.

Each element contains the origin of their work, is part of their work, and even transforms their work. Paper can not be created without water; ironically too much water can also destroy paper. Early fire pits dug into the sand had the side effect of also causing the first forms of glass, when the extreme heat of the fire melted silica. Dirt is the earth, the source of clay, and the root of life. Air is the space that floats between suspended objects, allowing for movement, light and shadow. Air is also the catalyst for physical transformation.

“I think of Fire as light, as heat, and as a metaphorical spark of creativity, a Prometheun gift of consciousness. I use fire both physically and conceptually to create glass and concrete wall relief sculptures inspired by personal interpretations of myth, religions, and a whimsical use of everyday objects.” Sean Hennessey

Sean Hennessey is a sculptor, painter, and glass artist. A graduate of Berea College, Sean worked in professional theatre for ten years and has bridged the theatre and fine arts community since moving to DC in 1997. His works have been seen in many contexts and venues including: The Shakespeare Theatre, The Kennedy Center, the Wooly Mammoth Theatre Company, National Geographic, Discovery Channel, HGTV, Arena Stage, Smithsonian Folk Life Festival, Signal 66, The National Institutes of Health, The Ratner Museum and Artomatic. He’s the owner of Scenic Artisans LLC, a decorative paint and sculpture service, and a resident artist at the Washington Glass School and Creative Arts Center. dcsean.com

The Elements

ArtSpace Herndon

Dates: February 5–26, 2011

Reception: Saturday, February 5 – 6-8pm.

Gallery Hours: Tuesday–Thursday: 10am-2pm, Friday: 10am-8pm, Saturday–Sunday: 12pm-5pm, Closed Mondays

750 Center Street, Herndon, VA

Tel: 703-956-6590

Reminder: Call for Glass Artwork Entries

>Two “Call For Entries” are nearing deadline for glass artists to submit images and info. For those of you that are in need of reminding – here’s what’s coming up:

HYPEROPIA PROJECTS has a call for entries for a juried show called Superposition that challenges traditional notions of glass artwork. With a broad definition of “glass and glass related”, the organizers are looking for artists whose works inhabit so many places simultaneously that they might not fit into any of them. They are interested in works that directly address this condition of being in multiple places at once, as well as projects produced by artists who inhabit the fringes of genres
APPLICATION DEADLINE FEBRUARY 11th
WHEN – June 2011, in conjunction with the Glass Art Society Conference
WHERE – Center on Contemporary Art, Seattle Washington.
JURORS – Jin Hongo, Jocelyne Prince, Michael Scheiner, Jack Wax
APPLICATION DEADLINE – February 11th, 2011 For more information about the exhibition, visit http://hyperopiaprojects.com/

Also:

Saint Louis’ Craft Alliance has announced a national invitational and juried exhibition titled “Identify Yourself” – exhibition dates are May 20-July 3 , 2011. Entry Deadline March 25th.
The theme of the show is, “Who are you? What is your history and what makes you, you?”

The curator/juror, noted gallery owner Duane Reed, will be choosing work that explores ideas pertaining to cultural identity, psychological identity or personal narrative. Some of the invited artists include Sonya Clark, Gregory Grennon, Elizabeth Lo, Mark Newport and Joyce J. Scott.

The exhibition will be at the Craft Alliance DELMAR LOOP location: 6640 Delmar Blvd, Saint Louis, MO 63130.

Click HERE to jump to the St Louis Craft Alliance artist call.

Daily Art Muse’s Susan Lomuto Is Here to Work!

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Susan Lomuto, a Connecticut based artist / writer, established a blog called “The Daily Art Muse” (DAM), showcasing contemporary fine craft.

DAM covers the global landscape of handcrafted artwork with thousands of readers of her weekday posts and content in over 3,000 archived posts. Susan created the site to inspire “artists, designers and collectors worldwide” and the website is frequently used as an educational resource in traditional classroom settings (high school and college) as well as online learning environments.
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As
part of exploring what it takes to be dedicated to art and fine craft, Susan has set out to work as an apprentice for a number of artists across the country. She wants to learn – about art and about the life of an artist; ultimately writing in-depth about the working artist’s life. Many of her experiences will be featured in the Daily Art Muse blog. Susan is working at creating a multimedia experience complete with pictures, video and text.

The apprenticeship project continues this coming week, as she begins a 6-week internship with several DC area artists – including the Washington Glass School.

Said Susan of the process: I suppose I could have just planned a road trip to visit artists around the country, asking questions, taking lots of pictures, shooting video – but that felt incomplete. Instead, I wanted to develop a solid understanding of the how/why/when/what that makes this a well-lived life, so I am getting my hands dirty as an intern – in many cases jumping out of my comfort zone and into their studios, working in mediums unknown to these hands (like glass), sweeping floors, conditioning clay, gathering supplies – and whatever else they need me to do.”

How Washington Glass School welcomes Susan Lomuto.

“My first internship, with jewelry artist Dina Varano in Connecticut, was a quiet one, working in a studio nestled in the woods, away from the distractions of the outside world.
The DC internship promises to be a lively experience in an arts complex that is home to several busy studios and more than two dozen artists. I will make sure I’m ready for the
“Toto, I have a feeling we’re not in Kansas anymore” moment once I get there!”

Read more of Susan’s travels and internship – click HERE.

For an update on Susan’s kick-off mtg with the studios – Click HERE


To help fund the arts endeavor, Susan has created a great fundraising project, complete with perks for donations. Click HERE to learn more about perks.

Matt Duffy joins WGS

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Please join us in welcoming our newest member of the Washington Glass Studio staff – Matthew Duffy. Matt will be coordinating the Safeway supermarket public art project for the studio.

Matt looks for the tin side of float glass.

The production of the wall of cast glass panels and installation into the steel framework will take place thru the spring. Next time you are at the studio, be sure to say hey!

"Color and Shape" at City Gallery DC

>Color and Shape showcases Nancy Donnelly’s glass art and Jill Finsen’s oil paintings.

Fascination with texture as a component of color and shape is apparent in the work of both these artists. Surface abstraction contributes to the success of these art pieces—the texture of the glass plays off the layered textures within the paintings. These works truly complement each other.

Both artists find negative space crucial to this effect, moments of rest that energize each work and in this sense make each stronger. Donnelly and Finsen’s artwork provides an elegant balance between familiarity and abstraction.

Color & Shape

February 5-26, 2011

City Gallery

804 H Street, NE, Washington, DC 20002

202.744.6439

Opening Reception Saturday: February 5, 2011 from 6-9pm

"Dead or Alive" Exhibition at MAD Update

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The Apothecarium Moderne Marc Petrovic/Tim Tate

Readers of the WGS blog might remember earlier postings about Tim Tate & Marc Petrovic’s collaborative work ” The Apothecarium Moderne” that was part of the Museum of Arts and Design (MAD) exhibition “Dead or Alive: Nature Becomes Art”.

The museum’s curators just received notice that the International Art Critics Association (AICA) will be giving the exhibition an award. These awards are given in recognition of the exceptional and important work in the visual arts contributed that year by artists, curators, gallerists, writers, scholars, and cultural institutions. Past winners include the nation’s most important and innovative art institutions. Last year they included the Museum of Fine Arts, Boston, the Los Angeles County Museum of Fine Arts, the Museum of Modern Art, New York, and the Metropolitan Museum of Art among others. The award ceremony will take place on March 14, 2011 at Cooper Union’s Rose Auditorium in New York City.

Category: Architecture or Design Show
Title: Dead or Alive: Nature Becomes Art
Institution: The Museum of Arts and Design, New York, NY
Dates: April 27 – October 24, 2010
Curators: Chief Curator David Revere McFadden and Senior Curator Lowery Stokes Sims

Congrats to all the artists and the museum!

Glass Sparks: Jeff Zimmer

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Washington Glass School alumn Jeff Zimmer had returned to the school for a visit in January. Now a resident of the UK, Jeff lives in Edinburgh, Scotland, where he received a MDES in Glass & Architectural Glass, at the Edinburgh College of Art, (ECA), where he is now an instructor.

In the UK, Jeff has been making quite a name for his artwork – recently featured in the British Glass Biennale and shown in a collaboration between Contemporary Applied Arts & Contemporary Glass Society This year he will be exhibitng at the Perth Museum and Art Gallery, in the UK .

Jeff’s work was selected to be part of the Corning Museum of Glass’ New Glass Review 31. Tina Oldknow, Curator of Modern Glass, The Corning Museum of Glass said of his work:

“… glass is not immediately apparent in Jeff Zimmer’s ’1/1000th the Distance between Me and You (in a Deadrise)’, but it is an essential part of the work. A dark and dramatic object, it is constructed of 22 layers of enameled and sandblasted glass in a light box. In the obscured photograph, an object in the distance that emerges from black clouds under a clearing sky can be faintly discerned: is it a ship or something else? Using a box of cut glass sheets, Zimmer creates the depth and luminosity of a painting, but it is an image that undoubtedly changes every time it is viewed, depending on the angle and the ambient light.”

While at the Glass School, Jeff worked on a piece that will be shown at the WGS 10th Anniversary Exhibition to be held this May at Washington, DC’s Longview Gallery.

A strong narrative is created by meticulously layering imagery made from enameled and sandblasted glass.

The layered composition works in a tremendously subtle way; the depth of field changes as the viewer moves around the work, allowing one’s perception to shift and migrate.

Jeff evaluates and modifies each individual layer of glass as he fires the enamel onto the glass sheets.

Jeff constructs a box of glass for presentation, and installs LED lighting to illuminate the panels.
The box-like construction of each work creates an almost cinematic experience of space, volume and depth. One is drawn in by the emergent light from beneath the horizon or trailing into the distance like a wake.
Check out the final piece – titled “Fog Of Communication” at the 10th Anniversary Show!
Click HERE to jump to Jeff’s website.

For other glass artist profiles:

Diane Cabe

Sean Hennessey

Teddie Hathaway

Elizabeth Mears

Allegra Marquart

Jackie Greeves

Call for International Artist-In-Residency: Finland

>Call For Entries

NUUTAJÄRVI International Artist in Residence Program

1-14 OCTOBER 2011

This residency offers studio glassblowers and artists an opportunity to work with hot glass in Nuutajärvi Glass Village, Finland (about 2 hour drive from Helsinki) from the 1st to the 14th October 2011. In Nuutajärvi you will find one of Iittala Group’s glassworks, Tavastia Glass School, NuGO Glass Gallery Coop and Lasikomppania aka “The Glass Company”, a local glass cooperative.
Lasikomppania, the organizer of the residency, was founded in 2003 to provide facilities for independent glassmakers and artists and to make Nuutajärvi better known as a glass centre in Finland and abroad.


The residency covers fourteen days. It includes five days in the hot shop for glassblowing or hot casting with clear glass. The artist is responsible for travel expenses and additional materials. The hotshop contains two gloryholes, three annealers and a tank furnace. You will be using Glasma C48 pellets.

Accommodation and breakfast are provided for one person in the guesthouse. One twin room can be provided if accompanied by an assistant. Separate accommodation for possible assistant is available at 30 Euros per night (self-catered, basic single room).

The chosen artist is to have a presentation, of their work in Nuutajärvi, if possible. (For example a slideshow etc). The Glass Company will also hold one piece of work for its collections for future exhibitions.

WHO CAN APPLY:

Studio glass artists and glassblowers are invited to apply for the residency. A work proposal and a curriculum vitae (CV) are required for the application. Please include 4 images in JPG-format (max. 1MB each) of recent works. Applications can only be submitted by e-mail.

APPLICATION DEADLINE: 15.3.2011

Please send your inquiries and applications to Anu Penttinen, anu@nounoudesign.fi

Glass Secessionism

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Tony Oursler

The Internet and social network groups continue to create changes and offer options in art criticism and discussions. A new Facebook group “Glass Secessionism” has sprung up, creating a venue for artwork with a narrative or content-driven aesthetic.


According to the group description:

The intent of this group is to underscore and define the 21st Century Sculptural Glass Movement and to illustrate the differences and strengths compared to late 20th century technique-driven glass. While the 20th century glass artists contributions have been spectacular and ground breaking, this group focuses on the aesthetic of the 21st century.

Kiki Smith

The object of the Glass-Secession is to advance glass as applied to sculptural expression; to draw together those glass artists practicing or otherwise interested in the arts, and to discuss from time to time examples of the Glass-Secession or other narrative work. This movement is modeled after Alfred Stieglitz and the Photo-Secessionists and how they redefined photography.

It was said of Stieglitz” What, then, was this secession from? It was not only from artwork that had gone stale through the copying of Victorian, conventional styles, but more importantly from the dictatorship of the entrenched institutions, galleries, art schools and professional art organizations that enforced or at very least sanctioned copying or imitation.”

Stephen Paul Day & Sibelle Peretti

Keep in mind, by Glass Secessionism it is not to say that we as artists are seceding from glass, just from the aesthetic of purely technique, material and process driven sculpture. There is no disrespect meant towards technique driven work. Glass Secessionism is a different branch of the glass tree. Think of them as separate but equal.
Glass Secessionism, with notable exceptions, is focused on 21st century sculptors in glass – and can include mixed and new media. There is a strong movement which begins at the graduate school level, to focus more on the narrative content and less on materiality. The newest emerging artists in glass tend to be much more focused on this direction.


Christina Bothwell

Glass is finally being allowed to be just another sculptural medium. The fine art world is certainly beginning to take notice, as so many notable fine art galleries and museums (not focused on glass in the past) are allowing and, in fact, promoting work and artists that are glass based.

Members are encouraged to post and share their own or others examples of 21st century glass sculpture and open discussion topics regarding this issue. Click HERE to jump to the Facebook group.